The Demons of Leonard Cohen
Who speaks in Leonard Cohen’s oeuvre? By identifying the many guises in which Cohen presents himself to his audience, Francis Mus seeks to formulate an answer to this question. The countless roles assumed by Cohen’s persona are not some innocent games, but strategies in response to the sometimes conflicting demands of a ‘life in art’: they serve as masks that represent the performer’s face and state of mind in a heightened yet detached way. In and around the artistic work, they are embodied in different guises or ‘demons’: image (the poser), artistry (the writer and singer), alienation (the stranger and the confidant), religion (the worshipper, prophet, or priest), and power (the powerful or powerless).

Ultimately, Cohen’s artistic practice can be read as an attempt at forging interpersonal contact. The wide international circulation of Cohen’s work has resulted in a partial severing with the context of its creation. Much of it has filtered through the public image forged by the artist and his critics in concerts, interviews and reflective texts.

Consequently, this monograph is less a biography than a reception study, supplemented with extensive archival research, unpublished documents, and interviews with colleagues and privileged witnesses. This book sheds new light on the dynamic of a comprehensive oeuvre spanning a period of sixty years.

Published in English.

1132631839
The Demons of Leonard Cohen
Who speaks in Leonard Cohen’s oeuvre? By identifying the many guises in which Cohen presents himself to his audience, Francis Mus seeks to formulate an answer to this question. The countless roles assumed by Cohen’s persona are not some innocent games, but strategies in response to the sometimes conflicting demands of a ‘life in art’: they serve as masks that represent the performer’s face and state of mind in a heightened yet detached way. In and around the artistic work, they are embodied in different guises or ‘demons’: image (the poser), artistry (the writer and singer), alienation (the stranger and the confidant), religion (the worshipper, prophet, or priest), and power (the powerful or powerless).

Ultimately, Cohen’s artistic practice can be read as an attempt at forging interpersonal contact. The wide international circulation of Cohen’s work has resulted in a partial severing with the context of its creation. Much of it has filtered through the public image forged by the artist and his critics in concerts, interviews and reflective texts.

Consequently, this monograph is less a biography than a reception study, supplemented with extensive archival research, unpublished documents, and interviews with colleagues and privileged witnesses. This book sheds new light on the dynamic of a comprehensive oeuvre spanning a period of sixty years.

Published in English.

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The Demons of Leonard Cohen

The Demons of Leonard Cohen

The Demons of Leonard Cohen

The Demons of Leonard Cohen

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Overview

Who speaks in Leonard Cohen’s oeuvre? By identifying the many guises in which Cohen presents himself to his audience, Francis Mus seeks to formulate an answer to this question. The countless roles assumed by Cohen’s persona are not some innocent games, but strategies in response to the sometimes conflicting demands of a ‘life in art’: they serve as masks that represent the performer’s face and state of mind in a heightened yet detached way. In and around the artistic work, they are embodied in different guises or ‘demons’: image (the poser), artistry (the writer and singer), alienation (the stranger and the confidant), religion (the worshipper, prophet, or priest), and power (the powerful or powerless).

Ultimately, Cohen’s artistic practice can be read as an attempt at forging interpersonal contact. The wide international circulation of Cohen’s work has resulted in a partial severing with the context of its creation. Much of it has filtered through the public image forged by the artist and his critics in concerts, interviews and reflective texts.

Consequently, this monograph is less a biography than a reception study, supplemented with extensive archival research, unpublished documents, and interviews with colleagues and privileged witnesses. This book sheds new light on the dynamic of a comprehensive oeuvre spanning a period of sixty years.

Published in English.


Product Details

ISBN-13: 9780776631202
Publisher: Les Presses de l'Université d'Ottawa/University of Ottawa Press
Publication date: 08/25/2020
Series: Canadian Studies , #6
Pages: 208
Product dimensions: 6.00(w) x 8.90(h) x 0.80(d)

About the Author

Francis Mus (1983) is an Assistant Professor at the University of Liège (Belgium) and a Research Fellow at KU Leuven (Belgium). He wrote his doctoral thesis on the internationalization of the Belgian avant-garde, and in 2015 published a Dutch monograph on Leonard Cohen, which earned him the literary essay prize of East Flanders.

Read an Excerpt

How can we talk about Leonard Cohen’s oeuvre today? How can, may, or must we approach the relationship between the person and the work? With the media now all-pervasive, the distinction between public and private person has become blurred to say the least: chance encounters are shared on social media; unpublished family photos regularly appear online; there is no keeping up with the biographies; etc.

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