The Lovelorn Ghost and the Magical Monk: Practicing Buddhism in Modern Thailand
Stories centering on the lovelorn ghost (Mae Nak) and the magical monk (Somdet To) are central to Thai Buddhism. Historically important and emotionally resonant, these characters appeal to every class of follower. Metaphorically and rhetorically powerful, they invite constant reimagining across time.

Focusing on representations of the ghost and monk from the late eighteenth century to the present, Justin Thomas McDaniel builds a case for interpreting modern Thai Buddhist practice through the movements of these transformative figures. He follows embodiments of the ghost and monk in a variety of genres and media, including biography, film, television, drama, ritual, art, liturgy, and the Internet. Sourcing nuns, monks, laypeople, and royalty, he shows how relations with these figures have been instrumental in crafting histories and modernities. McDaniel is especially interested in local conceptions of being "Buddhist" and the formation and transmission of such identities across different venues and technologies.

Establishing an individual's "religious repertoire" as a valid category of study, McDaniel explores the performance of Buddhist thought and ritual through practices of magic, prognostication, image production, sacred protection, and deity and ghost worship, and clarifies the meaning of multiple cultural configurations. Listening to popular Thai Buddhist ghost stories, visiting crowded shrines and temples, he finds concepts of attachment, love, wealth, beauty, entertainment, graciousness, security, and nationalism all spring from engagement with the ghost and the monk and are as vital to the making of Thai Buddhism as venerating the Buddha himself.
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The Lovelorn Ghost and the Magical Monk: Practicing Buddhism in Modern Thailand
Stories centering on the lovelorn ghost (Mae Nak) and the magical monk (Somdet To) are central to Thai Buddhism. Historically important and emotionally resonant, these characters appeal to every class of follower. Metaphorically and rhetorically powerful, they invite constant reimagining across time.

Focusing on representations of the ghost and monk from the late eighteenth century to the present, Justin Thomas McDaniel builds a case for interpreting modern Thai Buddhist practice through the movements of these transformative figures. He follows embodiments of the ghost and monk in a variety of genres and media, including biography, film, television, drama, ritual, art, liturgy, and the Internet. Sourcing nuns, monks, laypeople, and royalty, he shows how relations with these figures have been instrumental in crafting histories and modernities. McDaniel is especially interested in local conceptions of being "Buddhist" and the formation and transmission of such identities across different venues and technologies.

Establishing an individual's "religious repertoire" as a valid category of study, McDaniel explores the performance of Buddhist thought and ritual through practices of magic, prognostication, image production, sacred protection, and deity and ghost worship, and clarifies the meaning of multiple cultural configurations. Listening to popular Thai Buddhist ghost stories, visiting crowded shrines and temples, he finds concepts of attachment, love, wealth, beauty, entertainment, graciousness, security, and nationalism all spring from engagement with the ghost and the monk and are as vital to the making of Thai Buddhism as venerating the Buddha himself.
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The Lovelorn Ghost and the Magical Monk: Practicing Buddhism in Modern Thailand

The Lovelorn Ghost and the Magical Monk: Practicing Buddhism in Modern Thailand

by Justin McDaniel
The Lovelorn Ghost and the Magical Monk: Practicing Buddhism in Modern Thailand

The Lovelorn Ghost and the Magical Monk: Practicing Buddhism in Modern Thailand

by Justin McDaniel

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Overview

Stories centering on the lovelorn ghost (Mae Nak) and the magical monk (Somdet To) are central to Thai Buddhism. Historically important and emotionally resonant, these characters appeal to every class of follower. Metaphorically and rhetorically powerful, they invite constant reimagining across time.

Focusing on representations of the ghost and monk from the late eighteenth century to the present, Justin Thomas McDaniel builds a case for interpreting modern Thai Buddhist practice through the movements of these transformative figures. He follows embodiments of the ghost and monk in a variety of genres and media, including biography, film, television, drama, ritual, art, liturgy, and the Internet. Sourcing nuns, monks, laypeople, and royalty, he shows how relations with these figures have been instrumental in crafting histories and modernities. McDaniel is especially interested in local conceptions of being "Buddhist" and the formation and transmission of such identities across different venues and technologies.

Establishing an individual's "religious repertoire" as a valid category of study, McDaniel explores the performance of Buddhist thought and ritual through practices of magic, prognostication, image production, sacred protection, and deity and ghost worship, and clarifies the meaning of multiple cultural configurations. Listening to popular Thai Buddhist ghost stories, visiting crowded shrines and temples, he finds concepts of attachment, love, wealth, beauty, entertainment, graciousness, security, and nationalism all spring from engagement with the ghost and the monk and are as vital to the making of Thai Buddhism as venerating the Buddha himself.

Product Details

ISBN-13: 9780231153775
Publisher: Columbia University Press
Publication date: 01/07/2014
Edition description: New Edition
Pages: 384
Product dimensions: 5.90(w) x 8.90(h) x 0.90(d)
Age Range: 18 Years

About the Author

Justin Thomas McDaniel is associate professor of Buddhist and Southeast Asian studies at the University of Pennsylvania. He has also taught at Ohio University and the University of California at Riverside. Chair of the Southeast Asian Studies Council and the Thailand, Laos, Cambodia Studies Association, and founder of the Thai Digital Monastery Project, McDaniel has lived and researched in Southeast Asia for many years as a Social Science Research Council and Fulbright Fellow, manuscript cataloger, translator, volunteer teacher, and Buddhist monk. His first book, Gathering Leaves and Lifting Words: Histories of Monastic Education in Laos and Thailand won the prestigious Harry Benda Prize for Best First Book in Southeast Asian Studies.

Table of Contents

Acknowledgments
Note on Transcription
Introduction
1. Monks and Kings
2. Texts and Magic
3. Rituals and Liturgies
4. Art and Objects
Conclusion
Notes
Bibliography
Index

What People are Saying About This

Anne Blackburn

Justin Thomas McDaniel celebrates the complexity and situation-specific vitality of Buddhists and their 'repertoires' in his engaging work on contemporary, especially urban, Thailand. His book is a valuable resource for undergraduate and graduate teaching, and it is exemplary in its use of Thai, French, and English writings on Thailand and Buddhism.

Anne Hansen

A brilliant and innovative book that not only carves out some important new directions in the study of Theravada Buddhism but also sets a new bar. If my students had time to read only one book on Southeast Asian Buddhism, this is the book I would choose.

Steve Collins

This magnificent, beguiling, and thought-provoking study describes and celebrates the heterogeneity and, as McDaniel puts it, the cacophony of Thai Buddhist experience as expressing the values of security, heritage, graciousness, and abundance. It should be read by every scholar of Buddhist studies and of religious studies more widely. An epoch-making achievement.

Craig J. Reynolds

In this sweeping study full of fresh observations and original thinking, McDaniel continues his radical reinterpretation of Thai religious practice. Challenged to understand rituals, sacred objects, saints, deities, and spirits of bewildering diversity, he sees in a lovelorn ghost and magical monk a way to make sense of what seems senseless. He thereby dispels the familiar categories of Buddhism, Brahmanism, and animism. Does anyone understand Thai religion in all its complexity better than McDaniel?

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