10/23/2023
Centered on the vividly evoked hollows and pitmouths of Appalachian mining country in 1970, Reddy’s accomplished debut deftly blends past and present, romance and tragedy, social realism and self exploration, along with a present-day woman’s search to better understand her coal executive father—and the workings of her own heart. Aleena Rowan in 2019 discovers a surprising name—“Sara”—written three times in a row in a 1970 desk diary of her late father, Frank Rowan, once the president of Rowan Coal. Facing the end of her own marriage, Aleena becomes fascinated by her father’s relationship with then Sara, and Reddy quickly spirits readers to Otter Creek Holler and the life of Sara Stone and her miner family. Sara encounters young Frank, whose company recently purchased the local mine, and despite the spark between them, she warns him to pretend not to know her—her brothers would object to an “operator” romancing her.
Looming over this all is a sort of dam of Damocles. The local dam is fractured, and plans to strip mine the area could flood local homes, a horrific eventuality that, in the novel’s present, Aleena discovers soon came to pass. The outline of Reddy’s story is simple, but its scenes are alive with telling detail—Kettlebottom, bug dust, and tipples—and engaging everyday conversation that brings to life a place, a time, and its people without sacrificing narrative momentum. The romance is subdued but finds Sara drawing fascinating contrasts between Frank, a New Yorker, and the men from her world, whom Reddy develops with verve and sensitivity.
Scenes set in the present move swiftly, and Reddy deftly builds suspense from what Aleena discovers about the flood, but readers likely will find themselves racing through Aleena’s chapters to get back to Frank, Sara, and the urgent feeling of living with the possibility of disaster. “Always kiss a miner goodbye,” several characters say, a burst of heartbreaking, hard-won wisdom that exemplifies this story of love and loss.
Takeaway: Powerful novel of love, loss, and legacy in Appalachian coal country.
Comparable Titles: Ann Pancake’s Strange as This Weather Has Been, Silas House.
Production grades Cover: B+ Design and typography: A Illustrations: N/A Editing: A Marketing copy: A