Sunstroke
When businessman Carl Perreira disappears during his vacation in Mexico, his loyal assistant Gloria-who's secretly been in love with him for years-decides to journey across the border herself to retrieve his body. But the deeper into the desert she travels, the more shocking discoveries she makes. About Carl. About herself. And about how elusive and dangerous the truth can be.
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Sunstroke
When businessman Carl Perreira disappears during his vacation in Mexico, his loyal assistant Gloria-who's secretly been in love with him for years-decides to journey across the border herself to retrieve his body. But the deeper into the desert she travels, the more shocking discoveries she makes. About Carl. About herself. And about how elusive and dangerous the truth can be.
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Sunstroke

Sunstroke

by Jesse Kellerman

Narrated by Annie Henk

Unabridged — 10 hours, 53 minutes

Sunstroke

Sunstroke

by Jesse Kellerman

Narrated by Annie Henk

Unabridged — 10 hours, 53 minutes

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Overview

When businessman Carl Perreira disappears during his vacation in Mexico, his loyal assistant Gloria-who's secretly been in love with him for years-decides to journey across the border herself to retrieve his body. But the deeper into the desert she travels, the more shocking discoveries she makes. About Carl. About herself. And about how elusive and dangerous the truth can be.

Editorial Reviews

Marilyn Stasio

… Kellerman uses a seductive style - a kind of magic realism that suits the miragelike landscape - to ensnare us in his characters' lives and make us feel, like Gloria, that we're trapped in a hypnotic dream.
— The New York Times

Forbes Magazine

Impressive debut catapulting playwright-turned-novelist Kellerman into the first ranks of mystery/suspense writers. The dialogue crackles, and the plot briskly and plausibly moves ahead. Places, characters and emotions are superbly evoked. The theme of this tale is an ancient one: We think we know someone well, but it turns out we don't at all. (5 Jun 2006)
—Steve Forbes

Kirkus Reviews

From the son of the bestsellers Kellerman (Faye and Jonathan), a superb debut thriller about love, lust, vengeance, murder and a good girl coping. Okay, so Gloria Mendez at 36 is past her first girlhood. But good she is. Probably too good for her own good, as is evident from her behavior when her boss, Carl Perreira, owner-operator of Caperco Mask and Novelty, Inc., suddenly goes missing. The world isn't full of people, for instance, who would unhesitatingly get into a car and drive the ten hours from L.A. to Aguas Vivas, Mexico, out of a sense of obligation, out of the conviction that good girls bear witness. But bear witness to what? Excellent question, and not one to which Gloria can give a conventional answer. Still, "Take care of things while I'm gone," Carl's note had said, and, Gloria being Gloria, she sets about trying to do exactly that. In Aguas Vivas, however, a sun-blasted town that time forgot, she runs into obstacles. She knows that something bad has happened to Carl there. How bad? And where is he? How many unsuspected identities does he have, this man with whom she's worked side by side for a decade? And, gulp, is he still alive? Questions and more questions, all unsettling, as is the motley array that turns out to be her only source for answers. There's the gravestone cutter competing for market share with his dead half brother, the drunken Mexican cop intent on dragging her into his bed, a seven-year-old who computes like Einstein and the gorgeous hunk claiming to be Carl's long-lost son, who dazzles her, rattles her and scares the very daylights out of her. Funny, exciting and stylishly written-a delicious tour de force not to be missed.

Product Details

BN ID: 2940172193965
Publisher: Penguin Random House
Publication date: 01/05/2006
Edition description: Unabridged

Read an Excerpt

one

Take care of things when I'm gone.

The earthquake began at three twenty-four A.M. and ended seventy-three seconds later. By four in the morning, Gloria Mendez had determined that her apartment had suffered no serious casualties.

There wasn't much to damage. In this she differed from many of her single friends, who had, without warning, begun accruing evidence of their solitude: framed photos of Mickey Mouse-eared nieces and nephews; a few too many leather miniskirts; mementos from three different ski trips with two different men. Siamese cats named The Fonz, or Jon Bon Jovi, or after imaginary daughters. Alexis. Samantha. Claire. Items you could accumulate safely, content in the knowledge that there wasn't some crazed toddler out to scratch them, shatter them, choke on them, soak them in regurgitated formula and half-digested carrots.

By contrast, Gloria's apartment looked empty. She didn't even have a mirror in her bedroom. To check her reflection, she had to go into the bathroom, stretching over the counter if she wanted to see how her Levi's fit.

She never bothered, because they always fit fine.

Spartan didn't quite describe the place. She preferred to think of it as untethered. By not weighing herself down with sentimentality, she was free to make changes to her life; free to accommodate another person, or two, or three. She believed that life forked for unwed women over thirty-five; you could either be hopeful or resigned. Resigned was halfway to dead, though, so Gloria chose to be hopeful.

Besides, these days women were having kids later than ever. Barb Oberle's cousin had had twins at forty-six. It was like something out of the Old Testament.

Untethered, buoyed by possibility. When Gloria gathered with friends for coffee, she sometimes imagined herself as lighter than those around her, hovering an inch or two above the crowd.

Owning almost nothing carried the added benefit of making it easier to keep the place clean; she liked things complete, tucked in.

About the walls, Barb Oberle said For crissake, put something up. It looks like a Kubrick film in here.

Barb had a better sense of humor than the others. It probably had something to do with the fact that she was married, but Gloria was unsure which was cause and which was effect.

The rattle of an aftershock sent Gloria scurrying to the doorway. She waited for it to pass, then went on surveying her kitchen. For once she felt thankful for the poor quality of her cabinetry. The door that stuck saved all her glassware from a lemming-like fate. She swept up a vase and sponged the viscera of high-diving jars. Beneath the sink, bleach had spilled; in cleaning it, she took care to keep it away from the Windex. Mixing the two created poisonous fumes, and if she was going to die this morning, she at least wanted to straighten up first.

The radio was calling it a humdinger. CalTech hadn't released the verdict, but "armchair seismologists" (whatever that meant) had pegged its Richter in the high sixes. Expect closure of roads and government offices. Expect power outages. Expect disruptions in cable service, phone service, Internet connections. Cell service providers are having trouble due to damage to transponders; be patient, keep trying, and maybe the grid will unclog. Do not leave your house-except if there's a gas leak. In that case, don't stay inside your house. County law stipulates that all buildings five years or younger must have an automatic gas shutoff valve; if you don't know the age of your home, it's recommended that you check. Just in case, use flashlights, not candles. Be aware that aftershocks can be as deadly or worse than the original quake, given the weakened state of-

She switched it off.

She tried to call around to see if people were okay, but the landline was out. Contrary to the radio's bleak assertions, however, her cellphone was working; Reggie had left a voicemail. He wanted to make sure she was all right. He was busy, he said, and he'd try her later in the day, when he could afford a minute to talk.

She tried him back: all circuits were busy.

Going back to bed was out of the question. Once woken, she couldn't convince her body that it had been given a second chance. She was about to run a bath when Carl's note popped into her head.

Take care of things when I'm gone.

The figurines.

She had a banana, put on some clothes, and set out for the office.

--from Sunstroke by Jesse Kellerman, Copyright © 2006 by Jesse Kellerman, published by G. P. Putnam & Sons, a member of Penguin Group (USA) Inc., all rights reserved, reprinted with permission from the publisher.

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