The Happy Prince and Other Tales: Illustrated by Charles Robinson

by Oscar Wilde, Charles Robinson (Illustrator)

Overview

A pleasure seeking prince, a selfish giant, and more: Wilde's fairy tales, first published in 1888, for childlike people from eighteen to eighty."

Product Details

ISBN-13:	9780679444732
Publisher:	Knopf Doubleday Publishing Group
Publication date:	10/10/1995
Series:	Everyman's Library Children's Classics Series
Pages:	96
Sales rank:	662,726
Product dimensions:	6.34(w) x 8.29(h) x 0.44(d)
Lexile:	900L (what's this?)
Age Range:	8 - 11 Years

About the Author

Oscar Wilde (1854-1900) was born in Dublin, the second son of charismatic parents, his father a surgeon, his mother a poet. Ungainly and awkward as a child, he won an open scholarship to Trinity College, Dublin, and went from there to Magdalen College, Oxford, where he took a First in Greats, won the Newdigate Prize for Poetry and announced that 'Somehow or other I'll be famous, and if not famous, notorious'. In London he set about establishing himself as a poet and wit, and when Gilbert and Sullivan's comic opera Patience toured the USA in 1882 he was invited to give a speech before every performance so that American audiences could recognize the 'perfectly precious young aesthete' satirized in the character of Bunthorne. This brought him both celebrity and money, and in 1884 he married Constance Lloyd, by whom he had two sons.He began writing fairy tales while working as editor of The Lady's World, and The Happy Prince was published in 1888. His first play, Vera, had been a failure, but in 1892 Lady Windermere's Fan was staged with great success. This was swiftly followed by three other enomously successful comedies, the most famous being The Importance of Being Earnest (1895). Wilde died in France, aged only 46. His plays remain as popular today as ever before.Although he read his fairy stories to his two young sons, he claimed they were ' . . . not for children, but for childlike people from eighteen to eighty'.

Date of Birth:

October 16, 1854

Date of Death:

November 30, 1900

Place of Birth:

Dublin, Ireland

Place of Death:

Paris, France

Education:

The Royal School in Enniskillen, Dublin, 1864; Trinity College, Dublin, 1871; Magdalen College, Oxford, England, 1874

Table of Contents

The happy prince -- The nightingale and the rose -- The selfish giant -- The devoted friend -- The remarkable rocket.

Editorial Reviews

Ray's (Magical Tales from Many Lands; The Story of Christmas) folksy, gilt-laden artwork graces this somewhat formal abridgment of Wilde's tale about an enchanted statue. The Happy Prince, who had lived a happy life and died a happy man, is now immortalized high above the city as a golden and bejeweled statue. For the first time the royal sees the suffering, poverty and misery of the common people. Sharing his sympathetic view with a sparrow, the prince persuades the bird to postpone its migration and instead to deliver his gold leafing, his sapphire eyes and ruby belt to those who need them. Soon the sparrow dies of cold and the prince, now shabby, is removed from its pedestal and melted down. Though young readers may appreciate the lessons of selflessness and sacrifice here, the telling may seem to them stilted and even occasionally disjointed. Ray's characteristically rich palette and her delicate borders and backgrounds provide the visual magic that keeps this sentimental tale afloat. Ages 7-up. (Jan.)

Publishers Weekly - Publisher's Weekly

K-Gr 3-Ray has done a masterful job of retelling and illustrating one of Wilde's more accessible fairy tales. Using most of the author's words and all of his intent, she has omitted the more flowery and verbose prose and subplots. The result is a tightened tale that expresses compassion in a simple, heartfelt story of a statue and a little bird. Alternating full-and double-page illustrations with panels, Ray has put enormous detail into her paintings, and each one is burnished with a kind of verdigris gold. Readers will especially appreciate the pictures that depict the wonders of Egypt. Not piteous or sentimental, The Happy Prince is a balanced tale; in fact, Leo Lionni's modern classic, Tico and the Golden Wings (Knopf, 1975), seems to revisit its universal themes.-Harriett Fargnoli, Great Neck Library, NY

School Library Journal

Ray presents an abridgment of Wilde's classic fairy tale in picture-book format, leaving the main story intact but eliminating recurring phrases and ideas, omitting the more literary and ironic elements, and changing the phrasing. Illuminated with shiny gold highlights, the striking, full-color artwork contrasts the extremes of wealth and poverty the prince sees about him in the city. Although the abridgment lessens the literary strength and emotional resonance of Wilde's original fairy tale, libraries may want to include this attractive version for younger children.

Carolyn Phelan