The Golden Age of Murder

by Martin Edwards

Overview

Winner of the 2016 EDGAR, AGATHA, MACAVITY and H.R.F.KEATING crime writing awards, this real-life detective story investigates how Agatha Christie and colleagues in a mysterious literary club transformed crime fiction.

Detective stories of the Twenties and Thirties have long been stereotyped as cosily conventional. Nothing could be further from the truth.

The Golden Age of Murder tells for the first time the extraordinary story of British detective fiction between the two World Wars. A gripping real-life detective story, it investigates how Dorothy L. Sayers, Anthony Berkeley, Agatha Christie and their colleagues in the mysterious Detection Club transformed crime fiction. Their work cast new light on unsolved murders whilst hiding clues to their authors’ darkest secrets, and their complex and sometimes bizarre private lives.

Crime novelist and current Detection Club President Martin Edwards rewrites the history of crime fiction with unique authority, transforming our understanding of detective stories, and the brilliant but tormented men and women who wrote them.

Product Details

ISBN-13:	9780008105983
Publisher:	HarperCollins Publishers
Publication date:	02/09/2017
Pages:	528
Sales rank:	283,470
Product dimensions:	5.06(w) x 7.81(h) x 1.25(d)

About the Author

Martin Edwards has published eighteen crime novels, including series set in Liverpool and the Lake District. He has won the CWA Short Story Dagger and CWA Margery Allingham Prize, and his latest book, The Golden Age of Murder, won the Edgar, Agatha, Macavity and H.R.F.Keating awards. Martin is consultant for the British Library's Classic Crime series, as well as Chair of the CWA and President of the Detection Club. He has edited 30 anthologies, published about 60 short stories, and written seven other non-fiction books.

Editorial Reviews

‘Few, if any, books about crime fiction have provided so much information and insight so enthusiastically and, for the reader, so enjoyably’ THE TIMES

‘Illuminating and entertaining – provides a new way of looking at old favourites. I admire the way that Martin Edwards weaves the sometimes violent, sometimes unlawful, and always gripping true stories of these writers with the equally wild tales they tell in their books.’ LEN DEIGHTON, author of SS-GB

‘Forensically sharp and exhaustively informed… Crime fiction is driven by death. In this superbly compendious and entertaining book, Edwards ensures that dozens of authorial corpses are gloriously reborn.’ MARK LAWSON, GUARDIAN

‘Edwards knows his business. He understands how to parcel out the clues and red herrings so as to feed the reader enough information to keep a variety of possibilities open, while making sure to prepare for a satisfying solution.’ SEATTLE POST

‘You can learn far more about the social mores of the age in which a mystery is written than you can from more pretentious literature. I mean, if you want to know what it was like to live in England in the 1920s, the so-called Golden Age, you can get a much better steer from mysteries than you can from prize-winning novels.’ P. D. JAMES

From the Publisher

★ 03/30/2015
Crime novelist Edwards (Frozen Shroud), the archivist for the legendary Detection Club of crime authors, reveals the hidden lives of its members in a comprehensive and well-written narrative that combines biography with literary criticism. He focuses on the Club’s three leading lights—Agatha Christie, Dorothy L. Sayers, and the lesser-known Anthony Berkeley—and how their output between the world wars helped define the detective novel as we know it. Along the way, he dispels numerous myths about Golden Age detective fiction: for example, that it was “an essentially British form of escapism... an effete counterpart to the tough and realistic crime fiction produced in the United States.” He documents his thesis that the Detection Club facilitated its members’ creativity through mutual support and “challenging to take the genre to a higher level.” The trenchant analysis is coupled with revelations about the private lives of these very public authors, offering new information for casual fans and students of the genre alike, including details of Christie’s mysterious disappearance and Sayers’s secret child. Agent: James Willis, Watson Little. (May)

Publishers Weekly

06/15/2015
Crime novelist Edwards (the "Lake District" mysteries) here examines the "Detection Club," a group of famous writers who changed the way detective novels are conceived. The ranks of the club included such seminal authors as Agatha Christie and Dorothy L. Sayers, whose lives were as enigmatic and fascinating as their novels. In writing about the authors themselves, Edwards takes a distinct look at the genre and its various influences and well captures the turbulent culture and its effect on these genuinely riveting figures who helped to shape the crime genre. The book's playful charm makes it much more enjoyable than a straightforward biography or genre piece. VERDICT As popular as detective fiction is, most readers are unaware of the influence "golden age of murder" writers have had on the books, films, and television shows we love. This solid work will appeal primarily to fans of the genre but will also be of interest to literary historians and enthusiasts of literary biographies.—Matthew Gallagher, Victoria, BC

Library Journal

2015-03-15
Engrossing if occasionally glacial study of the Detection Club, a gathering of British mystery writers who defined the genre. Himself a writer of crime thrillers, Edwards (The Frozen Shroud, 2013, etc.) comes to the club naturally—though long past its golden age, which ended 65-odd years ago. The original circle, founder Anthony Berkeley projected, would have 13 members—a resonant number that eventually expanded threefold to include such luminaries as Dorothy Sayers, G.K. Chesterton, and Agatha Christie. At the heart of Edwards' study is the observation that the membership constituted a body of amateur detectives who were not only capable of musing out the facts behind such mysteries as "an ingenious murder committed by means of chocolates injected with nitrobenzene," but who also embraced true-crime scenarios and made them part of their work, sometimes to the point of courting libel lawsuits. As Edwards writes, with a suitably enticing hook, "Why was Christie haunted by the drowning of the man who adapted her work for the stage? What convinced Sayers of the innocence of a man convicted of battering his wife to death with a poker?" Having set up a fleet of questions, Edwards proceeds to answer them with murder-laced aplomb. He has a nicely naughty sense of humor about it, too, for the well-heeled Detection Club members often poked into business that was more than a little infra dig. As the author writes of one case, a lecherous perp "claimed he was merely offering Irene career advice, although what he knew of testing valves was not reported." Yet, when the tale turns tragic—not just because of awful crimes, but also because of sad developments in the lives of Sayers and other members—Edwards writes appropriately and well. Fans of Father Brown, Hercule Poirot, or Lord Peter Wimsey will find much of value in this book—which, though long and sometimes too slow, leaves readers wanting more.

Kirkus Reviews