The Melody Man: Joe Davis and the New York Music Scene, 1916-1978

The Melody Man: Joe Davis and the New York Music Scene, 1916-1978

The Melody Man: Joe Davis and the New York Music Scene, 1916-1978

The Melody Man: Joe Davis and the New York Music Scene, 1916-1978

Hardcover

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Overview

The story of a New york record man whose extraordinary career spanned jazz, blues, rhythm & blues, rock, country, ethnic, and pop music Joe Davis, the focus of The Melody Man, enjoyed a fifty-year career in the music industry, which covered nearly every aspect of the business. Not well-known to the general public, Davis was one of those individuals who enabled greats to emerge. He hustled sheet music in the 1920s, copyrighted compositions by artists as diverse as Fats Waller, Carson Robison, Otis Blackwell, and Rudy Vallee, oversaw hundreds of recording sessions, and operated several record companies beginning in the 1940s. Davis also worked fearlessly to help insure that black recording artists and song writers gained fair treatment for their work. Much more than a biography, this book is an investigation of the role played by a versatile music entrepeneur during much of the twentieth century. A musician, manager, A&R man, record executive, and publisher, his long career reveals much about the nature of the music industry and offers insight into how the industry changed from the 1920s to the 1970s. By the summer of 1924, when Davis was handling the "Race talent" for Ajax records, he had almost ten years to his credit and more than five decades of musical career ahead of him. This book is an incomparable look behind the scenes of music creation and dissemination. This book was never released in the United States and was available only in a very limited print run in England. The author, noted blues scholar and folklorist Bruce Bastin, has worked with fellow music scholar Kip Lornell to completely update, condense, and improve the book for this first-ever American edition. Bruce Bastin, East Sussex, England, is managing director at Interstate Music, Ltd. His books include Crying for the Carolines and Red River Blues: The Blues Tradition in the Southeast. Kip Lornell, Silver Spring, Maryland, is a member of the faculty at The George Washington University. This is his fourteenth book about American music, including three others with University Press of Mississippi.

Product Details

ISBN-13: 9781617032769
Publisher: University Press of Mississippi
Publication date: 07/02/2012
Series: American Made Music Series
Pages: 336
Sales rank: 1,034,815
Product dimensions: 5.90(w) x 9.10(h) x 1.60(d)

About the Author

Bruce Bastin is managing director at Interstate Music, Ltd. He is author of Crying for the Carolines and Red River Blues: The Blues Tradition in the Southeast. Kip Lornell teaches at George Washington University. He is author of Exploring American Folk Music: Ethnic, Grassroots, and Regional Traditions in the United States; coauthor of The Beat! Go-Go Music from Washington, D.C.; and coeditor of The Music of Multicultural America: Performance, Identity, and Community in the United States and Shreveport Sounds in Black and White, all published by University Press of Mississippi.

Table of Contents

Preface to the New Edition Kip Lornell vii

Preface xi

Acknowledgments xv

Prelude xvii

Chapter 1 "That's God 'Em" 3

Chapter 2 The Melody Man 36

Chapter 3 Fats Comes Aboard 55

Chapter 4 How Joe Davis Did Business 102

Chapter 5 The Gennett Connection 132

Chapter 6 God Bless Our New President 156

Chapter 7 Caribbean Music and Albums 174

Chapter 8 Back to the Brill Building 200

Chapter 9 The Deep River Boys 217

Chapter 10 Jay-Dee Records and Otis Blackwell 233

Chapter 11 Listen to Dr. Jive 262

Chapter 12 I Learned a Lesson I'll Never Forget 287

Tune Title Index 305

Name and Subject Index 318

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