The Fascination with Violence in Contemporary Society: When Crime is Sublime
This book directly explores the question of why contemporary society is so fascinated with violence and crime. The Fascination with Violence in Contemporary Society posits that the phenomenon is, in part, because we have all become consumers of the sublime: an intense and strongly ambiguous emotion which is increasingly commodified. Through the experience of violence and the sense of disorientation that accompanies it, we obsessively seek out moments of intensified existence. Equally, crime continues to speak to the depths of the collective unconscious, questioning us about our transience and the model of society we wish to live in. Binik proposes that this is why the reaction to violence has become a tool with which to express and take ownership of a desire for social cohesion.

This book uses interviews with viewers, dark tourists, collectors and others to further interrogate this social trend. Many of these are participants inthe four key case studies explored within the study: emotional pathways while watching a true-crime TV series, the trend of dark tourism, murderabilia collecting and the fanaticism of (and for) Anders Breivik. This book seeks to answer one of the most pressing cultural trends of the modern age and fill in a gap in the criminological literature on the subject.

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The Fascination with Violence in Contemporary Society: When Crime is Sublime
This book directly explores the question of why contemporary society is so fascinated with violence and crime. The Fascination with Violence in Contemporary Society posits that the phenomenon is, in part, because we have all become consumers of the sublime: an intense and strongly ambiguous emotion which is increasingly commodified. Through the experience of violence and the sense of disorientation that accompanies it, we obsessively seek out moments of intensified existence. Equally, crime continues to speak to the depths of the collective unconscious, questioning us about our transience and the model of society we wish to live in. Binik proposes that this is why the reaction to violence has become a tool with which to express and take ownership of a desire for social cohesion.

This book uses interviews with viewers, dark tourists, collectors and others to further interrogate this social trend. Many of these are participants inthe four key case studies explored within the study: emotional pathways while watching a true-crime TV series, the trend of dark tourism, murderabilia collecting and the fanaticism of (and for) Anders Breivik. This book seeks to answer one of the most pressing cultural trends of the modern age and fill in a gap in the criminological literature on the subject.

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The Fascination with Violence in Contemporary Society: When Crime is Sublime

The Fascination with Violence in Contemporary Society: When Crime is Sublime

by Oriana Binik
The Fascination with Violence in Contemporary Society: When Crime is Sublime

The Fascination with Violence in Contemporary Society: When Crime is Sublime

by Oriana Binik

Hardcover(1st ed. 2020)

$109.99 
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Overview

This book directly explores the question of why contemporary society is so fascinated with violence and crime. The Fascination with Violence in Contemporary Society posits that the phenomenon is, in part, because we have all become consumers of the sublime: an intense and strongly ambiguous emotion which is increasingly commodified. Through the experience of violence and the sense of disorientation that accompanies it, we obsessively seek out moments of intensified existence. Equally, crime continues to speak to the depths of the collective unconscious, questioning us about our transience and the model of society we wish to live in. Binik proposes that this is why the reaction to violence has become a tool with which to express and take ownership of a desire for social cohesion.

This book uses interviews with viewers, dark tourists, collectors and others to further interrogate this social trend. Many of these are participants inthe four key case studies explored within the study: emotional pathways while watching a true-crime TV series, the trend of dark tourism, murderabilia collecting and the fanaticism of (and for) Anders Breivik. This book seeks to answer one of the most pressing cultural trends of the modern age and fill in a gap in the criminological literature on the subject.


Product Details

ISBN-13: 9783030267438
Publisher: Springer International Publishing
Publication date: 10/22/2019
Series: Palgrave Studies in Crime, Media and Culture
Edition description: 1st ed. 2020
Pages: 295
Product dimensions: 5.83(w) x 8.27(h) x 0.00(d)

About the Author

Oriana Binik is a research fellow at the University of Milano-Bicocca, Italy.

Table of Contents

1. Introduction.- 2. When Crime Is Sublime.- 3. The Sublime And The Other Emotions In The Carnival Of Crime.- 4. Through The Cultural Criminology Hall Of Mirrors.- 5. From Sublime To Resentment: Emotional Pathways Whilst Watching Crime On Television.- 6. In The Wild In Search Of A Story: Dark Tourism.- 7. “This Is A Taboo Business”: Murderabilia From Sacred And Profane.- 8. Attacks Or Fireworks? The Spectacle Of Breivik’s Massacre.- 9. Conclusion.

What People are Saying About This

From the Publisher

“Let me tell you how much admiration this book arouses in me. It deals with one of the most recurrent and fundamental questions of human existence. It conducts a full-scale investigation into this question. The logic developed and the documentation provided are equally brilliant. Each sentence resonates, and this reading provides me with a formidable intellectual stimulation.This book is already taking place among the really important works I have come across. I cannot thank you enough for it” (Bernard Rimé, Professor at the University of Louvain at Louvain-la-Neuve, Belgium)

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