The First Book of Jewish Jokes: The Collection of L. M. Büschenthal
Works on Jewish humor and Jewish jokes abound today, but what formed the basis for our contemporary notions of Jewish jokes? How and when did these perceptions develop? In this groundbreaking study and translation, noted humor and folklore scholar Elliott Oring introduces us to the joke collections of Lippmann Moses Büschenthal, an enlightened rabbi, and an unknown author writing as "Judas Ascher." Originally published in German in 1812 and 1810, these books include jokes and anecdotes that play on stereotypes. The jokes depict Jews dealing with Gentiles who are bent on their conversion, Jews encountering government officials and institutions, newly propertied Jews attempting to demonstrate their acquisition of artistic and philosophical knowledge, and Jews engaged in trade and moneylending—often with the aim to defraud. In these jokes we see the antecedents of modern Jewish humor, and in Büschenthal's brief introduction we find perhaps the earliest theory of the Jewish joke. Oring provides helpful annotations for the jokes and contextualizing essays that examine the current state of Jewish joke scholarship and the situation of the Jews in France and Germany leading up to the periods when the two collections were published. Intended to stimulate the search for even earlier examples, Oring challenges us to confront the Jewish joke from a genuine historical perspective.

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The First Book of Jewish Jokes: The Collection of L. M. Büschenthal
Works on Jewish humor and Jewish jokes abound today, but what formed the basis for our contemporary notions of Jewish jokes? How and when did these perceptions develop? In this groundbreaking study and translation, noted humor and folklore scholar Elliott Oring introduces us to the joke collections of Lippmann Moses Büschenthal, an enlightened rabbi, and an unknown author writing as "Judas Ascher." Originally published in German in 1812 and 1810, these books include jokes and anecdotes that play on stereotypes. The jokes depict Jews dealing with Gentiles who are bent on their conversion, Jews encountering government officials and institutions, newly propertied Jews attempting to demonstrate their acquisition of artistic and philosophical knowledge, and Jews engaged in trade and moneylending—often with the aim to defraud. In these jokes we see the antecedents of modern Jewish humor, and in Büschenthal's brief introduction we find perhaps the earliest theory of the Jewish joke. Oring provides helpful annotations for the jokes and contextualizing essays that examine the current state of Jewish joke scholarship and the situation of the Jews in France and Germany leading up to the periods when the two collections were published. Intended to stimulate the search for even earlier examples, Oring challenges us to confront the Jewish joke from a genuine historical perspective.

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The First Book of Jewish Jokes: The Collection of L. M. Büschenthal

The First Book of Jewish Jokes: The Collection of L. M. Büschenthal

The First Book of Jewish Jokes: The Collection of L. M. Büschenthal

The First Book of Jewish Jokes: The Collection of L. M. Büschenthal

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Overview

Works on Jewish humor and Jewish jokes abound today, but what formed the basis for our contemporary notions of Jewish jokes? How and when did these perceptions develop? In this groundbreaking study and translation, noted humor and folklore scholar Elliott Oring introduces us to the joke collections of Lippmann Moses Büschenthal, an enlightened rabbi, and an unknown author writing as "Judas Ascher." Originally published in German in 1812 and 1810, these books include jokes and anecdotes that play on stereotypes. The jokes depict Jews dealing with Gentiles who are bent on their conversion, Jews encountering government officials and institutions, newly propertied Jews attempting to demonstrate their acquisition of artistic and philosophical knowledge, and Jews engaged in trade and moneylending—often with the aim to defraud. In these jokes we see the antecedents of modern Jewish humor, and in Büschenthal's brief introduction we find perhaps the earliest theory of the Jewish joke. Oring provides helpful annotations for the jokes and contextualizing essays that examine the current state of Jewish joke scholarship and the situation of the Jews in France and Germany leading up to the periods when the two collections were published. Intended to stimulate the search for even earlier examples, Oring challenges us to confront the Jewish joke from a genuine historical perspective.


Product Details

ISBN-13: 9780253038326
Publisher: Indiana University Press
Publication date: 09/04/2018
Pages: 170
Product dimensions: 5.90(w) x 8.90(h) x 0.40(d)
Age Range: 18 Years

About the Author

Elliott Oring is Professor Emeritus of Anthropology at California State University, Los Angeles. He is author of Joking Asides: The Theory, Analysis, and Aesthetics of Humor, Engaging Humor, and Jokes and Their Relations. He is also past editor of Western Folklore and is currently on the editorial boards of Humor: International Journal for Humor Research and Journal of Folklore Research.

Table of Contents

Foreword
Acknowledgments

Part I: Introduction
1. On Jewish Jokes and the Collection of Lippmann Moses Büschenthal
2. The Jews in the Century of Büschenthal

Part II: The Texts
3. Collection of Witty Notions from Jews as a Contribution to the Characterization of the Jewish Nation / L. M. Büschenthal
4. Selections from The Friend of the Jews or Selected Anecdotes, Pranks, and Notions of the Children of Israel / Judas Ascher

Appendix I: Büschenthal Texts Taken from Judas Ascher, Der Judenfreund
Appendix II: Sources of Joke Analogs
List of References
Index

What People are Saying About This

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The translation of [these works]...shed[s] light on the beginning of collection and scholarship of a genre that...contributes more than other Jewish folklore genres to the understanding of Jewish culture.

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Haya Bar-Itzhak

The translation of [these works]...shed[s] light on the beginning of collection and scholarship of a genre that...contributes more than other Jewish folklore genres to the understanding of Jewish culture.

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