Sundays at Tiffany's

by James Patterson, Gabrielle Charbonnet Narrated by Ellen Archer

Overview

As a little girl, Jane has no one. Her mother Vivienne Margaux, the powerful head of a major New York theater company has no time for her. But she does have one friend--Michael--and no one can see him but her. But Michael can't stay with Jane forever, and on her eighth birthday, her imaginary friend must leave her.

When Jane is in her thirties, working for her mother's company, she is just as alone as she was as a child. Her boyfriend hardly knows she's there and is more interested in what Vivienne can do for his career. Her mother practically treats her as a slave in the office, despite the great success of Jane's first play, "Thank Heaven." Then she finds Michael--handsome, and just the same as she remembers him, only now he's not imaginary. For once in her life, Jane is happy--and has someone who loves her back. But not even Michael knows the reason behind why they've really been reunited.

Editorial Reviews

Jane grew up very rich and very lonely. Her mother was much too busy with her Broadway theater company to be close to her nervous, introspective daughter. In fact, Jane had only one true friend, and he was imaginary. For years, "Michael" nurtured her in her solitude, amusing and comforting her with jokes and camaraderie. Decades later, Jane is still lonely and, though she is a successful playwright, still chained to her mother. Then one day, as if magically, Michael reappears. And this time he's real…

Library Journal

Patterson, here partnering with children's book author Charbonnet, diverges from his usual mix of blood, suspense, and terror with this captivating tale of a young woman and her soulmate. Though the characters are interesting and the dialog is realistic, it's rather a soufflé of a story that could easily float off into obscurity were it not for the outstanding narration by Ellen Archer (www.ellenarcher.com)-who, in this reviewer's opinion, is one of best readers in the business. Highly recommended for all public libraries. [Audio clip available through library.booksontape.com; the Little, Brown hc, released in April, was an LJ Best Seller, a most-borrowed title from libraries nationwide.-Ed.]
—Joseph L. Carlson

From the Publisher

"What do women want? At this point in his career Mr. Patterson probably has a better answer than Freud did."—Janet Maslin, New York Times

"Entertaining . . . Readers looking for a romantic escape will enjoy [this book]."—Midwest Book Review

"A love story with an irresistible twist."—Woodstock Sentinel-Review (Canada)

Woodstock Sentinel-Review (Canada)

"A love story with an irresistible twist."

Midwest Book Review

"Entertaining . . . Readers looking for a romantic escape will enjoy [this book]."

Janet Maslin

"What do women want? At this point in his career Mr. Patterson probably has a better answer than Freud did."

OCT/NOV 08 - AudioFile

When she’s a child, lonely Jane knows she’d be lost without her friend, a man named Michael, whom no one else can see. So she's devastated when he leaves on her ninth birthday, promising her she'll forget him. But she doesn't, ever. When Jane is in her thirties—lonely as ever—they meet again. Ellen Archer gives a delicate shading to this story of unexpected love. She transitions from the childhood Jane to the adult Jane with a subtle change in tone while keeping Jane's essential speech patterns. Archer's portrayal of Jane's powerful mother is just as convincing as those of Jane and Michael. Throughout the book, Archer resists the story's pull toward sentimentality and keeps the performance both thoughtful and entertaining. R.L.L. © AudioFile 2008, Portland, Maine

Product Details

BN ID:	2940173843555
Publisher:	Hachette Audio
Publication date:	04/28/2008
Edition description:	Unabridged

Read an Excerpt

Sundays at Tiffany's

---

By James Patterson Gabrielle Charbonnet Little, Brown and Company

Copyright © 2008 James Patterson
All right reserved.
ISBN: 978-0-316-01477-9

---

Chapter One

EVERY DETAIL of those Sunday afternoons is locked in my memory, but instead of explaining me and Michael right off, I'll start with the world's best, most luscious, and possibly most sinful ice cream sundae, as served at the St. Regis Hotel in New York City.

It was always the same: two fist- sized scoops of coffee ice cream, swirled with a river of hot fudge sauce, the kind that gets thicker, gooey and chewy, when it hits the ice cream. On top of that, real whipped cream. Even at eight years old, I could tell the difference between real whipped cream and the fake-o nondairy product you squirt from a can.

Across from me at my table in the Astor Court was Michael: hands down the handsomest man I knew, or have ever known, for that matter. Also, the nicest, the kindest, and probably the wisest.

That day his bright green eyes watched me gaze at the sundae with undisguised delight as the whitecoated waiter set it in front of me with tantalizing slowness.

For Michael, a clear glass bowl of melon balls and lemon sherbet. His ability to deny himself the pleasure of a sundae was something my child's brain couldn't wrap itself around.

"Thanks so much," Michael said, adding extreme politeness to his list of enviable qualities.

To which thewaiter said-not a word.

The Astor Court was the place to go for a fancy dessert at the St. Regis Hotel. That afternoon it was filled with important-looking people having important-looking conversations. In the background, two symphony-worthy violinists fiddled away as if this were Lincoln Center.

"Okay," Michael said. "Time to play the Jane- and- Michael game."

I clapped my hands together, my eyes lighting up.

Here's how it worked: One of us pointed to a table, and the other had to make up stuff about the people sitting there. The loser paid for dessert.

"Go," he said, pointing. I looked at the three teenage girls dressed in nearly identical pale yellow linen dresses.

Without hesitation, I said, "Debutantes. First season. Just graduated from high school. Maybe in Connecticut. Possibly-probably-Greenwich."

Michael tilted his head back and laughed. "You're definitely spending too much time around adults. Very good, though, Jane. Point for you."

"Okay," I said, gesturing toward another table. "That couple over there. The ones who look like the Cleavers in Leave It to Beaver. What's their story?"

The man was wearing a gray-and-blue-checked suit; the woman, a bright pink jacket with a green pleated skirt.

"Husband and wife from North Carolina," Michael rattled off easily. "Wealthy. Own a chain of tobacco shops. He's here on business. She came to do some shopping. Now he's telling her that he wants a divorce."

"Oh," I said, looking down at the table. I let out a deep breath, then took another spoonful of sundae and let the rich flavors unfold in my mouth. "Yeah, I guess everyone gets divorced."

Michael bit his lip. "Oh. Wait, Jane. I got it all wrong. He's not asking for a divorce. He's telling her that he has a surprise-he's made arrangements for them to go on a cruise. To Europe on the QE2. It's their second honeymoon."

"That's a much better story," I said, smiling. "You get a point. Excellent."

I looked down at my plate and saw that somehow my ice cream sundae had completely vanished. As it always did.

Michael looked around the room dramatically. "Here's one you won't get," he said.

He pointed to a man and a woman just two tables away.

I looked over.

The woman was about forty years old, well dressed, and stunningly pretty. You might have taken her for a movie actress. She wore a bright red designer dress and matching shoes and had a big black pocketbook. Everything about her said, Look at me!

The man she was with was younger, pale, and very thin. He was wearing a blue blazer and a patterned silk ascot, which I don't think anyone was wearing even back then. He waved his arms enthusiastically as he spoke.

"That's not funny," I said, but I couldn't help grinning and rolling my eyes.

Because, of course, the couple was my mother, Vivienne Margaux, the famous Broadway producer, and that year's celebrity hairdresser, Jason. Jason, the hothouse flower, who didn't have time for a last name.

I looked over at them again. One thing was for sure: My mom was beautiful enough to be an actress herself. Once, when I asked her why she hadn't become one, she said, "Honey, I don't want to ride the train. I want to drive the train."

Every Sunday afternoon when Michael and I had dessert at the St. Regis, my mother and a friend had dessert and coffee there too. That way she could gossip or complain or conduct business but still keep an eye on me, without actually having to be with me.

After the St. Regis, we would cap off our Sundays at Tiffany's. My mother loved diamonds, wore them everywhere, collected them the way other people collect crystal unicorns, or those weird ceramic Japanese cats with the one paw in the air.

Of course I was okay, those Sundays, because I had Michael for company. Michael, who was my best friend in the world, maybe my only friend, when I was eight years old.

My imaginary friend.

Chapter Two

I SNUGGLED CLOSER to Michael at our table. "Want to know something?" I asked. "It's kind of a bummer."

"What?" he asked.

"I think I know what my mother and Jason are talking about. It's Howard. I think Vivienne's tired of him. Out with the old, in with the new."

Howard was my stepfather, my mother's third husband. The third one I knew about, anyway.

Her first husband had been a tennis pro from Palm Beach. He'd lasted only a year.

Then had come Kenneth, my father. He'd done better than the tennis pro, lasting three years. He was really sweet, and I loved him, but he traveled a lot for business. Sometimes I felt as if he forgot about me. I'd heard my mother tell Jason that he'd been "spineless." She didn't know I'd overheard. She'd said, "He was a good-looking jellyfish of a man who will never amount to anything."

Howard had been around for two years now. He never traveled on business and didn't seem to have a job, other than helping Vivienne. He massaged her feet when she was tired, checked that her food was salt- free, and made sure that our car and driver were absolutely always on time.

"Why do you think that?" Michael asked.

"Little things," I said. "Like Vivienne used to buy him stuff all the time. Fancy loafers from Paul Stuart and ties from Bergdorf Goodman's. But she hasn't given him anything in ages. And, last night, she ate at home. Alone. With me. Howard wasn't even there."

"Where was he?" Michael asked. I could see the sympathy and concern in his eyes.

"I don't know. When I asked Vivienne, she just said, 'Who knows and who cares?'" I imitated my mother's voice, then shook my head. "Okay," I said. "New topic. Guess what day Tuesday is."

Michael tapped his chin a few times. "No idea."

"C'mon. You know perfectly well. You know, Michael. This isn't funny."

"Valentine's Day?"

"Stop it!" I told him, kicking him gently under the table. He grinned. "You know what Tuesday is. You have to. It's my birthday!"

"Oh, yeah. Wow, you're getting old, Jane."

I nodded. "I think my mother is having a party for me."

"Hmm," Michael said.

"Well, anyway, I don't care about a party, really. What I really want is a real, live puppy."

Michael nodded.

"Cat got your-" I started to say but then stopped in midsentence.

Out of the corner of my eye, I saw Vivienne signing the check. In a minute she and Jason would be standing over our table, hustling me off. This Sunday at the St. Regis was coming to a close. It had been another wonderful afternoon for me and Michael.

"Here she comes, Michael," I whispered. "Look invisible."

(Continues...)

---

Excerpted from Sundays at Tiffany's by James Patterson Gabrielle Charbonnet Copyright © 2008 by James Patterson. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

---

Videos