The Dead Beat Scroll

The Dead Beat Scroll

by Mark Coggins


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Private investigator August Riordan returns to San Francisco to avenge the death of his friend and one-time partner, Chris Duckworth. Duckworth has taken over Riordan's old business, his old office and even his old apartment, and Riordan suspects Duckworth's death is linked to the missing person case he was working when he died.

An alluring young woman named Angelina hired Duckworth to look for her half-sister, but what Riordan finds instead is a murderous polyamorous family intent on claiming a previously unknown manuscript from dead Beat writer Jack Kerouac.

Following clues from Duckworth and a trail of mutilated bodies left by the family, Riordan soon realizes that avenging his partner will first involve recovering the manuscript-and then saving Angelina and himself from kidnap, torture and death. As the bodies pile up, Riordan must work with old allies and enemies to untangle Duckworth's last case before time runs out.


"Slick, sardonic and suspenseful-everything a great thriller should be." -Lee Child, bestselling author of the Jack Reacher novels

"Fast-paced excursion into the remnants of San Francisco's lost bohemia...Alternately comic, sad, lurid, impossible, blasphemous, and just plain fun." -Domenic Stansberry, Edgar Award-winning author of the North Beach Mystery Series

"Glorious potpourri of violence, black humor, sex, and a hunt for a lost manuscript... Read The Dead Beat Scroll, and enjoy again the type of mystery novel that defined this genre." -New York Journal of Books

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Product Details

ISBN-13: 9781643960319
Publisher: Down & Out Books II, LLC
Publication date: 09/16/2019
Series: August Riordan , #7
Pages: 288
Product dimensions: 6.00(w) x 9.00(h) x 0.65(d)

Read an Excerpt


Golden Fingers

The theme music for the quiz show Jeopardy! makes an unsettling ringtone. Although originally composed as a lullaby, its relentless, tick-tock, time-is-running-out associations can't help but impinge upon your dreams if you've already nodded off.

Other things that can impinge are a hip flask full of Old Grand-Dad and memories of a turbulent flight from Palm Springs to San Francisco earlier in the day. Now, as I dozed on a couch in my old apartment on the corner of Post and Hyde, the inexorable march of tinny notes from my cellphone turned my vague dreams about flying into lucid nightmares about crashing.

The caller went to voice mail and redialed. I fumbled the phone out of my suit coat and held the glowing screen to my face. The blurry characters told me three things: I was still drunk. It was two twenty-three in the morning. And someone with a 415 number I didn't recognize was calling.

I swiped my finger over the touchscreen to answer. "Riordan," I tried to say, but it came out like a sea lion clearing phlegm.

"Riordan?" repeated the caller.

"That's what I said. Who is this?"


Kittredge. Lieutenant "Smiling Jack" Kittredge. That showboating asshole from SFPD Homicide was at least part of the reason I'd thrown in the towel on my PI business and left the city.

"Where'd you get this number?"

"It's the same fucking number you had when you lived here."

"Oh." I sat up on the couch and brought a hand to my throbbing forehead. It came away greasy with sweat.

"I talked to your secretary," said Kittredge.


"Whatever. I know why you're back."


"Don't make this any harder than it already is, Riordan. You and I are never going be on each other's Christmas card list, but I'm trying to do the right thing. You need to get over here."

I drew in a ragged breath. "Where's here?"

"A rub-and-tug place called Golden Fingers. It's on Stockton, just before Bush."

"You mean just before the tunnel under Bush. I remember it. But if you know why I'm back, you know that doesn't make any sense. Duckworth wouldn't be caught dead in a place like that."

There was a long pause. "You're going to regret saying that."

"He's there?"


"And he's —"

"I'm sorry, Riordan. Yeah, he's dead."

"Fifteen minutes."

I tottered to my feet and felt around in the dark for the floor lamp. I squeezed my eyes shut against the flood of light — and the spinning room — and stood braced against the arm of the sofa. My dinner auditioned for a return engagement, and more sweat popped from my forehead. More moisture welled at the corners of my eyes.

Chris Duckworth had been my best friend and sometime assistant. In the last case we'd worked together, I'd convinced him to participate in what could most charitably be characterized as vigilante justice. Together with a former cop, we had ambushed and killed a gang of psychopaths from Argentina. I had no doubt that they deserved it, just as I had no doubt that Chris's guilt over his involvement destroyed our friendship. It was another reason I had left San Francisco. The main reason — if I was being honest with myself.

I thought my leaving would be the best thing for him. That it would allow him to move on. What I didn't anticipate is that he would pick up where I left off, taking over my old business, my old office, and my old apartment. When Gretchen — my old secretary — called me in Palm Springs to tell me that Chris was missing, it had been more than five years since I'd seen him.

My wing tips lay on the floor by the sofa. I stepped into them, not trusting my equilibrium enough to bother with the laces. I cinched the knot of my tie closer to my throat — it still had inches to go — speared my overcoat from the sofa, and shrugged it on.

I tottered around the black granite megalith Chris used for a dining-room table, brushed past the Andy Warhol prints in the entryway, and lurched out the door. The building elevator was every bit as decrepit as I remembered, and the ride to the ground floor still felt like an extended toilet flush.

I pushed through the building's door out onto Post Street. A thick mist hung in the air, making the walk up the hill toward the massage parlor feel like wading through applesauce. It was less than three-quarters of a mile, so calling a cab or an Uber would have taken more time than it was worth — especially since I didn't know how the hell to summon an Uber. I made it to Stockton without seeing a car or a pedestrian, but when I turned left for the short block to where the street ran under Bush, an old guy with shiny hair, a shimmery track suit, and a towel around his neck materialized out of the mist doing an awkward racewalk. He elbowed past me without a word.

Up ahead, a pair of SFPD cruisers blocked the left lane of the tunnel, their red and blue emergency lights filling its mouth with an eerie luminescence. I was nearly beneath the towering Golden Fingers street sign before I noticed it. A touch of ecstasy, it promised. massage, sauna, whirlpool — incall or outcall. A smaller neon sign next to the entrance still glowed. open.

A bald patrol cop with a chest puffed out by body armor stood in the doorway. "The establishment is closed, sir," he said.

My throat had gone froggy again. "I know," I managed to croak. "Kittredge called me."

He frowned. "You're Riordan?"


"You look pretty green. I thought you were a drunk looking to sweat off a bender." He paused. "No offense."

"None taken."

"They're in the back, past reception. It's room number four."

I wobbled by him into a dinky reception area painted red with gilded wainscoting. Gold bric-à-brac bulged from rosewood curio cabinets, and a Sputnik fixture overhead projected searing glints of light into my occipital lobe. I plunged through a beaded curtain to the left of the reception desk and walked down a corridor that was mirrored on one side and upholstered in red velvet on the other. A detective leaned against the door frame of the only room that was open, peering inside with a bored expression.

The squawk of a walkie-talkie burst from the room. "I just sent Riordan back."

"Roger that," said a voice that sounded like Kittredge's.

The detective in the door frame turned to look down the corridor, and seeing me, stepped away. "Stand just outside, sir. Don't contaminate the scene."

I nodded and came up to the doorway. The room was just large enough to hold a narrow massage table with space around the sides to maneuver. A rosewood pedestal with a collection of massage oils stood at the back, a pair of big round mirrors reflected infinite views, and a paper lantern with a gold bulb dangled from the ceiling. Everything that could be painted was painted red. Kittredge was at the side of the massage table, his hands protected by latex gloves and his shoes covered in paper booties. The walkie-talkie I'd heard earlier hung from his belt. He looked as ill at ease as I'd ever seen him.

The source of his unease was on the table. Facedown in the headrest with a black flannel sheet draped over him from midcalf to upper back was my friend Chris. There were no obvious signs of violence, and from where I stood, it looked like he was sleeping.

I glanced up at Kittredge, but he avoided my eyes. "Again, Riordan, I'm sorry. I wouldn't have dragged you down here, but I didn't think you'd take my word for it."

"Yeah. You're probably right. What happened?"

Kittredge brought a hand up to loosen his tie, thrust his chin out, and pulled his lips back in a chimpanzee grimace, showing off the perfect white choppers that had earned him his nickname. "We got a call from the janitorial service that cleans this place."

"What a job, huh?" said the detective behind me. "Imagine the amount of jizz that gets squirted out here."

I turned back to look at him, and something in my face made him cough and turn away. "Right," he mumbled.

"So the janitor found him?" I asked Kittredge.


"What time do they close?"


"What time does the janitor come to clean?"

"According to him, he got here around midnight and there was no one in the building when he arrived."

"Did he find Chris right off?"

"No. He cleans the sauna and the whirlpool first because they're the most work. He doesn't wear a watch, so he doesn't know exactly what time he found him, but he called the owner at about one-thirty. Then she called us."

"Any chance he's involved?"

Kittredge made an elaborate shrug. "It's possible. We'll question him more to be certain, but I doubt it. He's from El Salvador, probably illegal, and doesn't speak much English. What would he want with Duckworth?"

"I don't know." I cleared my throat and asked the question I intended to ask from the get-go. "What killed him?"

Kittredge's eyebrows crept up in surprise. "I guess you can't see. A bullet to the back of the head. Base of the skull, execution style. Looks to be small caliber. It's a small entrance wound, not much bleeding and no exit wound."

"Any other marks or wounds on him?"

Kittredge reddened. Chris had been gay, and it was clear that Kittredge felt uncomfortable acknowledging that he had pulled off the sheet to examine the body. "Ah, no, nothing we could see. The medical examiner will do a full workup. In fact, the lab guys are coming, so you're going to need to clear out."

I looked down at my friend Chris. He had always been a slight man, but laid out cold under the light of the dim gold bulb, he looked smaller, almost childlike. I wanted to see his face — perhaps to get some insight into what he was thinking as he died or maybe feel less guilty about abandoning him here — but it was obscured by the padding around the headrest. I took a step forward to touch the back of his head. Kittredge flinched but did nothing to stop me.

"Goodbye, Chris," I said.

I turned abruptly and headed back up the hallway. The other detective jumped out of my way, and I heard Kittredge growl behind me, "Just a minute, Riordan."

I stopped, and he came up to me, some of the old toughness creeping back into his demeanor. "What do you know about this?"

"Just what you told me."

"I mean about why he went missing."

"Nothing more than you. Gretchen called to tell me that he hadn't been to the office for several weeks and wasn't living in his apartment. She was worried about him and wanted me to find him."

"What was he working on?"

"I don't know. She didn't know."

Kittredge pointed a gloved finger at me. "Homicide is police business. You find out anything about what he was working on or where he was, you bring it to me. No vigilante stuff, Riordan. I know you were involved in the massacre of those Argentines even if the DA couldn't pin it on you. You try to avenge Duckworth's murder, and I'll wreck you."

I took hold of his hand, intending to push it away from me, but I was in no condition to get physical. He shoved me backward into a tangled heap on the floor.

"You're too late, Kittredge," I said to the ceiling. "There's nothing left to wreck."


Old Home Week

At eleven-twenty that same morning, I stood outside the door to my old office on the twelfth floor of the Flood Building at the corner of Market and Powell streets. The door was pebble glass, and it used to have my name and the suite number painted on it in black. The Flood Building, the door, and the suite number were all the same, but DUCKWORTH INVESTIGATIVE SOLUTIONS was painted on the glass instead. I brought a hand up to knock, thought better of it, and reached down to turn the knob.

Gretchen Sabatini, my old secretary, confidant, gal Friday — and one-time fiancée — glanced up as I stepped through the doorway. She looked exactly as I remembered: shoulder-length auburn hair, lightly freckled skin, and gorgeous cornflower-blue eyes, which, seen without makeup, looked touchingly like those of a young child. As always, she was dressed in black — a designer pantsuit that accentuated her narrow waist.

She jumped from behind her desk and ran to embrace me. "Why didn't you call?" she nearly wailed into my ear. Then, in a panicked undertone, as if she had said something she shouldn't: "Did you hear?"

I pulled her closer to my chest. "Yes. Kittredge saw to that."

"I heard on the radio. Kittredge phoned, but I couldn't bring myself to answer. I haven't even listened to his message." She paused. "Did you see Chris?"

"Yeah, the lieutenant did me a favor — if you can call it that. He brought me to the scene before they took the body away."

I felt her tense in my arms. "How was he? I mean —"

"I know what you mean. He wouldn't have suffered. It was quick. He may not have known it was happening."

She took hold of my arms above the elbows and gently pushed me away. Twin rivulets of mascara streaked her cheeks. "But why was he there? It doesn't make any sense."

I shook my head. "I was hoping you'd have some clue."

She sniffed and reached for the tissue box on her desk. "I don't," she said, as she dabbed her eyes. She threaded a lock of hair around an ear and stared at me solemnly.

"You look tired, August."

I took that to mean "You look old, August." The five years since I'd seen Gretchen had been rough ones — for me, at least. "Well, 2 a.m. play dates with the cops can take it out of you."

"You also smell — of booze and BO."

"I'm blaming Chris for that."

"Don't you dare —"

I held up my hands. "Hold on. It's not what you think. He redid everything in the apartment, including the bathroom. He's got some flossy European shower fixture in there. I couldn't figure how to get hot water out of it, so I did what I could with a washcloth at the sink."

She smirked and shook her head, and for the first time, it felt like it used to between us. "At least you managed to get inside the building."

The building had been switched to a keyless entry system. Gretchen had supplied the codes for the lobby door and the apartment when she called me in Palm Springs, but the truth of the matter was I'd had to throw myself on the mercy of the building super when I arrived.

"Not a problem," I lied. "But speaking of remodeling, look at this place." The suite had been gone over from stem to stern. It was lighter, brighter, and hopelessly mod. "And where's Bonacker? Not in the private office with Chris?" Gretchen slipped behind her chromium-and-glass desk and settled into her Aeron chair. She gestured for me to take the one in front of her desk. "Bonacker retired. It's just been Chris and I the last three years."

Ben Bonacker was the buffoon of an insurance agent I'd shared the space with. He told terrible jokes and hectored my clients with pitches for whole life, but having him in the office reduced my overhead considerably. "How did Chris cover the rent without him? And what about you? Most of the secretarial work came from Bonacker."

"I wasn't Chris's secretary."

"Sorry. Administrative assistant."

"I wasn't that either. I was a full partner."

"A full partner in Duckworth Investigative Solutions?"

She nodded. "Chris wasn't doing the kind of work you did, August. Most of his cases involved computers — cybersecurity, identity theft, and online reputation. He trained me to help him, and we rarely left the office. Keyboard and phone replaced shoe leather and muscle. And it was a lot more lucrative. The rent wasn't a problem."

I put my elbow on the ergonomic armrest of the Aeron chair and dropped my chin into my palm. To me, Chris had always been an overenthusiastic amateur. Half the assignments I gave him were simply to get him out of my hair. The idea that I was living in exile in the desert while he outearned and outclassed me in my own town was hard to swallow. "Why'd you call me, then? Why didn't you just sit behind your keyboard and cyber-google him back when he went missing?"

Gretchen didn't waste any time responding. She threw the box of tissues straight at my head. "You were the one who abandoned us — who left without a word. Whatever it was that drove you away, it had more to do with your demons than us. But we adapted. We learned what we were good at and made it the focus of the business. It wasn't about showing you up. It was about getting on with life."

I rubbed the place on my forehead where the corner of the tissue box had hit. "I deserved that."

"And more." She sat forward and clutched both her knees through the silky fabric of her pantsuit. "I don't know what happened to Chris. But when you discover the details, when you find out how he came to be shot execution-style in a massage parlor in the middle of the night, I know it will be because of the things that made him what he was — his enthusiasm and love of adventure."


Excerpted from "The Dead Beat Scroll"
by .
Copyright © 2019 Mark Coggins.
Excerpted by permission of Down & Out Books.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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