By way of explorations to Costa Rica, Bolivia, Nicaragua, Cuba, Burma, Cambodia, Egypt, and around the world on a ship, Jones chronicles her experience as a young American traveler while pondering her role as an outsider in the cultures she temporarily inhabits. Her wanderlust fuels a strong, high-adventure story and, much in the vein of classic travel literature, Jones's picaresque tale of personal evolution informs her own transitions, rites of passage, and understandings of her place as a citizen of the world. With sharp insight and stylish prose, Jones asks: Is there a right or wrong way to travel? The Blind Masseuse concludes that there is, but that it's not always black and white.
|University of Wisconsin Press
|5.50(w) x 8.25(h) x 0.70(d)
About the Author
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I discovered that I liked the blur in the photographs. I liked the haze. They made the images of Burma dreamy, surreal, which is how it was to me. I liked that the filter was the tourist's shield. I could even say I'd done it on purpose: the work reflects the tourist's view of Burma. The countryside looked easy and peaceful to us. Herders and workers lived their daily lives outside our fast-moving machine. What we saw and remembered did not reflect the true Burmese experience, lives lived suffering memories of torture, a sister raped, a son stolen. No. I saw willows.excerpt from The Blind Masseuse
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