A moody, deeply yearning work of unadulterated retro-style synth pop, the debut album from Britain's
Little Cub, 2017's
Still Life, remains remarkably fresh, even if it mainly sounds like a lost gem from the 1980s. '80s synth pop has been a touchstone throughout much of the indie-electronic movement of the mid-2000s, with artists like
M83,
Washed Out, and
Hot Chip borrowing the cool digital fuzz of bands like
Tears for Fears,
Erasure, and
the Human League. However, few bands have borrowed so thoroughly as
Little Cub do on their debut album, 2017's
Still Life. Hailing from South-East London,
Little Cub is a trio featuring lead vocalist
Dominic Gore, keyboardist
Duncan Tootill, and keyboardist
Ady Acolatse. Together they craft a gauzy framework of vintage-sounding keyboards and drum machines, all of which surround
Gore's yearning, resonant croon. In fact, with
Gore at the center of their sanguine keyboard arrangements,
Little Cub often evince the more downtempo end of the
Pet Shop Boys output. However, while their similarly inclined contemporaries tend to bring out the dancey side of '80s synth-based pop,
Little Cub are much more in line with bands like
the Cure and
the Smiths, creating literate anthems of exuberant melancholy. While
Little Cub's core approach is to recapture a bygone sound, there's a modern sophistication and production sheen to the album that speaks to their wit and savvy self-awareness. Catchy and beat-oriented as they are, cuts like "My Nature," "Hypnotise," and "Mulberry" remain introverted in attitude -- dance music for wall flowers -- and fit in nicely next to more prog-influenced acts like
Field Music. In that sense, although one assumes that much of the music on
Still Life was programmed, many of the tracks, like "Too Much Love" and the kinetic "Breathing Space," appear to feature real bass, minor guitar flourishes, and at least some real, woody drums via studio addition
Nathaniel Butler. Ultimately, with
Still Life,
Little Cub have managed to capture the '80s synth moment, bringing it to life with tactile, analog lyricism. ~ Matt Collar