NPR, A Best Book of the Year
Time, A Best Book of the Year
The Boston Globe, A Best Book of the Summer
Esquire, A Best LGBTQ Book of the Year
Them, A Most Anticipated Book
Electric Literature, A Most Anticipated Book of the Year
“The Male Gazed, by the queer Colombian writer and film critic Manuel Betancourt, is a smart, refreshing essay collection on the subject, and deals directly and honestly with the paradoxes surrounding the topic of men . . . It’s delightful, and perhaps cathartic, to see Betancourt turn the tables on masculinity by returning its gaze . . . A welcome perspective on a thorny, timely subject. Readers are sure to leave with a useful lens through which they can give masculinity a second look." —John Paul Brammer, The New York Times Book Review
"In this collection of essays, writer/critic Manuel Betancourt explores queer representation in media in an intensely personal, and uniquely engaging, manner. He recalls a childhood in Colombia as a 'soft and skinny' kid whose ideas about masculinity were shaped by a host of disparate influences—including Ricky Martin, Saved by the Bell, Calvin Klein ads, Disney films, Walter Mercado and Pedro Almodóvar—that will resonate with his many readers. Betancourt finds the through line of forbidden desire connecting them all and unpacks how his life as a writer and a gay man exists in an ever-evolving conversation with their notions of manhood." —Glen Weldon, NPR
"One of the Best New Books to Read in 2023." —Today
"How does one manage to intertwine astute observations on gender with a heartfelt recounting of 'staring agog' at Gaston in 1991’s Beauty and the Beast? Writer and critic Manuel Betancourt knows, and does so masterfully . . . As much as The Male Gazed is a riotous trip through a media memory lane, the book also provides an opportunity to rethink our ideas about masculinity as a whole, and to embrace new ways of talking about intimacy, identity and gender roles." —Carly Tagen-Dye, People
"Hilarious and provocative." —Melanie Curry, Cosmopolitan
"The Male Gazed . . . untangles the simultaneous threads of desire to be a beautiful man, or to be with beautiful men, then unravels the implications of all of it to understand how those threads form the self. Betancourt is a preeminent thinker . . . who brings true intellectual rigor to his analysis of contemporary media." —Michael Colbert, Esquire
"One of the joys of Betancourt’s expansive writing is how it invites readers to make their own connections, to slot their associations into the frameworks he presents as he fluidly examines a wide array media . . . Both criticism and memoir, the book holds no straightforward answers but insists that uncertainty and ambiguity are, in fact, the point." —Ilana Masad, them
"Betancourt's essays are thought-provoking, finely crafted, and hilarious." —BuzzFeed, A Most Anticipated Book of the Year
"[Betancourt] draws connections that feel both organic and surprising . . . The Male Gazed is a necessary and compulsively readable dissection of how pop culture both reflects and creates the world around us." —Richard Scott Larson, Slant Magazine
"Packed with a fascinating combination of personal stories and queer theory, The Male Gazed offers a fresh take on masculinity through a queer lens." —Tiernan Bertrand-Essington, Queerty
"Betancourt (Judy Garland's Judy at Carnegie Hall) makes gender theory both accessible and fun . . . [The] breadth of inquiry makes The Male Gazed feel well considered and charmingly personal as Betancourt denudes manhood of its preciousness. What he uncovers may be just enough to begin salvaging a robust and dynamic sense of masculinity from the toxic strains that have become so prevalent in social discourse." —Dave Wheeler, Shelf Awareness (starred review)
"[An] absorbing fusion of memoir and cultural analysis . . . A witty, educated, and entertaining analysis of the development of a writer’s queer desire." —Kirkus Reviews
"Smart and probing essays . . . Betancourt’s verve and wit elevate the prose, and the more personal entries are intimate and affecting . . . Readers won’t want to put this one down." —Publishers Weekly
"Witty, erudite, and self-revealing . . . Readers seeking an honest portrayal of one gay man’s voyage in the masculine imaginary will find a rich source of companionship." —Library Journal
"Manuel Betancourt crafts a style all his own in The Male Gazed: On Hunks, Heartthrobs, and What Pop Culture Taught Me About (Desiring) Men, a singular blend of cultural criticism, history, humor, and personal essays that sing, traversing continents, disciplines, and time—past, present, and future. Fascinating deep dives into carnal Almodóvar films, the iconic wrestling singlet, Ricky Martin thirst traps, and cartoon crushes are framed amid an unfolding coming-of-age narrative navigating queer and gender identity in Colombia and the United States. These pages sparkle with inherited pangs of pop culture nostalgia." —Emilly Prado, author of Funeral for Flaca
"In this sharp, sexy, and sparkling collection of essays, Manuel Betancourt leaves no rock-hard stomach unturned as he investigates how the most popular televised and filmic images of idealized masculinity are constructed, disseminated, and devoured by queer men, himself included. The Male Gazed is both history and his story: Betancourt deftly oscillates his critic's eye between the screen and the self too, reflecting on an upbringing in Colombia colored by swooning telenovelas and Disney's G-rated hunks, twinks, and twunks; on an adulthood in North America studded with friends turned lovers and lovers turned friends; on queer futures being made manifest in the present. Betancourt is a dream critic—as in, a fabulous scholar of dreams, of the desirous imagination." —Matt Ortile, author of The Groom Will Keep His Name
"A warm, personal dive into masculinity as it appears to us through pop culture. When Betancourt unpacks what it's meant to him to be a man, you can't help but trust every word." —Rax King, author of Tacky
03/13/2023
In these smart and probing essays, film critic Betancourt (Judy Garland’s Judy at Carnegie Hall) reflects on his relationship with masculinity through the lens of the heartthrobs of his youth. He recounts grappling with his sexuality as an awkward boy growing up in Colombia in the 1990s and shares how his attraction to the outlandishly masculine Disney characters Gaston and Hercules made him envious of the former’s swagger and the latter’s “pecs,” while at the same time they provided “guidance on what kind of man I wanted to become.” In “Walk Like a Loaded Man,” the author contends that Ricky Martin’s evolution from the smoldering, straight-performing pop star behind “Livin’ la Vida Loca” to the purveyor of Instagram “thirst traps” featuring his husband represents an overdue expansion of the “Latin lover” persona. Betancourt’s verve and wit elevate the prose, and the more personal entries are intimate and affecting, such as “Of Capes and Men,” in which Betancourt considers the showy garb of Puerto Rican TV astrologer Walter Mercado in light of Betancourt’s own efforts as a teenager to suppress mannerisms he feared would expose him as queer. Readers won’t want to put this one down. (May)
03/01/2023
In this collection of 10 essays, Betancourt (Judy Garland's "Judy at Carnegie Hall") brings a Colombian perspective to the concept of masculinity in his native country, the larger Latin American world, and U.S. pop culture. Betancourt, with his witty, erudite, and self-revealing writing, goes back to his childhood memories and the masculinist system he knew growing up in Colombia. He also reflects on the complex interaction of pop culture with the development of his sexual identity. He traces his earliest memories to attractions to male Disney characters and male imagery in telenovelas. Watching the 1970 film Myra Breckinridge, in which the lead character undergoes gender-confirmation surgery, was a pivotal moment for him, as was his TV viewing of the famous Puerto Rican astrologer Walter Mercado, who was also known for being gender-nonconforming. These moments made Betancourt see that there's a need for society to refrain from gender stereotypes and reframe narrow-minded perspectives. VERDICT Readers seeking an honest portrayal of one gay man's voyage in the masculine imaginary will find a rich source of companionship.—David Azzolina
2023-05-01
A queer journalist ponders how pop culture has informed his views of masculinity.
In this absorbing fusion of memoir and cultural analysis, media critic Betancourt examines his boyhood in Colombia. He was obsessed with Disney films like Sleeping Beauty and Hercules, identifying with the female roles while staring desirously at the “bulging pecs and towering torsos” of the male heroes. These movies, he writes, offered “glimmers of possibility about what kind of man I wanted. And what kind of man I wanted to be.” Since Betancourt’s mother ran an animation studio in Bogotá, his access to animated media became an integral part of his youth, informing how he thought about himself then and now as a 30-something gay man. The ways men were portrayed in film and TV were integral to his teenage years, when Betancourt “daydreamed about the way men’s bodies on screens made me feel.” The feelings continued in college as he relished books by John Rechy and James Baldwin. Enrolled in a private school known for its bilingual educational program, Betancourt learned about American high school customs by watching childhood favorites like Saved by the Bell. As a teenager of divorced parents, he became enthralled with telenovelas and the “decidedly modern provocation” of Hombres. The author recognized early on that homosexuality and masculinity were intertwined and greatly scrutinized, as the “visibility of one came at the expense of the other.” Writing throughout with an affable, conversational tone, Betancourt explores the power of the cape, as evidenced in a fond profile of flamboyant Puerto Rican astrologer Walter Mercado, and discusses the smoldering allure of Ricky Martin. Male physical fetishization in visual media further pushed the boundaries of his sexual identity, and the author candidly reveals a coming-of-age period in which he finally embraced the power of his own voice.
A witty, educated, and entertaining analysis of the development of a writer’s queer desire.