Taft: A Novel

by Ann Patchett, J. D. Jackson (Read by), TBD (Read by)

Overview

John Nickel is a black ex-jazz musician who only wants to be a good father. But when his son is taken away from him, he's left with nothing but the Memphis bar he manages. Then he hires Fay, a young white waitress, who has a volatile brother named Carl in tow. Nickel finds himself consumed with the idea of Taft, Fay and Carl's dead father, and begins to reconstruct the life of a man he never met. But his sympathies for these lost souls soon take him down a twisting path into the lives of strangers. . . .

Product Details

ISBN-13:	9781982688769
Publisher:	HarperCollins Publishers
Publication date:	09/10/2019
Edition description:	Unabridged
Product dimensions:	5.80(w) x 5.60(h) x 1.10(d)

About the Author

ANN PATCHETT is the author of eight novels: The Patron Saint of Liars, Taft, The Magician’s Assistant, Bel Canto, Run, State of Wonder, Commonwealth, and The Dutch House as well as three books of nonfiction: Truth & Beauty, about her friendship with the writer Lucy Grealy, What Now? an expansion of her graduation address at Sarah Lawrence College, and This is the Story of a Happy Marriage, a collection of essays examining the theme of commitment.

Hometown:

Nashville, Tennessee

Date of Birth:

December 2, 1963

Place of Birth:

Los Angeles, California

Education:

B.A., Sarah Lawrence College, 1985; M.F.A., University of Iowa, 1987

Website:

http://www.annpatchett.com

Read an Excerpt

I had such a wave of sickness come over me that I thought I was going to throw up, but by the time I walked into the bathroom it had calmed some and I poured myself a glass of water from the tap and went back to the bed. Four in the morning. I held my eyes open to keep from seeing the part where he was falling.

Then for no reason at all I thought of that girl Fay. I didn't know where she lived. I didn't have her phone number so I could call her and tell her that she couldn't have the job, if I was to decide not to give it to her. I couldn't call to find out if she was okay if I was to go in tomorrow and not find her. It wasn't that I wanted to think about her, but by seeing her face I could make myself not see Franklin's, so I thought about her. I could barely fix her in my mind, the thin skin on her temples, the red that the cold put on her cheeks. I couldn't remember the color of her eyes or if her straight hair that wasn't blond or brown was cut into bangs the way so many girls her age like to wear their hair these days. I wondered where in the east she came from. I wondered who was looking out for her. Who made her that ugly hat. I remembered how careful she was when it came time for her to cross the street and it made me feel comforted. Someone taught her what to watch for. But then, they didn't teach her well enough if she was wandering down to Beale looking for work in bars. There was no watching them every minute, Marion. We can't be everywhere. What are you going to do but teach them to look?

Reading Group Guide

1.         At the start, John Nickel seems to see Fay and Carl in terms of someone else's children that he is tempted to father. Clearly, his relationship to Fay changes: Why? What is the connection, in his head, between romance and parenthood?

2.         Why do Fay and John go to Shiloh?

3.         The scenes of Levon Taft's life aren't real; they are imagined by John Nickel. Why is John so interested in Fay and Carl's father? What does it mean that John imagines Levon Taft in relation to black children, first the boy who is selling chocolates and later the boy at the wrestling meet in Memphis?

4.         How do you interpret the last scene in the book? Why does the author choose to end with a scene in which Taft, Fay, and Carl are all much younger than they have previously appeared in the story? Why not end the book with John and Franklin?

5.         The action of this novel takes place over a very short period of time, about ten days. How would this have been a different story if it had taken place over a year?

6.         The neck plays an important role in this book: John feels the lingering touch of Fay's hand on his neck; Mrs. Woodmore scratches and scars John's neck when he is late for Franklin's birth; Carl shoots the deer in the neck though his father tells him not to, and later he shoots John through the neck. Is there any connection between these events?

7.         How do you feel about an author writing outside his or her own race and gender? Would you think this book had more validity if it were written by a black man?

8.         The blues are a strong presence in the book, and yet they remain offstage. We never see John perform as a drummer. How important is his life as a musician to the way in which we understand his character?

Editorial Reviews

Following her well-received debut, The Patron Saint of Liars , Patchett convincingly portrays a bar manager's conflicted feelings for a teenage waitress in this tale of fatherhood and unfulfilled dreams. Narrator John Nickel runs a bar called Muddy's on Memphis's Beale Street. He took the job to help provide for his lover, Marion, and their 10-year-old son, Franklin, who have since moved away, leaving him concerned that the boy lacks paternal guidance. When 17-year-old Fay Taft shows up at Muddy's, lies about her age and asks for a job, Nickel is touched by her neediness and hires her. But he doesn't bargain on her growing desire for him, or on her drug-dealer brother, who brings sleazy clients to the bar. Another complication is the issue of race--Fay is white, Nickel black--but the author concentrates on the color-blind moral problems that any family faces. As Nickel contemplates his own predicaments, he imagines scenes of the Tafts in a stable home before their father died. His sincere sense of responsibility--to his son, to Fay, even to Fay's no-good brother--is conveyed with visceral power, although the hard-boiled dialogue often resembles parody. Patchett's characters may include tough cookies with hearts of gold, but the novel is at its best when she mutes the melodrama and focuses on basic moral issues. (Oct.)

Publishers Weekly - Publisher's Weekly

This second novel from the author of the well-received The Patron Saint of Liars (LJ 4/1/92) is narrated by John Nickel, an ex-drummer who manages a Memphis bar that is a sort of anti-Cheers. He is also African American, a fact you can soon forget. For one thing, in Patchett's Tennessee, everyone, regardless of age, race, sex, class, or locale, speaks nearly the same flat language. John is obsessed with his young son, who has moved to Miami with John's ex-girlfriend, and his longing for the child is the pivotal and most convincing aspect of the novel. In the meantime, 18-year-old Faye Taft enters the bar and John's life, with her drug-addicted brother in tow. They're running from a family destroyed by their father's sudden death. Strangely, John starts imagining the Taft family before the death in passages that are vividly realized yet so disassociated from the narrator that you begin to wonder if he is receiving ESP transmissions. Patchett is a fine writer, but here we are most aware of her ideas for the novel-the fiction itself rarely takes off. For large public library collections.-Brian Kenney, Brooklyn P.L.

Library Journal

As resonant as a blues song. . . . Expect miracles when you read Ann Patchett’s fiction."
— New York Times Book Review

"A moving emblem of fatherhood's rarely explored passion." — Los Angeles Times

"Absorbing. . . Strikingly original." — Kirkus Reviews

"Patchett writes with remarkable conviction and attention to telling details." — Mirabella

From the Publisher