The Book of Longings: A Novel

The Book of Longings: A Novel

by Sue Monk Kidd
The Book of Longings: A Novel

The Book of Longings: A Novel

by Sue Monk Kidd


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“An extraordinary novel . . . a triumph of insight and storytelling.” —Associated Press

A true masterpiece.” —Glennon Doyle, author of Untamed

An extraordinary story set in the first century about a woman who finds her voice and her destiny, from the celebrated number one New York Times bestselling author of The Secret Life of Bees and The Invention of Wings

In her mesmerizing fourth work of fiction, Sue Monk Kidd takes an audacious approach to history and brings her acclaimed narrative gifts to imagine the story of a young woman named Ana. Raised in a wealthy family with ties to the ruler of Galilee, she is rebellious and ambitious, with a brilliant mind and a daring spirit. She engages in furtive scholarly pursuits and writes narratives about neglected and silenced women. Ana is expected to marry an older widower, a prospect that horrifies her. An encounter with eighteen-year-old Jesus changes everything.

Their marriage evolves with love and conflict, humor and pathos in Nazareth, where Ana makes a home with Jesus, his brothers, and their mother, Mary. Ana's pent-up longings intensify amid the turbulent resistance to Rome's occupation of Israel, partially led by her brother, Judas. She is sustained by her fearless aunt Yaltha, who harbors a compelling secret. When Ana commits a brazen act that puts her in peril, she flees to Alexandria, where startling revelations and greater dangers unfold, and she finds refuge in unexpected surroundings. Ana determines her fate during a stunning convergence of events considered among the most impactful in human history.

Grounded in meticulous research and written with a reverential approach to Jesus's life that focuses on his humanity, The Book of Longings is an inspiring, unforgettable account of one woman's bold struggle to realize the passion and potential inside her, while living in a time, place and culture devised to silence her. It is a triumph of storytelling both timely and timeless, from a masterful writer at the height of her powers.

Product Details

ISBN-13: 9780525429760
Publisher: Penguin Publishing Group
Publication date: 04/21/2020
Pages: 432
Sales rank: 165,125
Product dimensions: 6.20(w) x 9.30(h) x 2.40(d)

About the Author

Sue Monk Kidd's debut novel, The Secret Life of Bees, spent more than one hundred weeks on the New York Times bestseller list, has sold more than six million copies in the United States, was turned into both an award-winning major motion picture and a musical, and has been translated into thirty-six languages. Her second novel, The Mermaid Chair, was a number one New York Times bestseller and was adapted into a television movie. Her third novel, The Invention of Wings, an Oprah's Book Club 2.0 pick, was also a number one New York Times bestseller. She is the author of several acclaimed memoirs, including The Dance of the Dissident Daughter, her groundbreaking work on religion and feminism, as well as the New York Times bestseller Traveling with Pomegranates, written with her daughter, Ann Kidd Taylor. She lives in North Carolina.


Charleston, South Carolina

Place of Birth:

Albany, Georgia


B.S., Texas Christian University, 1970

Read an Excerpt



I am Ana. I was the wife of Jesus ben Joseph of Nazareth. I called him Beloved and he, laughing, called me Little Thunder. He said he heard rumblings inside me while I slept, a sound like thunder from far over the Nahal Zippori valley or even farther beyond the Jordan. I don't doubt he heard something. All my life, longings lived inside me, rising up like nocturnes to wail and sing through the night. That my husband bent his heart to mine on our thin straw mat and listened was the kindness I most loved in him. What he heard was my life begging to be born.




My testament begins in the fourteenth year of my life, the night my aunt led me to the flat roof of my father's grand house in Sepphoris, bearing a plump object wrapped in linen.


I followed her up the ladder, eyeing the mysterious bundle, which was tied on her back as if it were a newborn baby, unable to guess what she secreted. She was humming a Hebrew song about Jacob's ladder, doing so rather loudly, and I worried the sound would tumble through the slit windows of the house and awaken my mother. She had forbidden us to go to the roof together, afraid Yaltha would fill my head with audacities.


Unlike my mother, unlike every woman I knew, my aunt was educated. Her mind was an immense feral country that spilled its borders. She trespassed everywhere. She had come to us from Alexandria four months ago for reasons of which no one would speak. I'd not known my father had a sister until she'd appeared one day dressed in a plain, undyed tunic, her small body erect with pride, eyes glowering. My father didn't embrace her, nor did my mother. They gave her a servant's room that opened onto the upper courtyard, and they ignored my interrogations. Yaltha, too, avoided my questions. "Your father made me swear not to speak of my past. He would rather you think I dropped from the sky in the manner of bird shit."


Mother said Yaltha had an impudent mouth. For once, we were in agreement. My aunt's mouth was a wellspring of thrilling and unpredictable utterances. It was what I most loved about her.


Tonight was not the first time we'd sneaked to the roof after dark to escape prying ears. Huddled beneath the stars, my aunt had told me of Jewish girls in Alexandria who wrote on wooden tablets that contained multiple wax slates, contraptions I could scarcely imagine. She'd recounted stories of Jewish women there who led synagogues, studied with philosophers, wrote poetry, and owned houses. Egyptian queens. Female pharaohs. Great Goddesses.


If Jacob's ladder reached all the way to heaven, so, too, did ours.


Yaltha had lived no more than four and a half decades, but already her hands were becoming knotted and misshapen. Her skin lay in pleats on her cheeks and her right eye drooped as if wilted. Despite that, she moved nimbly up the rungs, a graceful climbing spider. I watched as she hoisted herself over the top rung onto the roof, the pouch on her back swinging to and fro.


We settled on grass mats, facing each other. It was the first day of the month of Tishri, but the cool fall rains had not yet come. The moon sat like a small fire on the hills. The sky, cloudless, black, full of embers. The smell of pita and smoke from cook fires drifted over the city. I burned with curiosity to know what she concealed in her bundle, but she gazed into the distance without speaking and I forced myself to wait.


My own audacities lay hidden inside a carved cedar chest in a corner of my room: scrolled papyri, parchments, and scraps of silk, all of which bore my writings. There were reed pens, a sharpening knife, a cypress writing board, vials of ink, an ivory palette, and a few precious pigments my father had brought from the palace. The pigments were mostly gone now, but they'd been luminous the day I'd opened the lid for Yaltha.


My aunt and I had stood there gazing down at all that glory, neither of us speaking.


She reached into the chest and pulled out parchments and scrolls. Not long before she arrived, I'd begun writing down the stories of the matriarchs in the Scriptures. Listening to the rabbis, one would've thought the only figures worth mention in the whole of history were Abraham, Isaac, Jacob, and Joseph . . . David, Saul, Solomon . . . Moses, Moses, Moses. When I was finally able to read the Scriptures for myself, I discovered (behold!) there were women.


To be ignored, to be forgotten, this was the worst sadness of all. I swore an oath to set down their accomplishments and praise their flourishings, no matter how small. I would be a chronicler of lost stories. It was exactly the kind of boldness Mother despised.


On the day I opened the chest for Yaltha, I had completed the stories of Eve, Sarah, Rebekah, Rachel, Leah, Zilpah, Bilhah, and Esther. But there was so much remaining to be written-Judith, Dinah, Tamar, Miriam, Deborah, Ruth, Hannah, Bathsheba, Jezebel.


Tensed, almost breathless, I watched my aunt pore over my efforts.


"It's as I thought," she said, her face candescent. "You've been greatly blessed by God."


Such words.


Until that moment I'd thought I was merely peculiar-a disturbance of nature. A misfit. A curse. I'd long been able to read and write, and I possessed unusual abilities to compose words into stories, to decipher languages and texts, to grasp hidden meanings, to hold opposing ideas in my head without conflict.


My father, Matthias, who was head scribe and counselor to our tetrarch, Herod Antipas, said my talents were better suited for prophets and messiahs, for men who parted seas, built temples, and conferred with God on mountaintops, or for that matter, any common circumcised male in Galilee. Only after I taught myself Hebrew and cajoled and pleaded did he allow me to read the Torah. Since the age of eight, I'd begged him for tutors to educate me, scrolls to study, papyrus to write on, and dyes to mix my own inks, and he'd often complied-whether out of awe or weakness or love, I couldn't say. My aspirations embarrassed him. When he couldn't subdue them, he made light of them. He liked to say the only boy in the family was a girl.


A child as awkward as I required an explanation. My father suggested that while God was busy knitting me together in my mother's womb, he'd become distracted and mistakenly endowed me with gifts destined for some poor baby boy. I don't know if he realized how affronting this must have been to God, at whose feet he laid the blunder.


My mother believed the fault lay with Lilith, a demon with the talons of an owl and the wings of a carrion bird who searched for newborn babies to murder, or in my instance, to defile with unnatural tendencies. I'd arrived in the world during a savage winter rain. The old women who delivered the babies refused to venture out even though my high-ranking father had sent for them. My distraught mother sat on her birthing chair with no one to relieve her pain or protect us from Lilith with the proper prayers and amulets, so it was left to her servant Shipra to bathe me in wine, water, salt, and olive oil, wrap me in swaddling bands, and tuck me into a cradle for Lilith to find.


My parents' stories found their way into the flesh of my flesh and the bone of my bone. It had not occurred to me that my abilities had been intended, that God had meant to bestow these blessings on me. On Ana, a girl with turbulent black curls and eyes the color of rainclouds.


Voices floated from nearby rooftops. The wail of a child, a goat bleating. Finally, Yaltha reached behind her back for the bundle and unwrapped the linen cloth. She peeled away the layers slowly, her eyes alight, casting quick glances at me.


She lifted up the contents. A limestone bowl, glowing and round, a perfect full moon. "I brought it with me from Alexandria. I wish you to have it."


When she placed it in my hands, a quiver entered my body. I ran my palms over the smooth surface, the wide mouth, the milky whorls in the stone.


"Do you know what an incantation bowl is?" she asked.


I shook my head. I only knew it must be something of great magnitude, something too perilous or wondrous to unveil anywhere except on the roof in the dark.


"In Alexandria we women pray with them. We write our most secret prayer inside them. Like this." She placed a finger inside the bowl and moved it in a spiraling line around the sides. "Every day we sing the prayer. As we do, we turn the bowl in slow circles and the words wriggle to life and spin off toward heaven."


I gazed at it, unable to speak. A thing so resplendent, so fraught with hidden powers.


She said, "At the bottom of the bowl, we draw an image of ourselves to make certain God knows to whom the petition belongs."


My mouth parted. Surely she knew no devout Jew would look upon figures in human and animal form, much less create them. The second commandment forbade it. Thou shalt not make a graven image of anything living in heaven, or on the earth, or in the sea.


"You must write your prayer in the bowl," my aunt told me. "But take care what you ask, for you shall surely receive it."


I stared into the hollow of the vessel and for a moment it seemed like a firmament unto itself, the starry dome turned upside down.


When I looked up, Yaltha's eyes were settled on me. She said, "A man's holy of holies contains God's laws, but inside a woman's there are only longings." Then she tapped the flat bone over my heart and spoke the charge that caused something to flame up in my chest: "Write what's inside here, inside your holy of holies."


Lifting my hand, I touched the bone my aunt had just struck to life, blinking furiously to hold back a tumult of emotion.


Our one true God dwelled inside the Holy of Holies in the Temple at Jerusalem, and I was sure it was impious to speak of a similar place existing inside humans, and worse still to suggest that yearnings inside girls like me had intimations of divinity. It was the most beautiful, wicked blasphemy I'd ever heard. I could not sleep that night for the ecstasy of it.


My bedstead was lifted off the floor on bronze legs, swathed in pillows dyed crimson and yellow, stuffed with beaten straw, feathers, coriander, and mint, and I lay there in all that softness and those scents long past the midnight hour composing my prayer in my head, struggling to compress the vastness of what I felt into words.


Rousing before dawn, I crept along the balcony that overhung the main floor, moving in bare feet without a lamp, stealing past the rooms where my family slept. Down the stone steps. Through the portico of the reception hall. I crossed the upper courtyard, measuring my steps as if walking on a field of pebbles, fearful of waking the servants who slept nearby.


The mikvah where we bathed in keeping with the laws of purity was enclosed in a dank room beneath the house and was accessible only from the lower courtyard. I descended, feeling my way along the stair wall. As the trickle of water in the conduit rose and the gloom faded, I made out the contours of the pool. I was adept at performing my ritual ablutions in the dark-I'd been coming to the mikvah since my first bleeding, as our religion required, but doing so at night, in private, for I'd not yet confessed my womanhood to my mother. For several months now I'd been burying my rags in the herb garden.


This time, though, I'd not come to the mikvah for reasons of womanhood, but to make myself ready to inscribe my bowl. To write down a prayer-this was a grievous and holy thing. The act itself of writing evoked powers, often divine, but sometimes unstable, that entered the letters and sent a mysterious animating force rippling through the ink. Did not a blessing carved on a talisman safeguard a newborn and a curse inscription protect a tomb?


I slipped off my robe and stood unclothed on the top step, though it was customary to enter in one's undergarments. I wished to be laid bare. I wished nothing between me and the water. I called out for God to make me clean so I might write my prayer with rightness of mind and heart. Then I stepped into the mikvah. I wriggled beneath the water like a fish and came up gasping.


Back in my room I robed myself in a clean tunic. I gathered the incantation bowl and my writing implements and lit the oil lamps. Day was breaking. A blurred blue light filled the room. My heart was a goblet running over.

Reading Group Guide

1. Discuss the title of the novel. Ana is a character defined by her longings and aspirations. She is passionate about the power of writing, of narratives, of having a voice, as well as lifting up the voices of other women. How does the novel’s theme of finding and expressing one’s authentic voice unfold in the story? What forces work to silence contemporary women and what emboldens them?

2. What role does Ana’s incantation bowl play in her quest to realize her longing? What is the importance of ritualizing one’s faith or longings? If you were given an incantation bowl in which to inscribe your deepest longing, what might you write? What can our longings teach us?

3. Though fictional, The Book of Longings is also a deeply researched account of life two thousand years ago. What rules and customs surprised you? Which parts of the story feel especially relevant to modern-day life? Did you identify with Ana in any way?

4. Ana’s aunt Yaltha is described as being as tough, clever, defiant, and daring as she is nurturing: “Her mind was an immense feral country that spilled its borders. She trespassed everywhere” (page 4). What do you think is Yaltha’s most profound influence on Ana? Has there been anyone in your life like Yaltha? How do you think you have been shaped by the older women in your life?

5. Though Ana is born to a wealthy family and has been afforded some education, her parents have arranged for her to marry an older man whom she despises, and they expect her to give up her scholarly ambitions. Are there inhibiting cultural expectations placed on women today, and if so, how much do they differ depending on other factors such as race, class, and birthplace? How are these expectations represented in marriage ceremonies, then and now?

6. Discuss the relationship between Ana and Jesus. Were there moments they shared in the story that particularly resonated with you? What compromises did Ana make within the marriage? What does it mean to “belong” to someone? What does it mean to belong to oneself?

7. The Book of Longings renders Jesus in a way that foregrounds his humanity, from his struggle with the stigma conferred upon him by the circumstances of his birth to his smile, which is “a broad, crooked arrangement on his face” (page 86). Ana also finds him to be “a peacemaker and a provocateur in equal measures” (page 143), a man who both enlivens and emboldens her—even as his audacity also reminds her of her own comparatively marginal place in society. Do you think mainstream depictions of Jesus emphasize his divinity at the expense of allowing for his authentic humanity? Did the novel alter your perception of his character and his life on earth or enhance your existing idea of him in some way?

8. Likewise, discuss the novel’s portrayal of Jesus’s mother, Mary, a character the author describes, endearingly, as “a kind woman with graying hair, who is often weary from chores, a mother who did a superb job on her son, who taught him a lot that she didn’t get credit for.” How does Mary capture the mystery of the dual nature of being both human and divine?

9. Sue Monk Kidd has explored feminist theology for years, along with what she calls “the missing feminine within religion,” which eventually finds expression through the character of Ana. What do you think about the relationship between feminism and religious belief? In what ways can feminism become a spiritual quest?

10. How do you think Ana’s and Jesus’s relationships to holiness differ, and how are they alike? Consider the significance of their names for God—Jesus speaks of “Father,” while Ana speaks of “I Am Who I Am.” How does Ana’s concept of the divine evolve as the story develops? What power and allure does the feminine spirit of God, known as Sophia, hold for her?

11. When Yaltha confesses her private loss to Ana, Ana thinks to herself, “We women harbor our intimacies in locked places in our bodies. They are ours to relinquish when we choose” (page 186). What are some of the different ways the characters cope with loss and injustice? Consider the behavioral differences and the variety of coping mechanisms employed by the men and women in the novel. How do grief and grievance manifest differently in characters such as Ana, Judas, Yaltha, and Jesus?

12. When Ana is confronting motherhood and the choice to bear children, Yaltha tells her, “I don’t doubt you should give yourself to motherhood. I only question what it is you’re meant to mother” (page 196). How much do you think the idea that a woman’s purpose is fulfilled by having children persists today? Are women’s creative ambitions outside of the family still viewed as less fundamentally fulfilling somehow? Has motherhood impacted your passions and pursuits?

13. Kidd revisits a theme she first wrote about in The Secret Life of Bees: finding a family where one least expects. Discuss the ways that Ana, Yaltha, Tabitha, and Diodora come together to form a family after Jesus’s death. In what ways do the Therapeutae become Ana’s place of belonging?

14. At the beginning of the novel, Ana writes in her incantation bowl, “When I am dust, sing these words over my bones: she was a voice” (page 13). Near the story’s end, she composes her opus, “Thunder: Perfect Mind” (a historically real document that was found in the Egyptian desert in 1945). Later, Ana buries copies of it and all her narratives on the side of a cliff to preserve them for future generations. Do you feel she realized her longing to become a voice? What thoughts and feelings did the excerpts from “Thunder: Perfect Mind” (pages 335–36) stir in you? Could Ana’s writings be considered sacred texts?

15. At the end of the novel, Ana ponders why Jesus’s followers have removed her from the story of his life: “Was it because I was absent when he traveled about Galilee during his ministry? Was it because women were so often invisible? Did they believe making him celibate rendered him more spiritual?” (page 407). Why do you think Ana would have been silenced and erased?

16. If Jesus having a wife were a more accepted narrative, how do you think it would affect the religious and cultural legacy of Christianity?

17. Over the course of Ana’s journey, The Book of Longings returns to the idea of the largeness within people. How do you conceive of your own largeness? What inspires it? What inhibits it? Do you agree with Yaltha that “it isn’t the largeness in you that matters most, it’s your passion to bring it forth” (page 353)?

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