The Leader of the Lower School
One dank, wet, clammy afternoon at the beginning of October half a dozen of the boarders at Briarcroft Hall stood at the Juniors' sitting-room window, watching the umbrellas of the day girls disappear through the side gate. It had been drizzling since dinner-time, and the prospect outside was not a remarkably exhilarating one. The yellow leaves of the oak tree dripped slow tears on to the flagged walk, as if weeping beforehand for their own speedy demise; the little classical statue on the fountain looked a decidedly watery goddess, the sodden flowers had trailed their heads in the soil, and a small rivulet was running down the steps of the summer house. As the last two umbrellas, after a brief and exciting struggle for precedence, passed through the portal and the gate was shut with a slam, Lennie Chapman turned to her companions and heaved a tragic sigh.
1019490061
The Leader of the Lower School
One dank, wet, clammy afternoon at the beginning of October half a dozen of the boarders at Briarcroft Hall stood at the Juniors' sitting-room window, watching the umbrellas of the day girls disappear through the side gate. It had been drizzling since dinner-time, and the prospect outside was not a remarkably exhilarating one. The yellow leaves of the oak tree dripped slow tears on to the flagged walk, as if weeping beforehand for their own speedy demise; the little classical statue on the fountain looked a decidedly watery goddess, the sodden flowers had trailed their heads in the soil, and a small rivulet was running down the steps of the summer house. As the last two umbrellas, after a brief and exciting struggle for precedence, passed through the portal and the gate was shut with a slam, Lennie Chapman turned to her companions and heaved a tragic sigh.
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The Leader of the Lower School

The Leader of the Lower School

by Angela Brazil
The Leader of the Lower School

The Leader of the Lower School

by Angela Brazil

Paperback

$24.00 
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Overview

One dank, wet, clammy afternoon at the beginning of October half a dozen of the boarders at Briarcroft Hall stood at the Juniors' sitting-room window, watching the umbrellas of the day girls disappear through the side gate. It had been drizzling since dinner-time, and the prospect outside was not a remarkably exhilarating one. The yellow leaves of the oak tree dripped slow tears on to the flagged walk, as if weeping beforehand for their own speedy demise; the little classical statue on the fountain looked a decidedly watery goddess, the sodden flowers had trailed their heads in the soil, and a small rivulet was running down the steps of the summer house. As the last two umbrellas, after a brief and exciting struggle for precedence, passed through the portal and the gate was shut with a slam, Lennie Chapman turned to her companions and heaved a tragic sigh.

Product Details

ISBN-13: 9791041951864
Publisher: Culturea
Publication date: 09/17/2023
Pages: 198
Product dimensions: 5.83(w) x 8.27(h) x 0.45(d)
Age Range: 13 - 18 Years

About the Author

Angela Brazil (30 November 1868 - 13 March 1947) was one of the first British writers of "modern schoolgirls' stories", written from the characters' point of view and intended primarily as entertainment rather than moral instruction. In the first half of the 20th century she published nearly 50 books of girls' fiction, the vast majority being boarding school stories. She also published numerous short stories in magazines.

Her books were commercially successful, widely read by pre-adolescent girls, and influenced them. Though interest in girls' school stories waned after World War II, her books remained popular until the 1960s. They were seen as disruptive and a negative influence on moral standards by some figures in authority during the height of their popularity, and in some cases were banned, or indeed burned, by headmistresses in British girls' schools.

While her stories have been much imitated in more recent decades, and many of her motifs and plot elements have since become clichés or the subject of parody, they were innovative when they first appeared. Brazil made a major contribution to changing the nature of fiction for girls. She presented a young female point of view which was active, aware of current issues and independent-minded; she recognised adolescence as a time of transition, and accepted girls as having common interests and concerns which could be shared and acted upon.
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