The Monkey Wrench Gang
Ex-Green Beret George Hayduke has returned from war to find his beloved southwestern desert threatened by industrial development. Joining with Bronx exile and feminist saboteur Bonnie Abzug, wilderness guide and outcast Mormon Seldom Seen Smith, and libertarian billboard torcher Doc Sarvis, M.D., Hayduke is ready to fight the power-taking on the strip miners, clear-cutters, and the highway, dam, and bridge builders who are threatening the natural habitat. The Monkey Wrench Gang is on the move-and peaceful coexistence be damned!
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The Monkey Wrench Gang
Ex-Green Beret George Hayduke has returned from war to find his beloved southwestern desert threatened by industrial development. Joining with Bronx exile and feminist saboteur Bonnie Abzug, wilderness guide and outcast Mormon Seldom Seen Smith, and libertarian billboard torcher Doc Sarvis, M.D., Hayduke is ready to fight the power-taking on the strip miners, clear-cutters, and the highway, dam, and bridge builders who are threatening the natural habitat. The Monkey Wrench Gang is on the move-and peaceful coexistence be damned!
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The Monkey Wrench Gang

The Monkey Wrench Gang

by Edward Abbey

Narrated by Michael Kramer

Unabridged — 16 hours, 42 minutes

The Monkey Wrench Gang

The Monkey Wrench Gang

by Edward Abbey

Narrated by Michael Kramer

Unabridged — 16 hours, 42 minutes

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Overview

Ex-Green Beret George Hayduke has returned from war to find his beloved southwestern desert threatened by industrial development. Joining with Bronx exile and feminist saboteur Bonnie Abzug, wilderness guide and outcast Mormon Seldom Seen Smith, and libertarian billboard torcher Doc Sarvis, M.D., Hayduke is ready to fight the power-taking on the strip miners, clear-cutters, and the highway, dam, and bridge builders who are threatening the natural habitat. The Monkey Wrench Gang is on the move-and peaceful coexistence be damned!

Editorial Reviews

Smithsonian

Ribald, outrageous and, in fact, scandalous.

San Francisco Chronicle

Mixes comedy and chaos with enough chase sequences to leave you hungering for more.

Playboy

Excellent high adventure.

Saturday Review

A Real romp

Newsweek

The Monkey Wrench Gang is a laconicI comedy played out in a vast open space Abbey loves and knows well.

San Francisco Examiner & Chronicle

Mixes Comedy and Chaos with enoughchase sequences to leave you hungering for more.

From the Publisher

Mixes comedy and chaos with enough chase sequences to leave you hungering for more.” — San Francisco Chronicle

"Endangered as it is, the air in this novel is a pleasure to breathe." — Newsweek

"A romp of a novel with a bent toward sabotage, Abbey’s The Monkey Wrench Gang will inspire you." — Terry Tempest Williams, The New York Times Book Review

"Twirls along full of joy, mayhem, daring, high jinks, and rip-roarin’ humor." — Pittsburgh Post-Gazette

“Abbey masterfully weds the traditions of the romantic quest with the suspense novel as he follows the motley fellowship on its campaign to preserve beauty and do battle with corporate forces of destruction.” — Detroit Free Press

“[Abbey] is part of that great American tradition to which Upton Sinclair, John Steinbeck and Sinclair Lewis also belonged: angry men who demonstrated that, though the pen may be mightier than the sword, it has so far been seriously outgunned by the bulldozer, the F-11 and—above all—by the dollar." — New Statesman

“Ribald, outrageous and, in fact, scandalous.” — Smithsonian

“Excellent high adventure.” — Playboy

"You can’t help but cheer on this likable but unlikely quartet of modern-day industrial saboteurs." — Kirkus Reviews

"Edward Abbey sits high in my pantheon of 20th century writers for his anarchic eco-activist novel The Monkey Wrench Gang."New Statesman

"Crunch! Kapow! Crash! Bang! The Monkey Wrench Gang is the wish-fulfilment dream of eco-Luddites everywhere." — The Guardian

The Monkey Wrench Gang is a quartet of modern-day vigilantes, with a social conscience and a vengeance." — Philadelphia Inquirer

"Edward Abbey may have invented a new fictional genre, the ecological caper." — Newsweek

“[Abbey] wrote with exceptional exactitude and an unusually honest and logical understanding of causes and consequences, but he also loved argument, churlishness and exaggeration.” — New York Book Review

AudioFile

Narrator Michael Kramer’s…ease with fast-paced storytelling adds excitement to the chase scenes amid forbidding Utah terrain. The Monkey Wrench Gang is a classic in fringe political writing. Kramer does justice to this story of old-school radical environmentalism as he brings it to the ears of a new generation of activists.”

San Francisco Chronicle

Mixes comedy and chaos with enough chase sequences to leave you hungering for more.”

Product Details

BN ID: 2940170630295
Publisher: Tantor Audio
Publication date: 03/19/2012
Edition description: Unabridged

Read an Excerpt

Chapter One

Dr. Sarvis with his bald mottled dome and savage visage, grim and noble as Sibelius, was out night-riding on a routine neighborhood beautification project, burning billboards along the highway-- U.S. 66, later to be devoured by the superstate's interstate autobahn. His procedure was simple, surgically deft. With a five-gallon can of gasoline he sloshed about the legs and support members of the selected target, then applied a match. Everyone should have a hobby.

In the lurid glare which followed he could be seen shambling back to the Lincoln Continental Mark IV parked nearby, empty gas can banging on his insouciant shanks. A tall and ponderous man, shaggy as a bear, he cast a most impressive shadow in the light of the flames, across the and scene of broken whiskey bottles, prickly pear and buckhorn cholla, worn-out tires and strips of retread. In the fire's glare his little red eyes burned with a fierce red fire of their own, matching the candescent coal of the cigar in his teeth--three smoldering and fanatic red bulbs glowing through the dark. He paused to admire his work:

HOWDY PARDNER

WELCOME TO ALBUQUERQUE, NEW MEXICO

HUB OF THE LAND OF ENCHANTMENT

Headlights swept across him from the passing traffic. Derisive horns bellowed as sallow pimply youths with undescended testicles drove by in stripped-down zonked-up Mustangs, Impalas, Stringrays and Beetles, each with a lush-lashed truelove wedged hard overlapping-pelvis-style on the driver's lap, so that seen from the back through the rear window in silhouette against oncoming headlights the car appeared tobe "operated" by a single occupant with--anomaly--two heads; other lovers screamed past jammed butt to groin on the buddy seats of 880-cc chopped Kawasaki motorbikes with cherry-bomb exhaust tubes--like hara-kiri, kamikaze, karate and the creeping kudzu vine, a gift from the friendly people who gave us (remember?) Pearl Harbor--which, blasting sparks and chips of cylinder wall, roared shattering like spastic technical demons through the once-wide stillness of Southwestern night.

No one ever stopped. Except the Highway Patrol arriving promptly fifteen minutes late, radioing the report of an inexplicable billboard fire to a casually scornful dispatcher at headquarters, then ejecting self from vehicle, extinguisher in gloved hand, to ply the flames for a while with little limp gushes of liquid sodium hydrochloride ("wetter than water" because it adheres better, like soapsuds) to the pyre. Futile if gallant efforts. Dehydrated by months, sometimes years of desert winds and thirsty desert air, the pine and paper of the noblest most magnificent of billboards yearned in every molecule for quick combustion, wrapped itself in fire with the mad lust, the rapt intensity, of lovers fecundating. All-cleansing fire, all-purifying flame, before which the asbestos-hearted plutonic pyromaniac can only genuflect and pray.

Doc Sarvis by this time had descended the crumbly bank of the roadside under a billowing glare from his handiwork, dumped his gas can into trunk of car, slammed the lid--where a bright and silver caduceus glisters in the firelight--and slumped down in the front seat beside his driver.

"Next?" she says.

He flipped away his cigar butt, out the open window into the ditch--the trace of burning arc remains for a moment in the night, a retinal afterglow with rainbow-style trajectory, its terminal spatter of sparks the pot of gold-and unwrapped another Marsh-Wheeling, his famous surgeon's hand revealing not a twitch or tremor.

"Let's work the west side," he says.

The big car glided forward with murmurous motor, wheels crunching tin cans and plastic picnic plates on the berm, packed bearings sliding in the servile grease, the pistons, bathed in oil, slipping up and down in the firm but gentle grasp of cylinders, connecting rods to crankshaft, crankshaft to drive shaft through differential's scrotal housing via axle, all power to the wheels.

They progressed. That is to say, they advanced, in thoughtful silence, toward the jittery neon, the spastic anapestic rock, the apoplectic roll of Saturday night in Albuquerque, New Mexico. (To be an American for one Saturday night downtown you'd sell your immortal soul.) Down Glassy Gulch they drove toward the twenty-story towers of finance burning like blocks of radium under the illuminated smog.

"Abbzug."

"Doc?"

"I love you, Abbzug."

"I know, Doc."

Past a lit-up funeral parlor in territorial burnt-adobe brick: Strong-Thorne Mortuary--"Oh Death Where Is Thy Sting?" Dive! Beneath the overpass of the Sante Fe (Holy Faith) Railroad--"Go Santa Fe All the Way."

"Ah," sighed the doctor, "I like this. I like this. . .

"Yeah, but it interferes with my driving if you don't mind."

"El Mano Negro strikes again."

"Yeah, Doc, okay, but you're gonna get us in a wreck and my mother will sue."

"True," he says, "but it's worth it."

Beyond the prewar motels of stucco and Spanish tile at the city's western fringe, they drove out on a long low bridge.

"Stop here."

She stopped the car. Doc Sarvis gazed down at the river, the Rio Grande, great river of New Mexico, its dark and complicated waters shining with cloud-reflected city light.

"My river," he says.

"Our river."

"Our river."

"Let's take that river trip."

"Soon, soon." He held up a finger. "Listen..."

They listened. The river was mumbling something down below, something like a message: Come flow with me, Doctor, through the deserts of New Mexico, down through the canyons of Big Bend and on to the sea the Gulf the Caribbean, down where those young sireens weave their seaweed garlands for your hairless head, 0 Doc. Are you there? Doc?

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