Teaching Literary Theory Using Film Adaptations

This volume introduces ways to use film to ease the difficulty of introducing complex literary theories to students. By coupling works of literature with attendant films and with critical essays, the author provides instructors with accessible avenues for encouraging classroom discussion. Literary theories covered in depth are psychoanalytic criticism (The Awakening and film adaptations The End of August and Grand Isle), cultural criticism (A Streetcar Named Desire and its 1951 film version), and thematic criticism ("Ode: Intimations of Immortality from Recollections of Early Childhood" and the film adaptation Splendor in the Grass). Other theories are used to clarify and support those referred to above. The work then includes a survey of the image patterns into which film adaptation theories can be grouped and how these theories relate to traditional literary theory.

1015088754
Teaching Literary Theory Using Film Adaptations

This volume introduces ways to use film to ease the difficulty of introducing complex literary theories to students. By coupling works of literature with attendant films and with critical essays, the author provides instructors with accessible avenues for encouraging classroom discussion. Literary theories covered in depth are psychoanalytic criticism (The Awakening and film adaptations The End of August and Grand Isle), cultural criticism (A Streetcar Named Desire and its 1951 film version), and thematic criticism ("Ode: Intimations of Immortality from Recollections of Early Childhood" and the film adaptation Splendor in the Grass). Other theories are used to clarify and support those referred to above. The work then includes a survey of the image patterns into which film adaptation theories can be grouped and how these theories relate to traditional literary theory.

39.95 In Stock
Teaching Literary Theory Using Film Adaptations

Teaching Literary Theory Using Film Adaptations

by Kathleen L. Brown
Teaching Literary Theory Using Film Adaptations

Teaching Literary Theory Using Film Adaptations

by Kathleen L. Brown

Paperback

$39.95 
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Overview

This volume introduces ways to use film to ease the difficulty of introducing complex literary theories to students. By coupling works of literature with attendant films and with critical essays, the author provides instructors with accessible avenues for encouraging classroom discussion. Literary theories covered in depth are psychoanalytic criticism (The Awakening and film adaptations The End of August and Grand Isle), cultural criticism (A Streetcar Named Desire and its 1951 film version), and thematic criticism ("Ode: Intimations of Immortality from Recollections of Early Childhood" and the film adaptation Splendor in the Grass). Other theories are used to clarify and support those referred to above. The work then includes a survey of the image patterns into which film adaptation theories can be grouped and how these theories relate to traditional literary theory.


Product Details

ISBN-13: 9780786439331
Publisher: McFarland & Company, Incorporated Publishers
Publication date: 03/12/2009
Pages: 219
Product dimensions: 5.90(w) x 8.90(h) x 0.80(d)
Age Range: 18 Years

About the Author

Kathleen L. Brown is an English professor at Stevenson University near Baltimore, Maryland. She has had a life-long fascination with film adaptations and serves on the executive board of the Edgar Allan Poe Society of Baltimore.

Table of Contents

Table of Contents

Foreword      1
Preface      7
Introduction      9

PART I. TEACHING LITERARY THEORY: PAIRING LITERARY CRITICISM WITH FILM ADAPTATIONS
1. Psychoanalytic Criticism     
The Awakening by Kate Chopin
The End of August (1982) and Grand Isle (1992)
2. Cultural Criticism     
A Streetcar Named Desire by Tennessee Williams
A Streetcar Named Desire (1951)
3. Thematic Criticism     
“Ode: Intimations of Immortality from Recollections
Early Childhood” by William Wordsworth
Splendor in the Grass (1961)

PART II. TEACHING LITERARY AND ADAPTATION THEORY
4. Classifying Adaptations Through Image Patterns     

Conclusion      189
Bibliography      197
Index     
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