The Maker of Swans

by Paraic O'Donnell Narrated by Mike Grady, Imogen Wilde

Overview

In the dead of night, shots ring out over the grounds of a sprawling English estate. The world-weary butler Eustace recognizes the gunman-his longtime employer, Mr. Crowe-and knows he must think and act quickly. Who is the man lying dead on the lawn? Who is the woman in his company? Can he clean up his master's mess like he always has before? Or will this bring a new kind of reckoning?



Mr. Crowe was once famed for his gifts-unaccountable gifts, known only to the members of a secretive order. Protected and privileged, he was courted by countesses and great men of letters. But he has long since retreated from that glittering world, living alone but for Eustace and Clara, his mysterious young ward. He has been content to live quietly, his great library gathering dust and his once magnificent gardens growing wild. He has left the past behind. Until now.



Because there are rules, even for Mr. Crowe and his kind, that cannot be broken. And this single night of passion and violence will have consequences, stirring shadows from the past. He and Eustace will be tested as never before. So too will Clara, whose own extraordinary gifts remain hidden, even from herself. If she is to save them all, she must learn to use them quickly and unlock the secret of who she is. It is a secret beyond imagining. A secret that will change everything.

Editorial Reviews

From the Publisher

"A darkly gorgeous novel of intrigue and secrets."— The New York Times

"Remarkable. . . . O'Donnell mesmerizes with another stylish, atmospheric tale."— CrimeReads

"Compulsive reading. . . . rich, strange, beautiful."— Helen Macdonald, author of Vesper Flights

"Starts at a leisurely trot and works its way up to a gallop. . . . the first act is meticulous in its preparation for the twists that follow."— The New York Times Magazine

"Has that wonderfully dark, magical feel to it."— ELLE

"A powerful thriller."— Vogue

"Evocative and beautiful. . . . O'Donnell is a master craftsman of language and storytelling."— Kirkus Reviews

"Stunning."— Foreword Reviews

"Utterly beautiful. . . . An enthralling dance over the line between literary fiction and magical fantasy."— BookPage

"Luxuriant. "— The Guardian

"The Maker of Swans takes Paraic O’Donnell’s mastery (he is also known for The House on Vesper Sands, his second book) to deep, heart-shaking, and frightening revelations. Brace for flame and sorcery, and a hidden order of the powerful."— Historical Novel Society

"For readers who like secrets to be revealed piece by tantalizing piece."— Napa Valley Register

"Truly bewitching."— David Mitchell, author of Utopia Avenue

"I devoured this book and it kept me guessing right to the very end."— Laura Barnett, author of The Versions of Us

"Dazzlingly. "— Jane Casey, author of The Stranger You Know

"Exquisite."— Liz Nugent, author of Unravelling Oliver

"A mesmerizing book. "— Sandra Newman, author of The Heavens

"It starts with a bang and keeps going."— Jon McGregor, author of Lean Fall Stand

Kirkus Reviews

2022-04-13
A labyrinthine journey from a master craftsman of language and storytelling.

Like O’Donnell’s previous book,The House on Vesper Sands, this novel is determined to unfold at its own pace. There are layers of narrative within the framework of gothic suspense, with a limited but rich cast of characters whose backgrounds and motivations are revealed only slowly. One of the pleasures of this genre is seeing how the disparate threads of the novel come together, and O’Donnell weaves a careful tapestry. Central to the story is Eustace, butler—although really much more—to the mysterious Mr. Crowe, who possesses supernatural powers that are never really explained. An act of random violence (which turns out to be not so random) sparks a chain of events which draws Clara, a young mute girl who lives in Mr. Crowe’s sprawling mansion, into the clutches of some shadowy villains and, ultimately, to the revelation of her own abilities. Significantly, those powers connect to the act of writing, of imagination, of creation. So it is fitting that the story is reflected by O’Donnell’s use of language, which is unfailingly evocative and beautiful. He is able to find poetry in dowdy, simple things, even an arrangement of cutlery or a piece of fabric. The action, when it comes, has an edge like a razor, and even a knife fight is described like a dance. Readers who are looking for a sorcery-driven blockbuster of rollicking heroes will not find it here. This novel is more like a maze that has to be negotiated step by step, with paths that sometimes bend back on themselves or lead to unexpected turns. The conclusion, when it is reached, is strange but satisfying, with a sense of inevitability that is appropriate to the tone of the book. Not a happy ending, perhaps, but the right one.

This story requires time and attention, but the rewards are worth the journey.

Product Details

BN ID:	2940175310505
Publisher:	HighBridge Company
Publication date:	06/07/2022
Edition description:	Unabridged

Read an Excerpt

Chapter One

In the dream, there was nothing. Nothing, and then fire.

It came upon the house with the fury of a sudden storm, a gale of flame that swept the cedars from the lawns and obliterated every window. It flung open the doors and thronged the staircases, possessing rooms with effortless violence. It surged among the hallways, avid and primrose bright, inundating the ballroom, rising in moments even to the chandeliers.

Eustace saw it all, and he did nothing. He stood in the fire’s midst, unmoving and somehow unscathed as he waited to be consumed in his turn. He could not see her, the child, could not have hoped to find her in time. He could not see her, and knew she could not call to him.

It was that despair that ruptured his sleep, that flooding grief. When he heard the shots, he had lain awake for some moments already with the bedclothes thrown back, his hand spread on his chest to quieten his heart. He started slightly at the sounds—there were two, in quick succession—but almost welcomed the distraction. Eustace was accustomed enough to gunshots. They were not quite usual, perhaps, but they caused him no particular alarm. But the dream—the dream had been another matter. He could not remember when he had last felt such dread.

He clawed at the nightstand for the chain of his watch and found, when he had wrung the dimness from his eyes, that it was a shade after one. It might have been worse. His duties were often irregular, and it was not rare for him to be called from his bed at unpardonable hours. Still, he did not welcome such disturbances. The years of his service had done nothing to soften them.

Wearily, but with the smooth economy of long habit, he rose and drew a dressing gown about him. The house, even in these last days of October, was wretchedly cold. The great drapes, as he parted them, were heavy with damp. They would, even at noon, betray almost nothing of their original colour. There was little here that did.

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