The Machine
The Machine by Upton Sinclair

ACT I
[JULIA PATTERSON'S apartments in a model tenement on the lower East Side. The scene shows the living-room, furnished very plainly, but in the newest taste; "arts and crafts" furniture, portraits of Morris and Ruskin on the walls; a centre table, a couple of easy-chairs, a divan and many book-shelves. The entrance from the outer hall is at centre; entrance to the other rooms right and left.]

[At rise: JULIA has pushed back the lamp from the table and is having a light supper, with a cup of tea; and at the same time trying to read a magazine, which obstinately refuses to remain open at the right place. She is an attractive and intelligent woman of thirty. The doorbell rings.]

JULIA. Ah, Jack! [Presses button, then goes to the door.]

JACK. [Enters, having come upstairs at a run. He is a college graduate and volunteer revolutionist, one of the organizers of the "Society of the Friends of Russian Freedom"; handsome and ardent, eager in manner, and a great talker.] Hello, Julia. All alone?

JULIA. Yes. I expected a friend, but she can't come until later.

JACK. Just eating?

JULIA. I've been on the go all day. Have something.

JACK. No; I had dinner. [As she starts to clear things away.] Don't stop on my account.

JULIA. I was just finishing up. [As he begins to help.] No; sit down.

JACK. Nonsense. Let the men be of some use in the world.

JULIA. What have you been up to to-day?

We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
1102309272
The Machine
The Machine by Upton Sinclair

ACT I
[JULIA PATTERSON'S apartments in a model tenement on the lower East Side. The scene shows the living-room, furnished very plainly, but in the newest taste; "arts and crafts" furniture, portraits of Morris and Ruskin on the walls; a centre table, a couple of easy-chairs, a divan and many book-shelves. The entrance from the outer hall is at centre; entrance to the other rooms right and left.]

[At rise: JULIA has pushed back the lamp from the table and is having a light supper, with a cup of tea; and at the same time trying to read a magazine, which obstinately refuses to remain open at the right place. She is an attractive and intelligent woman of thirty. The doorbell rings.]

JULIA. Ah, Jack! [Presses button, then goes to the door.]

JACK. [Enters, having come upstairs at a run. He is a college graduate and volunteer revolutionist, one of the organizers of the "Society of the Friends of Russian Freedom"; handsome and ardent, eager in manner, and a great talker.] Hello, Julia. All alone?

JULIA. Yes. I expected a friend, but she can't come until later.

JACK. Just eating?

JULIA. I've been on the go all day. Have something.

JACK. No; I had dinner. [As she starts to clear things away.] Don't stop on my account.

JULIA. I was just finishing up. [As he begins to help.] No; sit down.

JACK. Nonsense. Let the men be of some use in the world.

JULIA. What have you been up to to-day?

We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
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The Machine

The Machine

by Upton Sinclair
The Machine

The Machine

by Upton Sinclair

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Overview

The Machine by Upton Sinclair

ACT I
[JULIA PATTERSON'S apartments in a model tenement on the lower East Side. The scene shows the living-room, furnished very plainly, but in the newest taste; "arts and crafts" furniture, portraits of Morris and Ruskin on the walls; a centre table, a couple of easy-chairs, a divan and many book-shelves. The entrance from the outer hall is at centre; entrance to the other rooms right and left.]

[At rise: JULIA has pushed back the lamp from the table and is having a light supper, with a cup of tea; and at the same time trying to read a magazine, which obstinately refuses to remain open at the right place. She is an attractive and intelligent woman of thirty. The doorbell rings.]

JULIA. Ah, Jack! [Presses button, then goes to the door.]

JACK. [Enters, having come upstairs at a run. He is a college graduate and volunteer revolutionist, one of the organizers of the "Society of the Friends of Russian Freedom"; handsome and ardent, eager in manner, and a great talker.] Hello, Julia. All alone?

JULIA. Yes. I expected a friend, but she can't come until later.

JACK. Just eating?

JULIA. I've been on the go all day. Have something.

JACK. No; I had dinner. [As she starts to clear things away.] Don't stop on my account.

JULIA. I was just finishing up. [As he begins to help.] No; sit down.

JACK. Nonsense. Let the men be of some use in the world.

JULIA. What have you been up to to-day?

We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

Product Details

ISBN-13: 9781505592122
Publisher: CreateSpace Publishing
Publication date: 12/17/2014
Pages: 34
Product dimensions: 5.98(w) x 9.02(h) x 0.07(d)

About the Author

Upton Beall Sinclair Jr. was an American author, sleuth, political organizer, and writer who was born September 20, 1878, and died November 25, 1968. He was the Democratic Party's candidate for governor of California in 1934. He put together almost 100 books and other types of writing. In the first half of the 20th century, Sinclair's writing was well-known and liked. In 1943, he won the Pulitzer Prize for Fiction. Sinclair became famous in 1906 for his classic muck-raking novel, The Jungle. This book showed how dirty and unsafe the U.S. meatpacking industry was, which caused a public uproar that helped pass the Pure Food and Drug Act and the Meat Inspection Act a few months later. He wrote a dirty book about American journalism called "The Brass Check" in 1919. It brought attention to the problem of "yellow journalism" and the limits of the "free press" in the US. Henry Ford's rise to power, including his "wage reform" and the Sociological Department at his company, is told in The Flivver King. It also talks about Ford's fall into antisemitism as editor of The Dearborn Independent. In the coal fields of Colorado, King Coal talks to John D. Rockefeller Jr. about his part in the Ludlow Massacre the year before.
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