Before there were
the Byrds,
the Bluegrass Cardinals, and
the Desert Rose Band, there were
the Hillmen, a young and earnest
bluegrass band with a taste for the high and lonesome sound of
Bill Monroe and the faux-
folk lyrics of
Bob Dylan. Like many young musicians who discovered the world of
folk music in the mid-'60s, they combined a deep respect for tradition with a forward-looking sense of exploration; in a few years bands like
the New Grass Alliance and
the Seldom Scene would take a similar approach into more adventuresome territory, but the early work of
the Hillmen helped to blaze the trail. This album is a reissue of recordings made in 1963 and 1964, and while other bands were doing the same sort of thing with a bit more panache (
the Kentucky Colonels and
the Country Gentlemen both come to mind as more exciting contemporaries of
the Hillmen), there's no denying the freshness, enthusiasm, and skill in evidence on this recording. Mandolinist
Chris Hillman (who would later come to
country-rock prominence as a founding member of
the Byrds,
the Flying Burrito Brothers, and
the Desert Rose Band) shows off some impressive chops on instrumentals like
"Blue Grass Chopper" and
"Wheel Hoss," while future
country star
Vern Gosdin shows himself to be a fine if not earthshaking
bluegrass singer. His bass-playing brother,
Rex, stands out as a high tenor and shines on the
gospel standard
"Goin' Up." Don Parmley picks the banjo in a straightforward
Scruggs style that veers into melodic
Bill Keith territory from time to time and prefigures his future work with
the Bluegrass Cardinals. The band covers
"Barbara Allen," a
British folk song that
Joan Baez had recently made popular in the U.S., and two
Dylan tunes; those song choices and a somewhat fuzzy recorded sound combine to make this album something of a period piece, but it's a fun one. Fans of
Gosdin and
Hillman, especially, will get a solid retro kick out of this disc. ~ Rick Anderson
