Look for the hit TV series “A Discovery of Witches” airing Sundays on AMC and BBC America, and streaming on Sundance Now and Shudder.
Bringing the magic and suspense of the All Souls Trilogy to a deeply satisfying conclusion, this highly anticipated finale went straight to #1 on the New York Times bestseller list. In The Book of Life, Diana and Matthew time-travel back from Elizabethan London to make a dramatic return to the present—facing new crises and old enemies. At Matthew’s ancestral home, Sept-Tours, they reunite with the beloved cast of characters from A Discovery of Witches—with one significant exception. But the real threat to their future has yet to be revealed, and when it is, the search for Ashmole 782 and its missing pages takes on even more urgency.
About the Author
Visit www.deborahharkness.com and follow “Deborah Harkness” on Facebook and @DebHarkness on Twitter.
Read an Excerpt
Sol in Cancer
—Anonymous English Commonplace Book, c. 1590,
Does it ever get easier? Her voice, like the rest of her, was almost imperceptible. The watching? The waiting? The knowing?
Emily’s face fell, and Philippe silently cursed himself. Since she’d died, the witch had been his constant companion, cutting his loneliness in two. What was he thinking, barking at her as if she were a servant?
Perhaps it will be easier when they don’t need us anymore, Philippe said in a gentler tone. He might be the more experienced ghost, but it was Emily who understood the metaphysics of their situation. What the witch had told him went against everything Philippe believed about the afterworld. He thought the living saw the dead because they needed something from them: assistance, forgiveness, retribution. Emily insisted these were nothing more than human myths, and it was only when the living moved on and let go that the dead could appear to them.
This information made Ysabeau’s failure to notice him somewhat easier to bear, but not much.
“I can’t wait to see Em’s reaction. She’s going to be so surprised.” Diana’s warm alto floated up to the battlements.
Diana and Matthew, Emily and Philippe said in unison, peering down to the cobbled courtyard that surrounded the château.
There, Philippe said, pointing at the drive. Even dead, he had vampire sight that was sharper than any human’s. He was also still handsomer than any man had a right to be, with his broad shoulders and devilish grin. He turned the latter on Emily, who couldn’t help grinning back. They are a fine couple, are they not? Look how much my son has changed.
Is Matthew . . . bigger?
Diana looks different, too. More like her mother, with that long, coppery hair, Em said, acknowledging the most obvious change in her niece.
Diana stumbled on a cobblestone, and Matthew’s hand shot out to steady her. Once, Emily had seen Matthew’s incessant hovering as a sign of vampire overprotectiveness. Now, with the perspicacity of a ghost, she realized that this tendency stemmed from his preternatural awareness of every change in Diana’s expression, every shift of mood, every sign of fatigue or hunger. Today, however, Matthew’s concern seemed even more focused and acute.
It’s not just Diana’s hair that has changed. Philippe’s face had a look of wonder. Diana is with child—Matthew’s child.
Endings. Beginnings, Philippe said with deliberate vagueness. Change.
That is because Diana is afraid of what she must become, Philippe replied.
• * *
Marcus Whitmore had faced horrors aplenty since the night in 1781 when Matthew de Clermont made him a vampire. None had prepared him for today’s ordeal: telling Diana Bishop that her beloved aunt, Emily Mather, was dead.
Marcus had received the phone call from Ysabeau while he and Nathaniel Wilson were watching the television news in the family library. Sophie, Nathaniel’s wife, and their baby, Margaret, were dozing on a nearby sofa.
“Hello, sweetheart.” Marcus turned from the view of the Auvergne countryside and drew a deep breath. Phoebe Taylor’s scent reminded him of the thicket of lilac bushes that had grown outside the red-painted door of his family’s farm. Delicate and resolute, the fragrance had symbolized the hope of spring after a long Massachusetts winter and conjured up his long-dead mother’s understanding smile. Now it only made Marcus think of the petite, iron-willed woman before him.
“Everything will be all right.” Phoebe reached up and straightened his collar, her olive eyes full of concern. Marcus had taken to wearing more formal clothes than concert T-shirts around the same time he’d started to sign his letters Marcus de Clermont instead of Marcus Whitmore—the name she’d first known him by, before he had told her about vampires, fifteen-hundred-year-old fathers, French castles full of forbidding relatives, and a witch named Diana Bishop. It was, in Marcus’s opinion, nothing short of miraculous that Phoebe had remained at his side.
“No. It won’t.” He caught one of her hands and planted a kiss on the palm. Phoebe didn’t know Matthew. “Stay here with Nathaniel and the rest of them. Please.”
“For the final time, Marcus Whitmore, I will be standing beside you when you greet your father and his wife. I don’t believe we need discuss it further.” Phoebe held out her hand. “Shall we?”
Marcus put his hand in Phoebe’s, but instead of following her out the door as she expected, he tugged her toward him. Phoebe came to rest against his chest, one hand clasped in his and the other pressed to his heart. She looked at him with surprise.
“Very well. But if you come down with me, Phoebe, there are conditions. First, you are with me or with Ysabeau at all times.”
Phoebe opened her mouth to protest, but Marcus’s serious look silenced her.
“Second, if I tell you to leave the room, you will do so. No delay. No questions. Go straight to Fernando. He’ll be in the chapel or the kitchen.” Marcus searched her face and saw a wary acceptance. “Third, do not, under any circumstances, get within arm’s reach of my father. Agreed?”
Phoebe nodded. Like any good diplomat, she was prepared to follow Marcus’s rules—for now. But if Marcus’s father was the monster some in the house seemed to think he was, Phoebe would do what she must.
Excerpted from "The Book of Life"
Copyright © 2015 Deborah Harkness.
Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
What People are Saying About This
Praise for The Book of Life
“Weaving an extraordinarily rich story of magic and science, history and fiction, passion and power, secrets and truths, Harkness delivers an unforgettable and spellbinding finale that's not to be missed.”
“Juicy and action-packed.”
“Pure escapist summer fun.”
—Jodi Picoult, Parade
“The epic and erudite vampire-witch romance comes to a thoroughly satisfying conclusion in the action-packed All Souls trilogy ender.”
“A stirring, poignant saga.”
“The charm in Deborah Harkness’s wildly successful All Souls trilogy lies not merely in the spells that its creature characters cast as they lurk pretty much in plain sight of humans, but in the adroit way Harkness has insinuated her world of demons, witches, and vampires into ours. . . . From the novel’s poignant opening, Harkness casts her own indelible spell of enchantment, heartbreak, and resilience. . . . She is terrific at bringing her magic world to life, maintaining a fast-paced, page-turning narrative.” —The Boston Globe
“This trilogy is a superlative example in a subgenre you could call realistic fantasy—think Harry Potter but for grown-ups or Susanna Clarke’s Jonathan Strange & Mr. Norrell. Witches, vampires, and daemons exist, along with time travel. But this world also is recognizably ours, not a wholly made-up setting like George R.R. Martin’s Westeros. When done well, as it is here, this sort of fiction provides characters who are recognizably human in their desires and actions even if most of them are creatures with supernatural powers. Through them Harkness succeeds at the hardest part of writing fantasy: She makes this world so real that you believe it exists—or at the very least that you wish that it did.”
“Harkness has immersed and spellbound readers with her alternative universe. . . . Her ambitious melding of scientific and historical detail is inventive and brings surprising depth. . . . The Book of Life brims with sensuality, intrigue, violence and much-welcome humor.”
—Los Angeles Times
“Secrets and mysteries are finally revealed in the entertaining and satisfying conclusion. . . . The entire trilogy is a delightful plunge into the world of magic, witches and vampires, where love breaks all rules and happy endings are possible.”
“There is no shortage of action in this sprawling sequel, and nearly every chapter brings a wrinkle to the tale. The storytelling is lively and energetic, and Diana remains an appealing heroine even as her life becomes ever more extraordinary. A delightful wrap-up to the trilogy.”
“Harkness herself proves to be quite the alchemist as she combines elements of magic, history, romance, and science, transforming them into a compelling journey through time, space, and geography. By bridging the gaps between Harry Potter, Twilight, and Outlander fans, Harkness artfully appeals to a broad range of fantasy lovers.”
“The witch Diana’s and the vampire Matthew’s quests to discover their origins and confront the threats to their star-crossed union tie up as neatly as one of Diana’s magical weaver’s knots. . . . As in the previous two installments, there are healthy doses of action, colorful magic, angst-y romance and emotional epiphany, plus mansion-hopping across the globe, historical tidbits and name-dropping of famous artworks and manuscripts. . . . It’s still satisfying to travel with these characters toward their more-than-well-earned happy ending.”
“The adventure never lets up. . . . History, science, and the unpredictable actions of paranormal characters with hidden agendas all swirl together to create a not-to-be-missed finale to a stellar series.”
Reading Group Guide
1. Throughout The Book of Life, the ghosts of Philippe de Clermont and Emily Mather observe what their loved ones are doing in the world of the living. Have you ever felt the protective presence of friends or family who have passed on?
2. Although we don’t meet Matthew’s nephew Gallowglass until Shadow of the Night, we learn that—under orders from Philippe—he has been protecting Diana from afar since she was born. We also learn that Gallowglass has fallen deeply in love with Diana. How did this knowledge affect your opinion of him? Are there ways in which he might have made Diana a better mate than Matthew?
3. After they meet at Sotheby’s in Shadow of Night, Marcus and Phoebe fall in love. Phoebe agrees to become a vampire in order to become a near immortal like Marcus. Compare her decision to Diana’s decision to remain a warmblood. What are the pluses and minuses of each woman’s choice?
4. Advances in genetics have now made it possible for us to learn if we carry genes for a variety of heritable diseases. Would knowing that your romantic partner was a carrier for something as potentially dangerous as blood rage prevent you from marrying and/or having children with him or her?
5. Matthew’s centuries-old decision to let Benjamin live set in motion a chain of events that threatens Diana as well as their newborn twins. To what extent is Matthew responsible for the suffering that Benjamin has caused?
6. Several characters from earlier in the series return to play a part in the final volume, including Jack, Father Hubbard, and Timothy Weston—the daemon from the Bodleian. Whose reappearance astonished you the most? Whose absence did you find most painful?
7. After his violent confrontation with Matthew at the twins’ naming ceremony, Baldwin transforms from imperious bully to gracious brother. If you were Diana, would you be able to forgive him for his earlier behavior?
8. Matthew deliberately walks into Benjamin’s trap, initiating the Queen’s Gambit, a chess move that he habitually avoids in order to protect his queen. In this case, he puts his queen—Diana—into play against Benjamin. Were you surprised by Matthew’s decision? Would it have been possible to overcome Benjamin if Matthew hadn’t allowed Diana to risk her life?
9. The de Clermonts eventually discover that Gerbert—the vampire who led the congregation in denouncing Matthew and Diana’s relationships—had himself been consorting with witches and daemons for centuries. Unfortunately, the news is full of illegal and often hypocritical acts committed by people in positions of power. Do you think that it’s power that corrupts, or are the corrupt more inclined than most to seek power?
10. What do you think the future holds for Matthew and Diana? Which characters from the series would you like to have learned more about?