The Allure of Grammar: The Glamour of Angie Estes's Poetry
Of Angie Estes, the poet and critic Stephanie Burt has written that she “has created some of the most beautiful verbal objects in the world.” In The Allure of Grammar, Doug Rutledge gathers insightful responses to the full range of Estes’s work—from a review of her first chapbook to a reading of a poem appearing in her 2018 book, Parole—that approach these beautiful verbal objects with both intellectual rigor and genuine awe.

In addition to presenting an overview of critical reactions to Estes’s oeuvre, reviews by Langdon Hammer, Julianne Buchsbaum, and Christopher Spaide also provide a helpful context for approaching a poet who claims to distrust narrative. Original essays consider the craft of Estes’s poetry and offer literary analysis. Ahren Warner uses line breaks to explore a postmodern analysis of Estes’s work. Mark Irwin looks at her poetic structure. Lee Upton employs a feminist perspective to explore Estes’s use of italics, and B. K. Fischer looks at the way she uses dance as a poetic image. Doug Rutledge considers her relationship to Dante and to the literary tradition through her use of ekphrasis. An interview with Estes herself, in which she speaks of a poem as an “arranged place . . . where experience happens,” adds her perspective to the mix, at turns resonating with and challenging her critics.

The Allure of Grammar will be useful for teachers and students of creative writing interested in the craft of non-narrative poetry. Readers of contemporary poetry who already admire Estes will find this collection insightful, while those not yet familiar with her work will come away from these essays eager to seek out her books.
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The Allure of Grammar: The Glamour of Angie Estes's Poetry
Of Angie Estes, the poet and critic Stephanie Burt has written that she “has created some of the most beautiful verbal objects in the world.” In The Allure of Grammar, Doug Rutledge gathers insightful responses to the full range of Estes’s work—from a review of her first chapbook to a reading of a poem appearing in her 2018 book, Parole—that approach these beautiful verbal objects with both intellectual rigor and genuine awe.

In addition to presenting an overview of critical reactions to Estes’s oeuvre, reviews by Langdon Hammer, Julianne Buchsbaum, and Christopher Spaide also provide a helpful context for approaching a poet who claims to distrust narrative. Original essays consider the craft of Estes’s poetry and offer literary analysis. Ahren Warner uses line breaks to explore a postmodern analysis of Estes’s work. Mark Irwin looks at her poetic structure. Lee Upton employs a feminist perspective to explore Estes’s use of italics, and B. K. Fischer looks at the way she uses dance as a poetic image. Doug Rutledge considers her relationship to Dante and to the literary tradition through her use of ekphrasis. An interview with Estes herself, in which she speaks of a poem as an “arranged place . . . where experience happens,” adds her perspective to the mix, at turns resonating with and challenging her critics.

The Allure of Grammar will be useful for teachers and students of creative writing interested in the craft of non-narrative poetry. Readers of contemporary poetry who already admire Estes will find this collection insightful, while those not yet familiar with her work will come away from these essays eager to seek out her books.
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The Allure of Grammar: The Glamour of Angie Estes's Poetry

The Allure of Grammar: The Glamour of Angie Estes's Poetry

by Douglas R. Rutledge
The Allure of Grammar: The Glamour of Angie Estes's Poetry

The Allure of Grammar: The Glamour of Angie Estes's Poetry

by Douglas R. Rutledge

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Overview

Of Angie Estes, the poet and critic Stephanie Burt has written that she “has created some of the most beautiful verbal objects in the world.” In The Allure of Grammar, Doug Rutledge gathers insightful responses to the full range of Estes’s work—from a review of her first chapbook to a reading of a poem appearing in her 2018 book, Parole—that approach these beautiful verbal objects with both intellectual rigor and genuine awe.

In addition to presenting an overview of critical reactions to Estes’s oeuvre, reviews by Langdon Hammer, Julianne Buchsbaum, and Christopher Spaide also provide a helpful context for approaching a poet who claims to distrust narrative. Original essays consider the craft of Estes’s poetry and offer literary analysis. Ahren Warner uses line breaks to explore a postmodern analysis of Estes’s work. Mark Irwin looks at her poetic structure. Lee Upton employs a feminist perspective to explore Estes’s use of italics, and B. K. Fischer looks at the way she uses dance as a poetic image. Doug Rutledge considers her relationship to Dante and to the literary tradition through her use of ekphrasis. An interview with Estes herself, in which she speaks of a poem as an “arranged place . . . where experience happens,” adds her perspective to the mix, at turns resonating with and challenging her critics.

The Allure of Grammar will be useful for teachers and students of creative writing interested in the craft of non-narrative poetry. Readers of contemporary poetry who already admire Estes will find this collection insightful, while those not yet familiar with her work will come away from these essays eager to seek out her books.

Product Details

ISBN-13: 9780472037377
Publisher: University of Michigan Press
Publication date: 02/28/2019
Series: Under Discussion
Pages: 172
Product dimensions: 5.50(w) x 8.50(h) x 0.70(d)

About the Author

Doug Rutledge is the editor of Ceremony and Text in the Renaissance, published by the University of Delaware Press, and the author of The Somali Diaspora: A Journey Away (with photographs by Abdi Roble), published by the University of Minnesota Press. His poetry and reviews have appeared in many journals including Southern Humanities Review and Harvard Review Online.

Table of Contents

Introduction Doug Ruiledge 1

Angie Estes: Five Pleasures David Young 13

Beyond Lyric: Review of Voice-Over Julianne Buchsbaum 23

Memory, Grief, and the Linguistic Artifact in Angie Estes's Poems Leah Falk 27

A Lawless Proposition: Angie Estes and the Line Ahren Warner 37

On Angie Estes: An Erotics of Italics Lee Upton 51

On Angie Estes's Chez Nous Nancy Kuhi 63

Means of Transport, Medieval Mind: Dialogue with Angie Estes Karen Rigby 67

The Voice Is Ready to Sing: A Review of Enchantée Langdon Hammer 75

Wonderlust: Angie Estes's Spiral Aesthetic Jill Allyn Rosser 77

The Chapbook as Optic Lens Kevin Clark 89

Triste Trysts Doug Rutledge 95

"Ethereal Streaked by the Real": Desire, Language, and Memory in Three Poems by Angie Estes Mark Irwin 103

"Words remain en pointe": Angie Estes's Choreographic Poetics B. K. Fischer 113

"Visibile Parlare": Ekphrastic Images in the Poetry of Angie Estes 131

Ready to Sing: Angie Estes's Enchantée Christopher Spaide 151

Contributors 161

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