Nothing beats a secret place, and even better if, as in this enthralling story, it's hidden in a public space…The homage here to Where the Wild Things Are may be subtle, but it brings a smile.
The New York Times Book Review - Maria Russo
03/18/2019
Someone calls “Hurry up, we have to go!” But Hannah’s not in her room, “and no one could find her.” She appears to be at the park, sporting a coonskin hat and a slingshot; next, readers see Hannah living there in a brush shelter, prying open a tin can with a knife. A big, bulky beast is soon inside with her, and both wear feathered capes. (“Can I hide with you?” Hannah asks the Odd Furry Creature; “she pretended to hear a yes.”) The two forage and roast food over a small fire, eventually venturing forth from the shelter so Hannah can show the creature the world it’s never seen. The voice summons her again: “Hurry up!” This time, a page turn reveals Hannah at her desk—she’s been drawing the story all along. With affection, Italian author Mattiangeli distills all the charms of living off the land in a few short pages. Sala (She Made a Monster ), who both translated and illustrated, paints dreamy, slightly askew landscapes, her rich greens and earth tones set off by Hannah’s red hair and freckles. An encyclopedic spread of foraged items, from feathers to grubs, adds to the adventure’s authenticity. Hannah’s exploits delight—and so does her imaginative power. Ages 4–8. (June)
"An ending twist will please readers in this sweet celebration of imagination and creativity that is supported by a subtle yet reassuring message of love."
"An ending twist will please readers in this sweet celebration of imagination and creativity that is supported by a subtle yet reassuring message of love."
06/01/2019
K-Gr 2— Completely and safely ensconced, Hannah hides in a thicket in the park. Her only companion is an Odd Furry Creature, who says very little but is a cozy and contented partner. Together they roast pigeons over the fire and collect caterpillars, sticks, and dried leaves. As they grow more at home in their hiding spot, the bramble closes in tightly around them until they are sure that no one could possibly find them in the perfectly quiet den that they have created. Rich, earthy illustrations are filled with myriad precious things, such as marbles and leaves, acorn tops and blue buttons. Hannah is a young child with red hair, a coonskin cap, and practical and patched pants; she is completely content in her rustic and homey den. The lovely text weaves and flows through the story with a dreamlike quality, and builds such a completely immersive world that readers will be startled when they must return to reality. VERDICT A marvelous exploration of the depth and creativity of a child's imagination. Readers will easily lose themselves in this fantastic story. Highly recommended.—Laken Hottle, Providence Community Library, RI
2019-03-17
Those are the sole words printed on the opening, double-page spread. It depicts Hannah's bedroom, in which readers may spot, among other items, binoculars, art supplies, and a stuffed creature resembling one of Maurice Sendak's wild things. On the next page, the protagonist is shown in a park, wearing a coonskin cap, aiming a slingshot at a squirrel, and musing about living there instead of heeding the voice that was rushing her. As the pages progress, Hannah does live there for an indeterminate amount of time, her sole companion the Odd Furry Creature, who is apparently mute. The Odd Furry Creature (resembling the toy in Hannah's bedroom) is not the only homage to Where the Wild Things Are ; the fanciful art has the same muted palette and a similar, appealing style. Moreover, the text offers, instead of a plot, a dreamlike dive into Hannah's psyche. Both art and text deftly illustrate a common, contradictory urge to escape the company of humans while also retaining its safety. The companions live—undetected—in a vine-enclosed space large enough for their feathery capes, leafy beds, and small fire for roasting pigeons on. When Hannah decides to return to those who miss her, the final pages leave readers uncertain about what—if anything—has actually happened. Hannah presents white; humans seen in the background are diverse.
From Italy, a beautiful, charming bedtime story for readers comfortable with ambiguity. (Picture book. 4-7)
