The Bee

by Hideki Noda, Colin Teevan

Overview

One evening, Mr Ido arrives home from work to find his house surrounded by police and TV cameras. Inside, his wife and child are being held hostage by an escaped murderer. An otherwise normal day in an otherwise comfortable life is not ending how it should. But rather than play the victim and accept this terrible fate, Ido decides to take control and embarks upon an extraordinary mission of revenge. Set in Tokyo in 1974, this dark and unconventional satire asks what happens when the victim becomes the aggressor, the weak become powerful and the watcher becomes the watched.

Product Details

ISBN-13:	9781840026818
Publisher:	Bloomsbury Academic
Publication date:	04/01/2007
Series:	Oberon Modern Plays
Pages:	72
Product dimensions:	5.06(w) x 7.81(h) x 0.15(d)

About the Author

Legendary in Japan, Hideki Noda directed the first Opera in the country's New National Theatre and has garnered outstanding acclaim for his mould-breaking interpretations of Kabuki classics.

Colin Teevan is a celebrated playwright, translator and writer for screen. His work has been produced by many leading theatres including the National, the Young Vic, the Soho Theatre and the National Theatre of Scotland.
Colin's 2009 play, The Lion of Kabul, was produced as part of the Tricycle Theatre's Great Game festival on Afghanistan and was hailed as 'an inspirational highlight of the year' by The Independent. In the same year, he adapted Franz Kafka's Report to An Academy for the Young Vic, where it appeared as the critically-acclaimed play, Kafka's Monkey, as well as reviving the National Theatre of Scotland's production of his new version of Peer Gynt at The Barbican and, subsequently, on tour. In 2010 Kafka's Monkey was revived by The Young Vic at the Bouffes du Nord Theatre in Paris and The Great Game was revived by the Tricycle for an American tour.
In 2011 Colin wrote an episode of the ITV drama Vera starring Brenda Blethyn and a two-part episode of ITV/RTE crime drama Single Handed.
Colin was commissioned to write an original play There Was A Man, There Was No Man for the Tricycle as part of their 2012 season of plays entitled 'The Bomb'.

Editorial Reviews

As its supple mood shifts - from comedy, to tragedy, to eroticism - it exposes the sharp edge of cruelty that all these aesthetic modes share. It satirises the enjoyment of violence [and] walks that fetishistic line between pain and pleasure.” – Time Out



“As its supple mood shifts - from comedy, to tragedy, to eroticism - it exposes the sharp edge of cruelty that all these aesthetic modes share. It satirises the enjoyment of violence [and] walks that fetishistic line between pain and pleasure.” – Time Out

From the Publisher