"Imaginative and utterly realistic."
"Stephenson is one of speculative fiction’s most meticulous architects. . . .Termination Shock manages to pull off a rare trick, at once wildly imaginative and grounded.
New York Times Book Review
"An enthralling and thought-provoking read."
Stephenson isn’t just playing with words, he’s playing with ideas, and he isn’t joking either. He is sci-fi’s great contrarian, and Fall deserves to be rated as one of the great novels of our time, prophetically and philosophically.
Wall Street Journal on Fall; or
"Arguably no sci-fi writer has the specific combination of vision, reach, and ardent fandom that Stephenson does . . . . He is the premiere chronicler of the foundation myths of Silicon Valley and its adjacent culture—of its high self-regard, of disruptive innovation, of the world that nerds built.
Raises genuinely interesting issues about the geopolitics of a warming world.
"Neal Stephenson has never been afraid of engaging with big ideas within genre forms, and Termination Shock might be his most visionary, and timely, book yet."
With meticulously rendered action scenes, surprising plot twists, relatable, off-kilter characters and charming dialogue, [Stephenson's] books are page-turners. His latest proves no exception . . . Termination Shock deals brilliantly and innovatively with our era’s most pressing existential matter—while delivering stratospheric gigatons of carefully engineered delight.
With meticulously rendered action scenes, surprising plot twists, relatable, off-kilter characters and charming dialogue, [Stephenson's] books are page-turners. His latest proves no exception . . . Termination Shock deals brilliantly and innovatively with our era’s most pressing existential matter—while delivering stratospheric gigatons of carefully engineered delight.” — Washington Post
"This book is the rare climate thriller that's realistic about political stonewalling in the face of disaster yet unafraid to imagine a possible future where people might actually come together and try to save civilization. The kind of climate-change fiction we all need." — Kirkus Reviews (starred review)
“The novel is classic Stephenson: fiercely intelligent, weird, darkly witty, and boldly speculative. . . . Stephenson has become one of the most revered science fiction writers of his time.” — Publishers Weekly
"An enthralling and thought-provoking read." — Buzzfeed
"Neal Stephenson has never been afraid of engaging with big ideas within genre forms, and Termination Shock might be his most visionary, and timely, book yet." — Chicago Review of Books
"Stephenson is one of speculative fiction’s most meticulous architects. . . .Termination Shock manages to pull off a rare trick, at once wildly imaginative and grounded.” — New York Times Book Review
"Arguably no sci-fi writer has the specific combination of vision, reach, and ardent fandom that Stephenson does . . . . He is the premiere chronicler of the foundation myths of Silicon Valley and its adjacent culture—of its high self-regard, of disruptive innovation, of the world that nerds built.” — Wired
“Raises genuinely interesting issues about the geopolitics of a warming world.” — American Purpose
"Imaginative and utterly realistic." — Bookbub
“Stephenson isn’t just playing with words, he’s playing with ideas, and he isn’t joking either. He is sci-fi’s great contrarian, and Fall deserves to be rated as one of the great novels of our time, prophetically and philosophically.” — Wall Street Journal on Fall; or, Dodge in Hell
“A one-of-a-kind synthesis of daring and originality, unafraid to venture into wild and unmapped conceptual territory.” — New York Times Book Review on Fall; or, Dodge in Hell
“Fall is at once science fiction and fantasy, with quantum computing enabling what amounts to magic, and while Stephenson spins out a pleasingly plausible vision of our near future, he carves out his most comfortable position in the uncertain nexus where that future becomes past and we rewrite our own apocrypha. Vintage Stephenson, which is to say it’s like nothing he’s ever written.” — Wired
“Neal Stephenson’s Fall explores higher consciousness, the internet’s future, and virtual worldbuilding in one mind-blowing adventure.” — Slate
“Stephenson devotees with a taste for Tolkienesque fantasy will revel in the author’s imaginative world building . . . . Still, there are enough futuristic, envelope-pushing ideas here, especially related to AI and digital consciousness, to keep even nonfans and science buffs intrigued.” — Booklist [starred review] on Fall; or, Dodge in Hell
“There’s a lot going on here—stylistic flourishes, comedic pratfalls, romance and science—but it’s handled deftly. Those familiar with Stephenson will recognize his humor and ideas.” — Washington Post on The Rise and Fall of D.O.D.O.
There’s a lot going on here—stylistic flourishes, comedic pratfalls, romance and science—but it’s handled deftly. Those familiar with Stephenson will recognize his humor and ideas.”
Washington Post on The Rise and Fall of D.O.D.O.
A one-of-a-kind synthesis of daring and originality, unafraid to venture into wild and unmapped conceptual territory.
New York Times Book Review on Fall; or
Stephenson devotees with a taste for Tolkienesque fantasy will revel in the author’s imaginative world building . . . . Still, there are enough futuristic, envelope-pushing ideas here, especially related to AI and digital consciousness, to keep even nonfans and science buffs intrigued.
Booklist [starred review] on Fall; or
Neal Stephenson’s Fall explores higher consciousness, the internet’s future, and virtual worldbuilding in one mind-blowing adventure.”
Fall is at once science fiction and fantasy, with quantum computing enabling what amounts to magic, and while Stephenson spins out a pleasingly plausible vision of our near future, he carves out his most comfortable position in the uncertain nexus where that future becomes past and we rewrite our own apocrypha. Vintage Stephenson, which is to say it’s like nothing he’s ever written.”
Neal Stephenson’s Fall explores higher consciousness, the internet’s future, and virtual worldbuilding in one mind-blowing adventure.”
Edoardo Ballerini's impressive narrative range is on full display in this globe-trotting work of climate disaster speculative fiction. Ballerini is asked to create a cast of culturally diverse characters, all with distinct speaking voices. Other audiobooks like this might be forced to hire a full cast, but Ballerini is beyond capable. He slips from Texan to Dutch to Scottish voices within a few sentences in such a way that listeners feel like they are eavesdropping on an actual conversation. He juxtaposes his spectacular character work with a rock-steady third-person narration of complicated science data that grounds the audiobook in a dire reality that feels inescapable. While this audiobook is quite lengthy, listeners will not mind spending 20-plus hours listening to Ballerini. A.R.F. © AudioFile 2021, Portland, Maine
DECEMBER 2021 - AudioFile
Edoardo Ballerini's impressive narrative range is on full display in this globe-trotting work of climate disaster speculative fiction. Ballerini is asked to create a cast of culturally diverse characters, all with distinct speaking voices. Other audiobooks like this might be forced to hire a full cast, but Ballerini is beyond capable. He slips from Texan to Dutch to Scottish voices within a few sentences in such a way that listeners feel like they are eavesdropping on an actual conversation. He juxtaposes his spectacular character work with a rock-steady third-person narration of complicated science data that grounds the audiobook in a dire reality that feels inescapable. While this audiobook is quite lengthy, listeners will not mind spending 20-plus hours listening to Ballerini. A.R.F. © AudioFile 2021, Portland, Maine
DECEMBER 2021 - AudioFile