The Last Striptease

by Michael Wiley Narrated by Johnny Heller

Overview

In his impressive and confident debut, Michael Wiley delivers a thrilling tale about how greed and revenge play out on the streets of Chicago.

Private eye Joe Kozmarski has just been asked to clear his childhood friend Bob Piedras of murder. Bob's latest girlfriend, a young Vietnamese American beauty, has turned up dead in an airport hotel. No one is very surprised; she had a taste for hard liquor, drugs, and stripping in front of a camera. And Bob has a history of violence. But Bob's boss, retired judge Peter Rifkin, is convinced Bob is innocent and thinks Joe is the one to find the real killer.

But Joe's life is complicated. He hasn't spoken to Rifkin for fifteen years-ever since his father, now dead, found out that the judge had double-crossed him. The dead woman's brothers, a pair of tough guys, are bent on being the first to find and punish her murderer. On top of that, Joe and his wife have separated, and his mother has dropped his eleven-year-old nephew on him. But the more obstacles Joe encounters, the more determined he becomes to see this case through.

With its vividly realized characters and page-turning storyline, The Last Striptease won the 2006 St. Martin's Press / Private Eye Writers of America contest, which has accomplished its mission of finding amazing new talent in what has become a long tradition of excellent crime fiction.

Editorial Reviews

Kirkus Reviews

Why shouldn't a private cop with time on his hands hang out the "Gone Fishing" sign? Because he might get hooked. "The trout . . . [are] biting like mosquitoes," Judge Peter Rifkin tells Chicago PI Joe Kozmarski. The invitation is wrapped around the promise of a $15,000 fee. The man who extends it is no stranger to Joe, who has at least two reasons not to trust him. One, the judge is actually an ex-judge who's been booted from the bench for unmagisterial behavior. Two, there are old unsettled scores between them stemming from more personal betrayals. Still, Joe tells himself, 15 large "would pay for a lot of Band-Aids." He gobbles the bait but soon wishes he hadn't. As usual, the former justice is mixed up in more than his share of nefarious activities. In part, these involve a gorgeous Vietnamese woman, no better than she should be, who likes taking her clothes off in front of a camera and whose trigger-happy brothers prefer vengeance to common sense any day of the week. When Le Thi Hanh meets a predictable fate, her siblings, for not totally convincing reasons, go after Joe. The obligatory bumps and bruises follow, as do murders, and eventually a solution of sorts. Not much new in this debut, this year's PWA/SMP Best First Private Eye Novel, but Wiley does speak fairly fluent Chandler.

Toronto Globe and Mail

This delightful debut is a hoot from beginning to end. Wiley is another writer to watch.”

Publishers Weekly

[A] fast-paced debut…A wonderfully flawed everyman, Joe is unable to learn from past mistakes and constantly making new ones. Readers will applaud his efforts and hard-won small victories as he plods bravely forward in this entertaining read.”

Chicago Sun-Times

Wiley’s first novel is loaded with action, starting with a murder in the opening scene. The body count is impressive, yet there’s more to Striptease than wall-to-wall plot.”

Chicago Tribune

A stylish and savvy page-turner of a noir-nuanced thriller…A riveting debut.”

Florida Times-Union

If Michael Wiley’s goal was to write a murder mystery that would keep readers up past their bedtime, he has succeeded. Wiley has turned out a first novel that has an absorbing plot and believable characters. The writing…is strong and seamless.”

Product Details

BN ID:	2940169777772
Publisher:	Blackstone Audio, Inc.
Publication date:	03/22/2011
Series:	Joseph Kozmarski , #1
Edition description:	Unabridged

Read an Excerpt

The Last Striptease

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By Wiley, Michael

St. Martin's Minotaur

Copyright © 2007 Wiley, Michael
All right reserved.
ISBN: 9780312372507

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Chapter 1
North Dearborn, a couple blocks off the Gold Coast high-rises, is a high-priced neighborhood, full of forty-year-old guys fresh out of divorces from suburban wives. Guys with good money from good jobs or okay money from okay jobs and dreams of an easy life interrupted only by vigorous sex after years of cutting the backyard grass every summer weekend. If they’ve got money, they buy a Jaguar or a Mercedes convertible, which they keep in a garage. If they don’t, a scooter or a moped, which they keep in the front vestibule of their apartment building. But after a couple months, their sports cars stay parked in the garage, and their scooters and mopeds collect dust in the vestibules, and most of the year is winter in Chicago anyway, so the guys work their good jobs or their okay jobs, then go home and climb upstairs to their apartments and cook a microwave dinner. Afterward, they go to bed early or they walk out to the bars on Rush Street and get drunk with other guys like themselves.
I know because I looked at apartments in the neighborhood after Corrine and I split up. I didn’t rent because I didn’t like what the neighborhood told me about myself. Sometimes denial is good. For me, it’s dessert every night after a microwave dinner.
I try to avoid thearea, but on a warm Monday night in September, I sat in my car across the street from a store called Stoyz. Lots of neon, about a third of it dead, and a front window covered with a chrome finish, so you could see your reflection from outside. The kind of place you would think would get run out of a high-priced neighborhood, except it served a need.
A man named Ahmed Hassan ran the store. Mr. Hassan had stopped paying child support, and my lawyer, Larry Weiss, who also represented Hassan’s ex-wife, asked me to track him down and deliver a court summons. Sometimes when business is slow, I do favors for Larry. Sometimes when business gets too fast and lands me in jail, he does favors for me. No money exchanged. Business was slow, so the court summons and a photograph of Hassan sat on the passenger seat. It was chiseler work. Not what I do. But here I was, and I’d been to plenty of places like this before.
I watched the storefront. A glowing red sign advertising Stoyz jutted out from the brick wall above the door. A smaller purple one advertised cigarettes, videos, magazines, and accessories. More red said the store was open. The chrome window faced the street like a stone drunk who wouldn’t tell you what was inside his head no matter how many times you slapped him. But I figured Hassan was in there behind the counter.
A white van was parked in the dark outside the store, and a deliveryman in a brown jumpsuit, work gloves, and a yellow baseball cap was unloading boxes from the back. I would wait until the guy finished the delivery and left; then I would present the summons to Hassan. No reason to rile Hassan by making it public.
The deliveryman stacked three boxes on a dolly, balanced a fourth on his shoulder, and backed the load into the store through the door. On the neon sign, the purple z in the word magazines flickered; soon it would burn out. Then the other letters would burn out, one by one, until the store sat in total darkness. And then, if we were lucky, the store itself would disappear, taking Hassan with it. The world wouldn’t be any worse off.
A sheet of newspaper blew across the street, tumbling like the ghost of an animal that hadn’t lived in this city for 150 years. Or like a tumbleweed. And I was John Wayne or Gary Cooper or whoever. But I heard no twanging Western music.
I heard a gunshot. It exploded dully inside the store.
The newspaper came to a rest in the gutter.
Two more gunshots exploded.
The deliveryman ran out. No boxes, no dolly. He ran scared. His muscles didn’t move him as fast as he wanted to go. He scrambled into the white van, and it skidded from the curb. The van clipped the bumper of the car parked in front of it and disappeared down the street.
I grabbed my cell phone and punched 911. Before the dispatcher answered, I had my Glock out of the glove compartment and I’d checked the clip.
“Gunshots,” I shouted, and I gave the dispatcher the address of Stoyz.
“Who is shooting?” she asked. Calm, like I was reporting a lost cat.
Halfway out the car door, I didn’t bother to answer.
“Please stay on the line,” she said.
I threw the phone on the passenger seat and ran across to the store.
Only one person was inside. A tall man, fat as a potato. He groped along a display case, head down, smearing the glass with blood. He passed a closed cash register. He passed a door, open to a supply room. He had on white khakis and sleek black Italian loafers. His shirt was sky blue silk, stained with sweat and blood. His head was round and heavy and shaved bald. Even with his face against the glass, I recognized him as Ahmed Hassan.
He stopped moving, and his muscles tensed, his fingers digging at the display glass like the hookahs inside could save his life. A spasm shot through his body and the glass shattered. The wooden legs gave way, and the case collapsed to the floor under him. He fell, soft as a bag of potatoes.
He needed help quick, but I didn’t like the door open to the supply room behind him and the chance that the shooter was in there.
I ducked behind the display counter, waited, listened to silence, moved to the supply room door. A bullet had splintered the door frame. I swung my Glock into the room and followed it. Except for some metal shelves holding cleaning supplies and electronic equipment, the room was empty. A steel door stood open to an alley behind the store. I closed and bolted it.
Hassan was moaning. I went to him and turned him onto his back. He had two neat puncture wounds where he’d taken bullets: one in his neck, one in his chest. The wound in his neck pulsed blood like a fountain. Broken glass jutted out of cuts on his face. Blood pooled in his eyes. He didn’t blink. He was already beyond seeing.
“Mr. Hassan,” I said.
He didn’t answer. He was beyond hearing, too.
“Who shot you?”
He moaned.
I tried again. “Who—”
He grabbed upward blindly and got my arm, didn’t let go.
I would stay with him, letting him clutch my arm, until the cops or an ambulance arrived. If he died before they came, I would let him die holding on to someone. A stranger was better than no one.
“Patti?” he mumbled.
Patti, his ex-wife, was suing him for child support. Did she shoot him? Or was he already half out of this world and regretting what he’d left unloved and uncared for? Maybe if he survived, he would start paying child support without a judge telling him to. I tried again. “Who shot you?”
He didn’t answer.
His grip on my arm weakened. His hand fell to the floor like it had to, like everything has to, and he didn’t lift it again. He lay there, breathing hard. Another spasm passed through his body. The blood pulsed slowly from his neck. Nothing I could do unless I put a tourniquet around his throat.
And then he was quiet. I listened anyway. Sirens howled in the distance.  Copyright © 2007 by Michael Wiley. All rights reserved.


Continues...

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Excerpted from The Last Striptease by Wiley, Michael Copyright © 2007 by Wiley, Michael. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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