The Lithic Imagination from More to Milton
The Lithic Imagination from More to Milton explores how stones, rocks, and the broader mineral realm play a vital role in early modern England's religious and cultural systems, a role that, in turn, informs the period's poetic and visual imagination. The scale of the human lifespan and the gyre-like turns of England's long Reformation provide a conceptual framework for the various stony textual and visual archives this book studies. The texts and images participate in specifically English histories (literary, artistic, political, religious) although Continental influences are frequently in dialogue. The religious orbit encompasses the Christian rivalry with Jewish culture, touches on Christianity's tension with Islam, but most intently centers on the antagonism between Catholic and variants of Protestant and Reformed belief.

The volume features canonical writers such as Shakespeare, Spenser, Donne, Wroth, Herbert, Milton, and Pulter, but puts them in company with lesser-known religious polemicists, alchemists, anatomists, painters, mothers, and stonemasons. Accordingly, the multimedia archive includes drama, lyric, and prose as well as biblical illustrations, tapestries, church furniture, paintings, anatomical drawings, and statues. The lithic too is capaciously construed as a continuum of rocky as well as mineral forms ranging from bodily encrustations like the kidney and bezoar stone, to salt, iron, limestone, marble, flint, and silicon. The assemblage of materials bears witness to aspirational imperial fantasies and looming colonial conquests; it engages in both syncretism and supersession; upholds and subverts gender hierarchies; limns the race-making category of hue with desire; and supports, and sometimes thwarts, elitist ideologies of an elect, chosen people. All come together via the storied pathways of stone as densely material and as a foundation for the abstract imaginary along the scala naturae. Across the lithic-human fold, stone promises, fascinates, betrays. As alpha and omega, stone can herald salvation or it can threaten with damnation.
1145908461
The Lithic Imagination from More to Milton
The Lithic Imagination from More to Milton explores how stones, rocks, and the broader mineral realm play a vital role in early modern England's religious and cultural systems, a role that, in turn, informs the period's poetic and visual imagination. The scale of the human lifespan and the gyre-like turns of England's long Reformation provide a conceptual framework for the various stony textual and visual archives this book studies. The texts and images participate in specifically English histories (literary, artistic, political, religious) although Continental influences are frequently in dialogue. The religious orbit encompasses the Christian rivalry with Jewish culture, touches on Christianity's tension with Islam, but most intently centers on the antagonism between Catholic and variants of Protestant and Reformed belief.

The volume features canonical writers such as Shakespeare, Spenser, Donne, Wroth, Herbert, Milton, and Pulter, but puts them in company with lesser-known religious polemicists, alchemists, anatomists, painters, mothers, and stonemasons. Accordingly, the multimedia archive includes drama, lyric, and prose as well as biblical illustrations, tapestries, church furniture, paintings, anatomical drawings, and statues. The lithic too is capaciously construed as a continuum of rocky as well as mineral forms ranging from bodily encrustations like the kidney and bezoar stone, to salt, iron, limestone, marble, flint, and silicon. The assemblage of materials bears witness to aspirational imperial fantasies and looming colonial conquests; it engages in both syncretism and supersession; upholds and subverts gender hierarchies; limns the race-making category of hue with desire; and supports, and sometimes thwarts, elitist ideologies of an elect, chosen people. All come together via the storied pathways of stone as densely material and as a foundation for the abstract imaginary along the scala naturae. Across the lithic-human fold, stone promises, fascinates, betrays. As alpha and omega, stone can herald salvation or it can threaten with damnation.
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The Lithic Imagination from More to Milton

The Lithic Imagination from More to Milton

by Tiffany Jo Werth
The Lithic Imagination from More to Milton

The Lithic Imagination from More to Milton

by Tiffany Jo Werth

Hardcover

$135.00 
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Overview

The Lithic Imagination from More to Milton explores how stones, rocks, and the broader mineral realm play a vital role in early modern England's religious and cultural systems, a role that, in turn, informs the period's poetic and visual imagination. The scale of the human lifespan and the gyre-like turns of England's long Reformation provide a conceptual framework for the various stony textual and visual archives this book studies. The texts and images participate in specifically English histories (literary, artistic, political, religious) although Continental influences are frequently in dialogue. The religious orbit encompasses the Christian rivalry with Jewish culture, touches on Christianity's tension with Islam, but most intently centers on the antagonism between Catholic and variants of Protestant and Reformed belief.

The volume features canonical writers such as Shakespeare, Spenser, Donne, Wroth, Herbert, Milton, and Pulter, but puts them in company with lesser-known religious polemicists, alchemists, anatomists, painters, mothers, and stonemasons. Accordingly, the multimedia archive includes drama, lyric, and prose as well as biblical illustrations, tapestries, church furniture, paintings, anatomical drawings, and statues. The lithic too is capaciously construed as a continuum of rocky as well as mineral forms ranging from bodily encrustations like the kidney and bezoar stone, to salt, iron, limestone, marble, flint, and silicon. The assemblage of materials bears witness to aspirational imperial fantasies and looming colonial conquests; it engages in both syncretism and supersession; upholds and subverts gender hierarchies; limns the race-making category of hue with desire; and supports, and sometimes thwarts, elitist ideologies of an elect, chosen people. All come together via the storied pathways of stone as densely material and as a foundation for the abstract imaginary along the scala naturae. Across the lithic-human fold, stone promises, fascinates, betrays. As alpha and omega, stone can herald salvation or it can threaten with damnation.

Product Details

ISBN-13: 9780198903963
Publisher: Oxford University Press
Publication date: 09/27/2024
Series: Early Modern Literary Geographies
Pages: 448
Product dimensions: 5.71(w) x 8.78(h) x 1.10(d)

About the Author

Tiffany Jo Werth, Associate Professor of English, University of California, Davis

Tiffany Jo Werth (Ph.D. Columbia University) is an Associate Professor of English at University of California, Davis. Her research interests include Renaissance literature, Reformation history, print culture, posthumanism, and the long history of environmental narratives. She is author of The Fabulous Dark Cloister: Romance in England after the Reformation (Johns Hopkins University Press, 2011) and co-editor of Premodern Ecologies in the Modern Literary Imagination (University of Toronto, 2019), and has published in a variety of journals. She has been a Mellon long-term fellow at the Huntington Library and currently serves as the Program Director for Medieval and Early Modern Studies.

Table of Contents

Introduction: Jacob's LadderI. Lithic Creations1. A Lithic Chorography of England2. "A Stonie Race Indeed"3. "Upon this Rock": Founding England's ChurchII. Lithic Conversions4. The Callous Stony Heart and Conversion5. Lithic Encrustations and Embodied "Quarries of Stones"6. Lithic Intimacies and MarmorizationIII. Lithic Continuum7. Hewing the Human8. "Not Marble, nor the gilded monuments": Sepúlchred Verse9. The New Jerusalem, Geologic Election, and Lithic Afterlives in Heaven's Marble Vault
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