A New Yorker Best Book of 2014 An NPR Great Read of 2014 A New York Times 100 Notable Books of 2014 Selected as one of the Independent’s Books of the Year 2014 An io9.com Best Science Fiction and Fantasy Book of 2014 An ABA Indie Next Pick A Fresno Bee Favorite Book of 2014 A Guardian Writers Pick of 2014, Selected by Jackie Kay Selected as one of Kansas City Star’s 100 Best Books of 2014 Selected by Financial Times’ David Mitchell as a Favorite Book of 2014 A Book Riot Best Book of 2014 A BookBrowse Top Book of 2014 Goodreads.com Best Book of the Month A Kirkus Must-reads A Barnes & Noble Fiction Selection, Top Books for the Holiday Season A ShelfAwareness Best Books of 2014 Honorable Mention A Minnesota Public Radio Best Books of 2014 Selection Publishers Lunch news editor Sarah Weinman’s best of the year list, honorable mention A Rick Riordan Favorite Read of 2014 A PopMatters Best Books of 2014 “Defiantly unclassifiable. . . . The Book of Strange New Things squeezes its genre ingredients to yield a meditation on suffering, love and the origins of religious faith. . . . Faber reminds us there is a literature of enchantment, which invites the reader to participate in the not-real in order to wake from a dream of reality to the ineffability, strangeness, and brevity of life on Earth.” —Marcel Theroux, The New York Times Book Review (cover review) “Provocative, unsettling.” —People “Profoundly moving. . . . . A vivid portrait of a distant galaxy, reinforced by a narrative that is deeply, emotionally evocative.” —USA Today “Elegant. . . . A lovely, thought-provoking meditation on love and faith and the never-ending mysteries of the natural world.” —Entertainment Weekly “Eerie and ambitious. . . . Faber is a genuinely gifted storyteller and his novel gains resonance and tidal force in its final third.” —The New York Times “Faber illustrates, movingly, the impossibility of adequate communication in the face of life-changing experience. . . . Rich and memorable.” —The New Yorker “ The Book of Strange New Things will blow you away…Powerful… Even beyond its power as a story of cross-cultural encounters, and the questions it makes you ask about the place of humanity in the universe, Book of Strange New Things is also worth reading as a great personal story of a man and his wife, as their relationship faces the ultimate test..Fantastic.”— io9.com “Fascinating…Poignant…Remarkable… Despite its bizarre setting and all the elements of an interplanetary opera, this is a novel of profound spiritual intimacy…. I relished every chance to cloister myself away with “The Book of Strange New Things”…[It] offers exactly what I crave: a state of mingled familiarity and alienness that leaves us with questions we can’t answer — or forget.”— Ron Charles, Washington Post “One of the best books I’ve ever read. . . . It’s a love story, and the last line destroyed me.” —Emily St. John Mandel, The Millions “Faber's great strength, trotted out right from the opening pages — this ability to write believable, lovely, flawed and inept characters. To animate his creations by exposing their great loves and human frailties, and to make us want, somehow, to follow along behind them…Faber tells a beautifully human story of love, loss, faith and the sometimes uncrossable distances between people.”— NPR.org, “All Things Considered” “Harrowing, wrenching. . . . A bold and unexpected work of beauty. . . . Faber’s sincerity keeps The Book of Strange New Things honest, and his talent steers him away from cliché.” —The New Republic “A wonderful adventure story, a quasi-science fiction tale and a probing examination of a marriage. . . . A truly strange and wonderful novel. . . . Please read Michel Faber’s The Book of Strange New Things. You won't regret it.” —Cleveland Plain-Dealer “[A] masterpiece” — Cosmopolitan “I would almost like to say, ‘Read this book,’ and leave it with that. Because its charms, and they are considerable, are so tied with discovering what the heck is going on. That challenges a reviewer, because almost anything I tell you will spoil a moment of discovery…the writing is such a pleasure.”— Dallas Morning News “A bracing, rewarding read.”— Kansas City Star “[Faber] approaches this interplanetary saga as an expert genre traveler. . . . [His] potent new amalgam of sci-fi and spirituality puts him within rocket range of David Mitchell.” —New York “Intergalactic in scope.” —Reuters “This is a big novel . . . but the reader is pulled through it at some pace by the gothic sense of anxiety that pervades and taints every element. . . . Astonishing and deeply affecting.” —The Guardian “A novel so full of ideas, so charged by plot, so odd and wonderful, and written with astonishing emotional precision. There are some novels that come along every now and again, when writing a review seems superfluous and all one wants to do is to grab someone by the shoulders and say: “Look, just read the damn thing!” This is one of them. Michel Faber always has had an astonishing ability to make the strange believable and the alien real, but in this thoughtful, deeply moving page-turner, he excels himself.” —The Scotsman “A hugely serious story about the testing of religious faith. . . . When [Peter’s] spiritual crisis does indeed hit it is as gripping as any thriller. . . . A work of originality and insight.” —The Times “A moving human drama disguised as a gripping science fiction tale. . . . Magnificently bold and addictive. . . . A book quite unlike any other I've ever read.” —The Sunday Times “Faber’s new novel grapples with [what it means to be human] in unusually direct terms. . . . The fascination of [his] prose style is its lack of sensationalism. His voice on the page is serene and oddly innocent. . . . One might call The Book of Strange New Things sci-fi, speculative fiction, literary fiction—or maybe just welcome it, thankfully, with a ‘Never before now.’” — The Independent (UK) “Contemporary literary fiction rarely provides a Victorian-length magical mystery tour along the trail of breathtaking narrative…[yet] Michel Faber’s vast new storytelling extravaganza, The Book of Strange New Things, is that kind of novel. It embodies a wondrous and sorrowful experience you don’t just read, but live.”— Toronto Star “Spellbinding, heartbreaking and mind-bending. . . . This is very much a book that rewards re-reading; its subtle echoes and wisps of allusion reverberate across the text. . . . The Book Of Strange New Things is Faber’s strongest, most plangent and most intellectually gleeful novel. It is affecting as much as it is challenging. . . . Bold, brave, brilliant. . . . It’s also, by the way, the most wonderful love story.” — Scottish Review of Books “Brilliant, and disquieting. . . . Faber’s novel is entirely true to itself and wonderfully original. It makes a fine update to Walter M. Miller Jr.’s Canticle for Leibowitz, with some Marilynne Robinson-like homespun theology thrown in for good measure. . . . A profoundly religious exploration of inner turmoil.” — Kirkus (starred review) “A marvelously creative and intricate novel, thought-provoking and arresting.” — Booklist “A monumental, genre-defying novel over ten years in the making, Michel Faber’s The Book of Strange New Things is a masterwork from a writer in full command of his many talents.”— Book Browse, Selected as a Top Book of 2014 “The book wears its strong premise and mixture of Biblical and SF tropes extremely well.” — Publishers Weekly “At the heart of The Book of Strange New Things is one question: Whom—or what—do you love, and what are you willing to do for that love (or not willing)? The result is a novel of marvel and wonderment with a narrative engine like a locomotive.” — Yann Martel “In my opinion The Book of Strange New Things is Michel Faber’s second masterpiece, quite different to The Crimson Petal and the White but every bit as luminescent and memorable. It is a portrait of a living, breathing relationship, frayed by distance. It is an enquiry into the mountains faith can move and the mountains faith can’t move. It is maniacally gripping. It is vibrant with wit and overcast with prescience and social commentary. Like all superlative science fiction, its real subject is that most mystifying of alien species, humanity. I didn’t so much read The Book of Strange New Things as inhabit it, the way you inhabited that handful of books which, as a kid, first got you hooked on this wonderful drug known as reading.” — David Mitchell “Michel Faber’s The Book of Strange New Things certainly lives up to its title. Faber, as he showed in Under the Skin, does strangeness brilliantly. I can’t remember being so continually and unfailingly surprised by any book for a long time, and part of the surprise is the tenderness and delicacy with which he shows an emotional relationship developing in one direction while withering in another. I found it completely compelling and believable, and admired it enormously.” — Philip Pullman “Weird and disturbing, like any work of genius, this novel haunted me for the seven nights I spent reading it, and haunts me still. A story of faith that will mesmerize believers and non-believers alike, a story of love in the face of the Apocalypse, a story of humanity set in an alien world— The Book of Strange New Things is desperately beautiful, sad, and unforgettable.” — David Benioff “Intriguing…both painful and compelling. And when you find out the answers to some of the novel's central mysteries . . . Well, I won't give anything away, but the answers pack a punch.”— Rick Riordan
Under the Skin will recognize [Faber's] method: taking a standard science fiction premise and unfolding it with the patience and focus of a tai chi master, until it reveals unexpected connections, ironies and emotions. The Book of Strange New Things squeezes its genre ingredients to yield a meditation on suffering, love and the origins of religious faith…the reader is drawn through the book effortlessly, by the combination of incidental strangeness and the suspenseful handling of plot…Defiantly unclassifiable, The Book of Strange New Things is, among other things, a rebuke to the credo of literary seriousness for which there is no higher art than a Norwegian man taking pains to describe his breakfast cereal. As well as the literature of authenticity, Faber reminds us, there is a literature of enchantment, which invites the reader to participate in the not-real in order to wake from a dream of reality to the ineffability, strangeness and brevity of life on Earth.
The New York Times Book Review - Marcel Theroux
…eerie and ambitious…Faber proves himself to be, as he was in
Under the Skin, a warm surrealist. In The Book of Strange New Things, his ruddy, swell-scrubbed sentences roll self-confidently along, in the manner of John Irving or Ethan Canin. There is little wasted motion…The novel becomes a portrait of a marriage in extremis, and an unlikely love story emerges. Mr. Faber sketches the details of life on another planet with finicky good sense as well as humor…[He] is a genuinely gifted storyteller…
The New York Times - Dwight Garner
This latest book from Faber (The Crimson Petal and the White) begins as a pedestrian story about a missionary and then gets really interesting. After an emotional leave-taking from his wife, Bea, protagonist Peter is strapped into a hyperspace vehicle bound for a distant planet. Under the auspices of USIC, a corporation secretly colonizing the planet Oasis, Peter is tasked with serving the planet's indigenous population. A group of these cloaked humanoid beings has a hunger for the teachings of Jesus and the Bible, which they call "The Book of Strange New Things," and cultivating them is a priority because USIC needs the food they provide for a barren Oasis. Peter rapidly goes native and bonds with the aliens, though at the expense of his long-distance relationship with Bea. He learns the secret behind the aliens' love of Jesus and nearly dies in the process. VERDICT The grim plight of these enigmatic beings' lives explains their attachment to the Christian message, which puts it in a different light. Maria Doria Russell's The Sparrow meets the loneliness of Stanislaw Lem's Solaris; recommended for lovers of thought-provoking sf. [See Prepub Alert, 4/14/14.]—Henry Bankhead, Los Gatos Lib., CA
A long-awaited—and brilliant and disquieting—novel of faith and redemption by Scotland-based writer Faber (The Crimson Petal and the White, 2002, etc.). Eschatological religion and apocalypse make a natural fit. Throw in a distant planet that's not populated by L. Ron Hubbard acolytes, and you have an intriguing scenario prima facie. Peter (think about the name) is a minister who, aspiring to be useful, signs up for a stint, courtesy of one of the world's ruling corporations, on far-off Oasis, a forbidding chunk of rock on which the crew of the Nostromo, of Alien fame, wouldn't be out of place. "This was not Gethsemane: he wasn't headed for Golgotha, he was embarking on a great adventure." So he thinks, allowing for his habit of casting events in religiously hallucinogenic terms. The natives are shy—and who wouldn't be, given the rough humans who have come there before Peter—but receptive to his message, which deepens as Peter becomes more and more involved with his mission. Trouble is, things aren't good back on Earth: His wife, with child, is staring what appear to be the end times in the face, even as life on Oasis, as one human denizen snarls, turns out to be "sorta like the Rapture by committee." Is Peter good enough to make it through the second coming? He's lived, as we learn, a fully charged sinner's life before becoming saintly, and he's just one crisis of faith away from meriting incineration along with the rest of the unholy; good thing the alien-tongued aliens of Oasis will put in a good word for him, even though their tongue may not be entirely comprehensible. Faber's novel runs a touch long but is entirely true to itself and wonderfully original. It makes a fine update to Walter M. Miller Jr.'s Canticle for Leibowitz, with some Marilynne Robinson-like homespun theology thrown in for good measure. What would Jesus do if he wore a space helmet? A profoundly religious exploration of inner turmoil, and one sure to irk the Pat Robertson crowd in its insistence on the primacy of humanity.