After five years of playing anyplace that would have them and cutting three albums they released themselves, the
Drive-By Truckers finally made a breakthrough in 2001 with
Southern Rock Opera, a two-disc concept album about "the Duality of the Southern Thing" and the life and (literal) death of a band not unlike
Lynyrd Skynyrd. The album's unanimously positive reviews and impressive indie sales led to the
DBT's scoring a deal with
Lost Highway Records,
Universal's roots music imprint, which reissued
Southern Rock Opera and signed on to release the follow-up.
Lost Highway had already distributed promo copies of 2003's
Decoration Day when they chose not to release it after all, and the band scrambled to find a new home, with
New West rushing the album out three months after
Lost Highway's original release date came and went. The following year, the
DBT's turned in their next studio effort, a projected double set called
The Dirty South, but
New West balked, insisting the band trim it down to a single CD, and perhaps weary of music biz drama, they acquiesced and cut three songs from the set list. The edited version was a commercial and critical success, with many fans and critics citing it as their best album, but the band never forgot how the album was supposed to be, and in 2023, the
Drive-By Truckers and
New West partnered to release
The Complete Dirty South. The "Director's Cut" edition restored the intended sequence with the addition of the songs "TVA," "The Great Car Dealer Wars," and "Goode's Field Road" (they re-cut the latter for 2008's
Brighter Than Creation's Dark), while group leader
Patterson Hood revised his lyrics and recut his vocals for "Puttin' People on the Moon" and "The Sands of Iwo Jima." Trying to improve an album that was already a standout in a band's catalog is a calculated risk, and
The Complete Dirty South isn't radically superior to the album they put out in 2004. That said, the expanded release does have a smoother narrative flow, the unheard tracks are certainly up to the standards of the rest of the set, especially
Jason Isbell's powerful "TVA" (though the
Brighter Than Creation's Dark version of "Goode's Field Road" cuts a stronger groove), and the remastering makes a real difference, giving the material a stronger and bolder sound that flatters the band's three-guitar attack. Nearly 20 years after it was released, these stories of people struggling with the weight of the past and the burdens of the present day haven't dated a bit; in fact, they feel even more timely in the 2020s. Anyone who enjoyed
The Dirty South as it appeared in 2004 will find
The Complete Dirty South rewarding, and those who haven't heard it owe it to themselves to hear it in uncompromised form. ~ Mark Deming