Television/Death intertwines the study of death, dying and bereavement on television with discussion of the ways that television (and the TV archive) provides access to the dead.
Section One looks at the representation of death, dying and the afterlife on television, in historical and contemporary factual television (from around the world) and in US television drama.
Section Two focuses on dramas of grief and bereavement and discusses how the long form seriality and narrative complexity of television, from family melodramas to the ghost serial, allows for an emotionally realist representation of experiences of grief, bereavement and death-related trauma.
Finally, Section Three proposes that television has been overlooked in critical analyses of recorded sounds’ and images’ propensity to ‘bring back the dead’. It argues that television is the posthumous medium par excellence and looks at how the dead return via incorporation into new television programmes or through projects to bring television out of the archive.
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Section One looks at the representation of death, dying and the afterlife on television, in historical and contemporary factual television (from around the world) and in US television drama.
Section Two focuses on dramas of grief and bereavement and discusses how the long form seriality and narrative complexity of television, from family melodramas to the ghost serial, allows for an emotionally realist representation of experiences of grief, bereavement and death-related trauma.
Finally, Section Three proposes that television has been overlooked in critical analyses of recorded sounds’ and images’ propensity to ‘bring back the dead’. It argues that television is the posthumous medium par excellence and looks at how the dead return via incorporation into new television programmes or through projects to bring television out of the archive.
Television/Death
Television/Death intertwines the study of death, dying and bereavement on television with discussion of the ways that television (and the TV archive) provides access to the dead.
Section One looks at the representation of death, dying and the afterlife on television, in historical and contemporary factual television (from around the world) and in US television drama.
Section Two focuses on dramas of grief and bereavement and discusses how the long form seriality and narrative complexity of television, from family melodramas to the ghost serial, allows for an emotionally realist representation of experiences of grief, bereavement and death-related trauma.
Finally, Section Three proposes that television has been overlooked in critical analyses of recorded sounds’ and images’ propensity to ‘bring back the dead’. It argues that television is the posthumous medium par excellence and looks at how the dead return via incorporation into new television programmes or through projects to bring television out of the archive.
Section One looks at the representation of death, dying and the afterlife on television, in historical and contemporary factual television (from around the world) and in US television drama.
Section Two focuses on dramas of grief and bereavement and discusses how the long form seriality and narrative complexity of television, from family melodramas to the ghost serial, allows for an emotionally realist representation of experiences of grief, bereavement and death-related trauma.
Finally, Section Three proposes that television has been overlooked in critical analyses of recorded sounds’ and images’ propensity to ‘bring back the dead’. It argues that television is the posthumous medium par excellence and looks at how the dead return via incorporation into new television programmes or through projects to bring television out of the archive.
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Television/Death
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Television/Death
304
24.95
In Stock
Product Details
| ISBN-13: | 9781474451734 |
|---|---|
| Publisher: | Edinburgh University Press |
| Publication date: | 05/30/2025 |
| Series: | Edinburgh Studies in Television |
| Pages: | 304 |
| Product dimensions: | 6.14(w) x 9.21(h) x 0.00(d) |
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