The vehicle through which
death metal guitar hero
Michael Amott channeled his most extreme instrumental concepts,
Arch Enemy was an experiment that produced predictably wild and undeveloped results. After the group's debut,
Black Earth, shocked and amazed many fans of the Gothenburg sound,
Arch Enemy signed with indie
metal powerhouse
Century Media and released
Stigmata in 1998. As often happens with highly anticipated follow-ups,
Stigmata disappointed some fans with what some called a more restrained sound and lesser material. Realistically, the tightly constructed production was to be expected, and the real driving force behind
Arch Enemy's success --
Amott's guitar work -- is definitely present. On the negative side, vocalist
Johan Liiva doesn't do much except stay out of the way, and the addition of
Peter Wildoer on drums (in place of
Daniel Erlandsson) doesn't help either. Perhaps confirming the band's critics,
Arch Enemy asked
Erlandsson to return for its next release,
Burning Bridges. These problems are really minor when balanced against
Amott's massive playing and songwriting, so while
Stigmata is a fraction off from the band's debut form,
Arch Enemy still delivers some nice melodic
death metal on the sophomore effort. ~ Vincent Jeffries