From a stunning new voice in YA literature comes an epic, utterly unforgettable contemporary novel about a lost shipwreck, a missing piece of family history, and weathering the storms of life.
"Profound and page-turning."
Madeline Miller, #1 New York Times best-selling author of Circe
The Larkin family isn't just lucky-they persevere. At least that's what Violet and her younger brother, Sam, were always told. When the Lyric sank off the coast of Maine, their great-great-great-grandmother didn't drown like the rest of the passengers. No, Fidelia swam to shore, fell in love, and founded Lyric, Maine, the town Violet and Sam returned to every summer.
But wrecks seem to run in the family: Tall, funny, musical Violet can't stop partying with the wrong people. And, one beautiful summer day, brilliant, sensitive Sam attempts to take his own life.
Shipped back to Lyric while Sam is in treatment, Violet is haunted by her family's missing piece-the lost shipwreck she and Sam dreamed of discovering when they were children. Desperate to make amends, Violet embarks on a wildly ambitious mission: locate the Lyric, lain hidden in a watery grave for over a century.
She finds a fellow wreck hunter in Liv Stone, an amateur local historian whose sparkling intelligence and guarded gray eyes make Violet ache in an exhilarating new way. Whether or not they find the Lyric, the journey Violet takes-and the bridges she builds along the way-may be the start of something like survival.
Epic, funny, and sweepingly romantic, The Last True Poets of the Sea is an astonishing debut about the strength it takes to swim up from a wreck.
|Product dimensions:||5.40(w) x 8.30(h) x 1.40(d)|
|Age Range:||14 - 17 Years|
About the Author
Julia Drake grew up outside Philadelphia. As a teenager, she played some of Shakespeare's best heroines in her high school theater program, and their stories would stay with her forever. She received her BA in Spanish from Williams College, and her MFA in creative writing from Columbia University, where she also taught writing to first-year students. She currently works as a book coach for aspiring writers and teaches creative writing classes for Writopia, a nonprofit that fosters love of writing in young adults. She lives in San Francisco with her partner and their rescue rabbit, Ned.
Read an Excerpt
YOU'RE JUST SO BRAVE
The day I left for Lyric, I shaved my head. A prophylactic, if you will.
A week had passed since the Hospital Incident, and the middle of June bloomed in New York City, perfect weather for cones from Mister Softee and imagining your brother in the psych ward. I packed light for exile, ditching my usual leggings and liquid liner for two pairs of my dad's faded jeans, six Hanes T-shirts, one ancient tube of fragrance-free lip balm, and a heap of cotton underwear. Plane reading was Sam's copy of Diving for Sunken Treasure, which I kept on my lap the whole flight, unopened. Inside, I'd slipped the scrap of paper on which my mom had written the address for Sam's treatment facility in Vermont. My plan was to send him a letter, and after drafting in my head all morning, the best I had was, Dear Sam, Sorry I couldn't keep it in my pants after you tried to kill yourself, fixing that now. STEP ONE: NO HAIR! Step two: Bad clothes! ps How's the maple syrup?
My work, needless to say, required some revision.
The plane ride to Portland lasted forty-five minutes, and the flight attendant asked me how I was feeling four separate times. She put ice in my orange juice and slipped me Milanos instead of the off-brand biscuits she'd given to the rest of steerage. As I disembarked, she pulled me aside and told me, tears clinging to her thickly mascaraed lashes — purple, I noticed — that a niece of hers had gone through chemo last year.
"You're just so brave," she said.
I was so stunned all I could do was nod. She pressed two pairs of plastic wings into my hand and told me she'd keep me in her thoughts. As far as reinventing myself went, this did not bode well.
"Your hair!" my uncle Toby bellowed when I met him at arrivals.
He pulled me into a hug, and I bent my knees so I'd be the right height to press my face into his shoulder. Toby's flannel smelled cozy, like cotton and flour and yeast — from the bakery, I guessed — and underneath, the faintest hint of my mom's morning smell, before she left for the hospital (catch her after work and she smelled antibacterial, like Purell and latex). I pressed my face deeper into Toby's shoulder and clutched the plastic wings until they pinched my palm.
"You're okay, kid," Toby murmured. "I've got you."
Eventually, he pushed me back by my shoulders and made a great show of peering at me. Toby was nearly a decade younger than my mother, but his tan face was crinkled like an ancient gnome's, weathered and sweet. He had enough hair for the both of us, sandy, lank, gathered into a sloppy bun at the nape of his neck. He studied me until I looked down, uneasy with the attention.
"Nice kicks," I said. His plaid Converse high-tops were busted along the seams and splattered with coffee, the perfect match for my equally grubby white ones.
"Bad arch support. Save your plantar fascia while there's still time, kid."
I rolled my eyes. My plantar fascia was the least of my worries.
"I like the new 'do," Toby went on. "I like this whole new look, but the 'do, especially. The last time I saw you, you looked like — what's the word? A celebutante?" I grimaced. "Now, though, you look like a seal pup."
"I look like an ogress with alopecia."
"There's that Violet wit. Have you been practicing your scowl?"
"Thirty minutes in the mirror every day."
"Hm. Well. Practice makes perfect, I suppose. Which is exactly why my meringues always collapse. Listen, kid, at the risk of sounding very old," Toby said, "stand up straight."
I winced. The truth was that since the Hospital Incident, I'd been perfecting not my scowl but my slouch: step three of my master plan, after the hair and the clothes. I wanted to take up less space, or just be less: muted, quiet. Shrinking. Not my usual self. I had a lot of height to contend with, but if I hunched, I could pass for five foot eleven, maybe even five foot ten, instead of my real six feet.
Fine. My real six feet and one half inch.
At 72.5 inches, I represented less than 1 percent of the American female population. Growing up, I'd been every basketball, swimming, and volleyball coach's dream until they realized I had zero interest in athletics and zero talent to boot. I was interested only in theater — nay, the theatre, preferably of the musical variety. I tap danced and soft-shoed and sang, dreamed of Broad way in my future. Not that it mattered now. My theater career had gone the way of the dinosaur long ago.
"C'mon, don't waste that height! You got the good genes!"
I straightened up and loomed over my uncle. As if to emphasize the difference in our statures, he stood on tiptoes to rub the fine layer of fuzz on my skull.
I shook him off. "I'm not a dog, Toby."
"But if you were, you'd be a Great Dane."
Count on my uncle to know just what to say.
* * *
Lyric was four hours north, and we inched along the Maine Turnpike through tourist traffic and construction. I cracked a window and inhaled: it'd been three years since our last family visit to Maine, but that briny sharp sea smell was exactly the same as I remembered. So was the feeling, as we got farther north, that civilization was slowly falling away. The tourist spots became dingy fishing towns; roadside buildings grew more and more dilapidated until they were just husks. Lyric was a small town, shaggy around the edges, lost and forgotten. Not to put too fine a point on it, but my parents had sent me here for a reason.
"Think of it not as a punishment, but as an opportunity," my mom had insisted. "With less distraction, maybe it'll be easier to turn off the romance channel."
I was already two steps ahead of her. After the vending machine debacle, I'd sworn off smooching and everything else that'd led to that moment: my wild hair, my love of tequila, my unrelenting insensitivity. My need to be at the center of all things. In Lyric, I'd be less. Maybe I'd even disappear.
"You're quiet, kid. I almost forgot you were here," Toby said.
The plan was working already.
* * *
My phone lost service just as things started to look familiar. We passed the weather-beaten sign for the Lyric Aquarium, the fishing supply store, the harbor. Past town and then into the pines, down the long dirt driveway to my grandmother's — now Toby's — house. I held my breath until we reached the bottom, a habit from an old game with Sam.
The house came into view just when I thought I'd burst. It'd been my grandparents' home originally, a turreted Victorian framed by the boat-dotted gray sea, weathered and damp and plagued by a serious mold problem. A family of raccoons had once lived in the turret's walls and chattered ceaselessly throughout the night. Against the water, though, the house still looked to me like Botticelli's Venus. I exhaled, dizzy.
"You want me to set you up a tent in the turret?" Toby asked.
"Not if the raccoons are still there."
"I believe Maude and her young have finally found greener pastures," Toby said. "You and Sam were so cute up there. Camping. Roasting marshmallows, nearly setting the house on fire ..."
"I'll stick with a normal bed, thanks."
"You've finally grown up, Violet. I'll warn you: getting old is expensive and boring."
"Boring might be a nice change of pace," I said.
I got out of the car and accidentally slammed my door.
Inside, Toby apologized for the mess, but I barely noticed, because one step over the threshold and bam, it was our last summer here. I was thirteen; Sam was twelve. For three weeks, he ate green apples and drank Earl Grey tea. I had a plastic choker that left a tan like a trellis around my neck. We shared the same room like always, but we didn't talk at night. He'd started grinding his teeth in his sleep.
In the kitchen, Toby poured me a lemonade and added a sprig of mint, playing a perfect host. Then he poured himself a beer. A pilsner. Light and crisp. I stirred my mint sprig like a cocktail straw.
"What, no booze for me, Uncle Toby?"
He shot me a look of alarm.
"Kidding. Relax." Beer was one thing from my former life I wouldn't be sorry to say goodbye to. At least, not super sorry.
"Violet ..." Toby started. He had that look on his face like he wanted to capital-T Talk. Couldn't anyone take a joke anymore?
"I'm going outside," I announced.
I took off through the house, which wasn't messy so much a stuff-y. My mom always complained that my grandmother had been a pack rat — she died when I was five, and my grandfather, way earlier — and Toby seemed to have inherited that trait. There were books everywhere, a tchotchke on every available surface, a collection of foam rollers, nesting tables topped with tea sets, a million boots beside a boot dryer (in June), some Batman Legos on the mantelpiece, so many books, a single ice skate on that coffee table, and, on that couch, a stuffed guinea pig inside a disassembled blender.
I passed through the den into the dining room, which was kind of tidy, except for a just-emptied puzzle that sprawled across the big table. The box showed a movie still from The Wizard of Oz. No place like home, I thought grimly. In the living room, a blanket of dust coated the brass telescope and the globe that I knew said USSR, not Russia. I sneezed as I yanked open the sliding glass doors to the backyard.
For the smell of pines outside, I'd put up with the dust and a whole raccoon army. The view was spectacular — my dad's word, always. Past the overgrown grass and the weedy flower bed, the ocean stretched on endlessly. Moored boats bobbed below me and birds pinpricked the sky. Down the hill was the shore where Sam and I used to play. The boulders seemed to have shrunk, eroded, maybe, by saltwater and sand. Or had the shoreline always been that small?
Toby appeared at my side. "Remember all the plays you performed on this lawn?"
"Don't remind me," I said.
"I've got great memories of you singing 'Greased Lightnin'' with a croquet mallet as a microphone. Sam sang backup."
"The horror." I shivered for emphasis.
"What? You were talented! Are talented."
"I don't really do that anymore," I said. "Perform, I mean."
Because (a) singing only ends in disaster, and because (b) I found more exciting extracurriculars.
"No reason," I said.
Toby took a casual sip of his drink. "Your parents mentioned things had gotten a little wild in the city. Any connection there?"
What a fool I'd been to think we could avoid this conversation. Of course Toby was going to bring up my former life. So, uh, Vi, what did it mean when my sister called, absolutely hysterical, and asked if I could provide you shelter for the summer? I knew Toby was being nice, but I went rigid at my uncle's attempt to bond. Our relationship had heretofore been standard uncle-niece fare, pleasant and innocuous: trips to the zoo and belated birthday cards featuring too-slow sloths. I had no desire to talk with him about my Year of Wild, nor Sam, nor the general brokenness of my family. What was there to say, really, to him, or anyone? Sam was fucked up, and I got fucked up. The end.
Toby was waiting.
"I don't know about wild. My slutting around was pretty run-of-the-mill. Sam, though. Finishing a whole three-quarters of a bottle of Tylenol? That's wild. Especially for him."
Toby whistled, long and low. I imagined how all the boats on the ocean would sink. A snapping mast here. A hull can-opener'ed on a coral reef, maybe. A strangling from a giant, hungry kraken.
"So that's a no on talking, then," Toby said.
"All I want is to disappear."
"Good luck doing that with a head like yours in a town this small."
I poured the rest of my lemonade in the pachysandra.
"Thanks for the drink." I really meant it, though I see now that's hard to believe.
* * *
Upstairs, in the blue room I used to share with my brother, with the stiff twin beds and the lamps filled with sea glass I used to count to fall asleep and the whole bookcase full of Nancy Drews, my phone said it was searching. ...
I'd never been great at keeping in touch. A handful of summer-program friends gave up on me eventually, and even friends in the city, I screened calls and let texts go unanswered. Maybe that had all been practice for this very moment. Over the years, without even realizing, I'd built strong disappearing muscles.
I switched my phone fully off, and poof, I was gone.CHAPTER 2
ASK ME HOW I'M SAVING MANATEES
With a single phone call, my parents had gotten me a volunteer position at the Lyric Aquarium, one of the more traditional tourist attractions in town. Apparently, if your great-great-great-grandparents once helped found a local aquarium, you will be hired more than a century later, even if you have no experience and just as much interest in fish. "Nepotism at its finest," I'd said to my dad.
"Maybe you'll learn something," my dad had replied.
"You do realize Sam is the one who loved the aquarium."
My dad had rubbed his eyes beneath his glasses. "Violet, I know this may come as a shock to you, but we're doing the best that we can. Just give the fish a chance, okay?"
"I just meant —" I didn't know what I'd meant. I'd just wanted to say Sam's name out loud.
My first day there was Tuesday, two days after my arrival in Lyric. In the dim kitchen that morning, I found a cinnamon bun and a note that read, they're lucky to have you, xo, a ghost. pps toby's day starts at 5 but he says what's up. pps call your mother! The icing was cream cheese and so freaking good that I licked the plate clean.
The aquarium was a fifteen-minute bike ride way, through Land past the center of town. I pedaled slowly at first, grateful that I could breathe in my dad's jeans, even if they were too short. I gained speed and was so relieved to be rid of heavy earrings and jangling bracelets, free from raccoon eyeliner and long, long hair. I pulled that whole look off, sure, but I'd never felt exactly myself in those clothes. At their best, they were a costume that made me the sort of girl you wanted at your party, and at their worst, my clothes were wrong. Case in point: I'd been underdressed for my brother's suicide attempt. I'd been wearing my tiniest pair of shorts, denim cutoffs, a nip of butt cheek visible when I ascended a staircase. A flimsy cotton tank top and no bra, nipples perky in the harsh hospital cold. I'd ached for a sweater, for a parka, for something that felt more right.
Something, it turned out, like men's jeans and a shaved head.
I was on the edge of town now, zipping past the outdoor store, Toby's bakery, the hot dog joint; the lobster shack, the movie theater, the Korean restaurant. The one grungy bar, the Lyric Pub, with its perpetually drawn shades. Then the gift shops, and tucked up on a side street, I knew, was Treasures of Atlantis, the so-called "Wonder Emporium" that Sam and I used to visit on rainy days. Once, I'd made him shoplift tiger's eye, and when he later confessed to Mom, I didn't speak to him for days.
Like that, the shops were gone, and I was at the docks, where I stopped to raise the height on my bike seat. Far off, a group of dudes in waders and beanies were unloading from a fishing trip — their boat was called Sheila. Sam and I used to invent boat names, and we'd finally settled on HMS Promise and Discipline. We were six and seven and Mom had just about died laughing when she heard it. "Gotta learn to sail before you name the boat," she'd said, and Dad'd said: "I dunno, I like the idea that they're the only kids in Maine who can't."
Seat fixed and almost there now, I was starting to get nervous. What would I do in an aquarium? I knew nothing about the ocean. Not like Sam. His favorite place in the whole world, besides the shore behind my grandmother's house, was the Irma and Paul Milstein Family Hall of Ocean Life at the Museum of Natural History (countless visits meant that the exact, interminable name was forever in my memory). When Sam was thirteen, he sent a poem he'd written about a jellyfish to a curator there, and she was so moved that she invited us for a private, behind-the-scenes tour. I was fourteen and I remember, more than anything else, my hangover.(Continues…)
Excerpted from "The Last True Poets of the Sea"
Copyright © 2019 Julia Drake.
Excerpted by permission of Disney Book Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Most Helpful Customer Reviews
"The Last True Poets of the Sea" refers to ship-wreck divers who comb the depths of the ocean in search of the remnants of lives past. In the book it refers to the "Lyric" - the wrecked boat that brought Violet's ancestor to the shores of Maine, where she married a doctor and founded the town named after the boat. Back to the 21st century where sixteen year old Violet is returning to Lyric to live with her uncle, while her little brother Sam recovers from attempted suicide and her parents regroup. Violet ends up working with a gorgeous guy at the Aquarium founded by her ancestors, and makes friends quickly with Orion and his pals, including the intriguing Liv, who lost her brother to a car accident years before. Sounds like a typical teen romance but this book is anything but. In the years leading up to Sam's suicide attempt, Violet's parents worked long hours away from their New York apartment. Violet discovered drugs and sex and almost went off the rails like her brother, who was too sensitive to noise, lights, smells, and everything to live in a city like New York. Violet feels responsible for Sam's suicide attempt, having ignored the signs and not wanting to be bothered hanging out with her odd little brother. Fortunately, the slower paced life in Maine, her new friends, and her uncle help Violet work through her guilt and shame. She is held accountable for her actions and begins to take her responsibilities at the Aquarium, her house and with her new friends seriously. She begins working with Liv on uncovering the truth about her ancestral founders of Lyric and seizes upon the idea of discovering where the wreck lies to have something adventurous to share with Sam and bring their lives back in to focus. Julia Drake did such a good job with Violet, and Sam and the rest of the characters that parts of this book were difficult to read, such as Violet's spiral in to drugs and Liv's parents dealing with the aftermath of their son's death. Drake treats the mental illness, sex and drugs with honesty and clarity, as she did Violet's journey back to a healthier lifestyle. There were some mild descriptions of Violet's sexual encounters - well-written, but maybe not for very young readers. I think Young Adults will love this book and respond well to it. Hopefully this will help them realize they are not alone in their pain and maybe open up some lines of communication. It was also a great story with a great setting and a compelling read and there was a lot of humor mixed in to lighten the pace..
"I couldn’t blame him and I couldn’t blame the shipwreck gene either. This looming disaster was all mine." As an original contemporary, The Last True Poets of the Sea is spectacular. Full of high stakes, mystery, and adventure, the story feels huge in scope, even though we're just following a single girl through a single summer. I loved the humor, the honesty, and the deep character growth. This is a story of survival: painful, messy, but always worth it. Readers looking for f/f YA that still has everything they love about mainstream m/f reads will love this one. As a Twelfth Night retelling, though, the book leaves much to be desired. Poets isn't interested in exploring ambiguity in gender, and it just doesn't make sense to invoke Twelfth Night if you're not going to use gender as a thematic center. When you take out the disguise plotline, the crossdressing, the musing on the fluidity of gender, and the comedic subplots, all you're left with is the seaside shipwreck setting (which works beautifully) and the love triangle (which doesn't). My full review goes into more detail about why I loved Violet's journey but was left a little cold by the romance. Content warnings for The Last True Poets of the Sea include [teen drinking and drug use (on-page), off-page past suicide attempt (and discussion of suicidal ideation), some moderate language. There is some off-page consensual sex between teens as well as some on- and off-page sexual activity of dubious consensuality. Thanks to Disney-Hyperion for providing me with an advance review copy of this title at no charge in expectation of an honest review. No money changed hands for this review and all opinions are my own.
THE LAST TRUE POETS OF THE SEA is a beautiful coming-of-age story. After her brother attempts suicide, he is sent to an in-patient treatment in Vermont and Violet is sent to Lyric, Maine, a town founded by their ancestors where her uncle owns a bakery and where she spent summer vacations growing up. Violet has decided that she needs big changes- she is determined to cast-off her party girl ways and disappear, shaving off all her hair and wearing bland clothes. Rejected, worried for her brother, and uncertain of whom she wants to be, Violet begins a journey into herself and her family. Meeting friends who have theories about the founding of the town- by her ancestors, Violet finds new purpose. She and her brother had always been interested in the shipwreck that spurred their great-great-great-grandmother to dress as a boy, meet a man, settle in Lyric, and have three children. The ship has never been found. With new leads, Violet may just be the person to find it, for her brother- and for herself. What I loved: Violet really comes into her own in this book, addressing the major turning points in her life that have led her to this point. Her family has been broken, and so has she. Her partying ways were covering up deeper issues, which she must begin to realize and confront. Her family also needs to time to heal individually and as a unit. While Violet begins to uncover who she is and the things about her (and her ancestors), she also discovers new romance in an absolutely beautiful way. The characters are so flawed and so well-constructed that they come to life throughout the book. Violet is hurting at the start, and as she digs deeper into herself and her family, she begins to heal (though of course, that is not a quick nor easy process/not finished in the length of the story). The portrayal of mental illness was really strong in the book. The only thing I would change is to have had more about Violet following treatment, to be able to see more of that process (therapy, medications if needed, etc.). The secondary characters are also so amazingly well portrayed, especially Liv, who lost her brother in an accident years before and whose family has struggled as a result. It is difficult not to fall in love with the whole cast here- Violet, her uncle, Liv, Orion… they are all just so amazing. I also super-adored the LGBT representation in the story and how Violet’s sexuality is portrayed and revealed throughout. This book is just really, all-around fantastic. Final verdict: With beautiful characters, lyrical prose, and a lovely romance, THE LAST TRUE POETS OF THE SEA is a profound contemporary YA book that handles mental illness and coming-of-age with aplomb. I highly recommend for anyone who desires an engaging and sagacious read. This book is simply wonderful. Please note that I received an ARC. All opinions are my own.
3.5 Stars The Last True Poets of the Sea by Julia Drake is an interesting retelling of Twelfth Night. There are strong themes of family and friendship in the story. However, there is more focus on romance in the novel than I would have preferred. It has been a while since I have read Shakespeare’s Twelfth Night, but the connections that Drake makes in The Last True Poets of the Sea are intriguing. The characters are loosely similar, and the plot line of Viola (Violet) and Olivia is one that is quite prominent in this reimagined story. Also, the search for the shipwreck adds a layer of mystery to the book that is really entertaining to read about. ❀ THEMES OF FAMILY AND FRIENDSHIP Themes of family and friendship are always ones that are enjoyable in contemporary fiction. The relationships that Violet has with her family are strained, but there is a strong connection that is pulling her back to them. It is also refreshing to see Violet let down some of her walls and forge friendships with some of the teens in the small town of Lyric. ❀ TOO MUCH ROMANCE While I enjoy a great romance novel, this is one book that could have focused less on the love story. Without giving away too much of the plot, there is a love triangle that is a bit disappointing in my opinion. If this had been handled differently, the book would definitely be that much more interesting. If you love a Shakespeare retelling, and books that feature families and friendships, this is one to check out. The story is enjoyable, but there is a bit more romance than necessary. The Last True Poets of the Sea is a great addition to a fall TBR.