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Overview
This is a groundbreaking examination of one of the most important artists in the Western tradition by one of the leading art historians and critics of the past half-century. In his first extended consideration of the Italian Baroque painter Michelangelo Merisi da Caravaggio (1573-1610), Michael Fried offers a transformative account of the artist's revolutionary achievement. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, The Moment of Caravaggio displays Fried's unique combination of interpretive brilliance, historical seriousness, and theoretical sophistication, providing sustained and unexpected readings of a wide range of major works, from the early Boy Bitten by a Lizard to the late Martyrdom of Saint Ursula. And with close to 200 color images, The Moment of Caravaggio is as richly illustrated as it is closely argued. The result is an electrifying new perspective on a crucial episode in the history of European painting.
Focusing on the emergence of the full-blown "gallery picture" in Rome during the last decade of the sixteenth century and the first decades of the seventeenth, Fried draws forth an expansive argument, one that leads to a radically revisionist account of Caravaggio's relation to the self-portrait; of the role of extreme violence in his art, as epitomized by scenes of decapitation; and of the deep structure of his epoch-defining realism. Fried also gives considerable attention to the art of Caravaggio's great rival, Annibale Carracci, as well as to the work of Caravaggio's followers, including Orazio and Artemisia Gentileschi, Bartolomeo Manfredi, and Valentin de Boulogne.
Product Details
ISBN-13: | 9780691147017 |
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Publisher: | Princeton University Press |
Publication date: | 08/17/2010 |
Series: | The A. W. Mellon Lectures in the Fine Arts , #35 |
Pages: | 320 |
Sales rank: | 246,876 |
Product dimensions: | 8.20(w) x 11.00(h) x 1.50(d) |
About the Author
What People are Saying About This
No one sees paintings better than Michael Fried, or thinks as persistently or with such philosophical depth about such seeing, about the very possibility of pictorial meaning. The Moment of Caravaggio is a spectacular, compelling addition to his oeuvre. An engrossing and often simply thrilling read, the book is a triumph.
Robert B. Pippin, University of Chicago
Seldom does one encounter a profoundly surprising yet rigorously historical reading of a very familiar work; in The Moment of Caravaggio this happens with painting after painting. Though an account primarily of Caravaggio and his circle, Fried's discussions of address, of autonomy, of interiority, and of the dispositif of easel painting, among other topics, will resonate across the field. Every scholar of early modern art should read this book.
Michael W. Cole, Columbia University
This is a dazzling tour de force. Michael Fried's readings of a series of Caravaggio's most fascinating and enigmatic pictures keep one turning the pages with the greatest pleasure. Fried's arguments are compelling, muscular, and graceful.
Leonard Barkan, Princeton University
Hegel on Self-Consciousness is the best treatment of the subject in English, French, or German--it is also clear, short, and to the point. It will very likely serve as a basic text in a variety of undergraduate and graduate courses. Pippin is one of the most widely read philosophers of our time.
Terry P. Pinkard, Georgetown UniversityE
"Seldom does one encounter a profoundly surprising yet rigorously historical reading of a very familiar work; in The Moment of Caravaggio this happens with painting after painting. Though an account primarily of Caravaggio and his circle, Fried's discussions of address, of autonomy, of interiority, and of the dispositif of easel painting, among other topics, will resonate across the field. Every scholar of early modern art should read this book."—Michael W. Cole, Columbia University"No one sees paintings better than Michael Fried, or thinks as persistently or with such philosophical depth about such seeing, about the very possibility of pictorial meaning. The Moment of Caravaggio is a spectacular, compelling addition to his oeuvre. An engrossing and often simply thrilling read, the book is a triumph."—Robert B. Pippin, University of Chicago"This is a dazzling tour de force. Michael Fried's readings of a series of Caravaggio's most fascinating and enigmatic pictures keep one turning the pages with the greatest pleasure. Fried's arguments are compelling, muscular, and graceful."—Leonard Barkan, Princeton University
Pippin is one of the leading Hegel interpreters working today. Readers interested in Hegel--be they philosophers, literary theorists, or intellectual historians--will greatly benefit from this book. Pippin's insight into Hegel's philosophy is highly impressive, and the depth of his thought is evident in his analysis of the connection Hegel discovers between desire and self-consciousness.
Sally Sedgwick, University of Illinois, Chicago