The Monster Theory Reader
A collection of scholarship on monsters and their meaning—across genres, disciplines, methodologies, and time—from foundational texts to the most recent contributions


Zombies and vampires, banshees and basilisks, demons and wendigos, goblins, gorgons, golems, and ghosts. From the mythical monstrous races of the ancient world to the murderous cyborgs of our day, monsters have haunted the human imagination, giving shape to the fears and desires of their time. And as long as there have been monsters, there have been attempts to make sense of them, to explain where they come from and what they mean. This book collects the best of what contemporary scholars have to say on the subject, in the process creating a map of the monstrous across the vast and complex terrain of the human psyche.

Editor Jeffrey Andrew Weinstock prepares the way with a genealogy of monster theory, traveling from the earliest explanations of monsters through psychoanalysis, poststructuralism, and cultural studies, to the development of monster theory per se—and including Jeffrey Jerome Cohen’s foundational essay “Monster Theory (Seven Theses),” reproduced here in its entirety. There follow sections devoted to the terminology and concepts used in talking about monstrosity; the relevance of race, religion, gender, class, sexuality, and physical appearance; the application of monster theory to contemporary cultural concerns such as ecology, religion, and terrorism; and finally the possibilities monsters present for envisioning a different future. 

Including the most interesting and important proponents of monster theory and its progenitors, from Sigmund Freud to Julia Kristeva to J. Halberstam, Donna Haraway, Barbara Creed, and Stephen T. Asma—as well as harder-to-find contributions such as Robin Wood’s and Masahiro Mori’s—this is the most extensive and comprehensive collection of scholarship on monsters and monstrosity across disciplines and methods ever to be assembled and will serve as an invaluable resource for students of the uncanny in all its guises.

Contributors: Stephen T. Asma, Columbia College Chicago; Timothy K. Beal, Case Western Reserve U; Harry Benshoff, U of North Texas; Bettina Bildhauer, U of St. Andrews; Noel Carroll, The Graduate Center, CUNY; Jeffrey Jerome Cohen, Arizona State U; Barbara Creed, U of Melbourne; Michael Dylan Foster, UC Davis; Sigmund Freud; Elizabeth Grosz, Duke U; J. Halberstam, Columbia U; Donna Haraway, UC Santa Cruz; Julia Kristeva, Paris Diderot U; Anthony Lioi, The Julliard School; Patricia MacCormack, Anglia Ruskin U; Masahiro Mori; Annalee Newitz; Jasbir K. Puar, Rutgers U; Amit A. Rai, Queen Mary U of London; Margrit Shildrick, Stockholm U; Jon Stratton, U of South Australia; Erin Suzuki, UC San Diego; Robin Wood, York U; Alexa Wright, U of Westminster.

1131265967
The Monster Theory Reader
A collection of scholarship on monsters and their meaning—across genres, disciplines, methodologies, and time—from foundational texts to the most recent contributions


Zombies and vampires, banshees and basilisks, demons and wendigos, goblins, gorgons, golems, and ghosts. From the mythical monstrous races of the ancient world to the murderous cyborgs of our day, monsters have haunted the human imagination, giving shape to the fears and desires of their time. And as long as there have been monsters, there have been attempts to make sense of them, to explain where they come from and what they mean. This book collects the best of what contemporary scholars have to say on the subject, in the process creating a map of the monstrous across the vast and complex terrain of the human psyche.

Editor Jeffrey Andrew Weinstock prepares the way with a genealogy of monster theory, traveling from the earliest explanations of monsters through psychoanalysis, poststructuralism, and cultural studies, to the development of monster theory per se—and including Jeffrey Jerome Cohen’s foundational essay “Monster Theory (Seven Theses),” reproduced here in its entirety. There follow sections devoted to the terminology and concepts used in talking about monstrosity; the relevance of race, religion, gender, class, sexuality, and physical appearance; the application of monster theory to contemporary cultural concerns such as ecology, religion, and terrorism; and finally the possibilities monsters present for envisioning a different future. 

Including the most interesting and important proponents of monster theory and its progenitors, from Sigmund Freud to Julia Kristeva to J. Halberstam, Donna Haraway, Barbara Creed, and Stephen T. Asma—as well as harder-to-find contributions such as Robin Wood’s and Masahiro Mori’s—this is the most extensive and comprehensive collection of scholarship on monsters and monstrosity across disciplines and methods ever to be assembled and will serve as an invaluable resource for students of the uncanny in all its guises.

Contributors: Stephen T. Asma, Columbia College Chicago; Timothy K. Beal, Case Western Reserve U; Harry Benshoff, U of North Texas; Bettina Bildhauer, U of St. Andrews; Noel Carroll, The Graduate Center, CUNY; Jeffrey Jerome Cohen, Arizona State U; Barbara Creed, U of Melbourne; Michael Dylan Foster, UC Davis; Sigmund Freud; Elizabeth Grosz, Duke U; J. Halberstam, Columbia U; Donna Haraway, UC Santa Cruz; Julia Kristeva, Paris Diderot U; Anthony Lioi, The Julliard School; Patricia MacCormack, Anglia Ruskin U; Masahiro Mori; Annalee Newitz; Jasbir K. Puar, Rutgers U; Amit A. Rai, Queen Mary U of London; Margrit Shildrick, Stockholm U; Jon Stratton, U of South Australia; Erin Suzuki, UC San Diego; Robin Wood, York U; Alexa Wright, U of Westminster.

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The Monster Theory Reader

The Monster Theory Reader

by Jeffrey Andrew Weinstock (Editor)
The Monster Theory Reader

The Monster Theory Reader

by Jeffrey Andrew Weinstock (Editor)

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Overview

A collection of scholarship on monsters and their meaning—across genres, disciplines, methodologies, and time—from foundational texts to the most recent contributions


Zombies and vampires, banshees and basilisks, demons and wendigos, goblins, gorgons, golems, and ghosts. From the mythical monstrous races of the ancient world to the murderous cyborgs of our day, monsters have haunted the human imagination, giving shape to the fears and desires of their time. And as long as there have been monsters, there have been attempts to make sense of them, to explain where they come from and what they mean. This book collects the best of what contemporary scholars have to say on the subject, in the process creating a map of the monstrous across the vast and complex terrain of the human psyche.

Editor Jeffrey Andrew Weinstock prepares the way with a genealogy of monster theory, traveling from the earliest explanations of monsters through psychoanalysis, poststructuralism, and cultural studies, to the development of monster theory per se—and including Jeffrey Jerome Cohen’s foundational essay “Monster Theory (Seven Theses),” reproduced here in its entirety. There follow sections devoted to the terminology and concepts used in talking about monstrosity; the relevance of race, religion, gender, class, sexuality, and physical appearance; the application of monster theory to contemporary cultural concerns such as ecology, religion, and terrorism; and finally the possibilities monsters present for envisioning a different future. 

Including the most interesting and important proponents of monster theory and its progenitors, from Sigmund Freud to Julia Kristeva to J. Halberstam, Donna Haraway, Barbara Creed, and Stephen T. Asma—as well as harder-to-find contributions such as Robin Wood’s and Masahiro Mori’s—this is the most extensive and comprehensive collection of scholarship on monsters and monstrosity across disciplines and methods ever to be assembled and will serve as an invaluable resource for students of the uncanny in all its guises.

Contributors: Stephen T. Asma, Columbia College Chicago; Timothy K. Beal, Case Western Reserve U; Harry Benshoff, U of North Texas; Bettina Bildhauer, U of St. Andrews; Noel Carroll, The Graduate Center, CUNY; Jeffrey Jerome Cohen, Arizona State U; Barbara Creed, U of Melbourne; Michael Dylan Foster, UC Davis; Sigmund Freud; Elizabeth Grosz, Duke U; J. Halberstam, Columbia U; Donna Haraway, UC Santa Cruz; Julia Kristeva, Paris Diderot U; Anthony Lioi, The Julliard School; Patricia MacCormack, Anglia Ruskin U; Masahiro Mori; Annalee Newitz; Jasbir K. Puar, Rutgers U; Amit A. Rai, Queen Mary U of London; Margrit Shildrick, Stockholm U; Jon Stratton, U of South Australia; Erin Suzuki, UC San Diego; Robin Wood, York U; Alexa Wright, U of Westminster.


Product Details

ISBN-13: 9781517905248
Publisher: University of Minnesota Press
Publication date: 01/15/2020
Edition description: 1
Pages: 600
Product dimensions: 7.00(w) x 10.00(h) x 1.50(d)

About the Author

Jeffrey Andrew Weinstock is professor of English at Central Michigan University and associate editor for Journal of the Fantastic in the Arts. He is the author or editor of twenty-one books, most recently The Age of Lovecraft (Minnesota, 2016); Goth Music: From Sound to Subculture; Return to Twin Peaks: New Approaches to Materiality,Theory, and Genre on Television, and the award-winning Ashgate Encyclopedia of Literary and Cinematic Monsters.

Table of Contents

Contents

Introduction. “Won’t Someone Please Think of the Children?!” Thinking Horror Through the Lens of Moral Panic

Jeffrey Andrew Weinstock

Part I. Early Inquiries and Quick Takes

1. From Poetics

Aristotle

2. Of Tragedy

David Hume

3. On the Reason We Take Pleasure in Tragic Subjects

Friedrich Schiller, translated by George W. Gregory

4. From A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and the Beautiful

Edmund Burke

5. From “Why Terrour and Grief Are Pleasing to the Mind When Excited by Descriptions”

Joseph Addison

6. On the Pleasure Derived from Objects of Terror

Anna Laetitia Barbauld

7. On the Supernatural in Poetry

Ann Radcliffe

8. On the Supernatural in Fictitious Composition; and Particularly on the Works of Ernest Theodore William Hoffman

Walter Scott

9. Introduction to Supernatural Horror in Literature

H. P. Lovecraft

10. Introduction to Uncanny Stories

Christopher St. John Sprigg

11. The Enjoyment of Fear

Alfred Hitchcock

12. From Danse Macabre

Stephen King

Part II. The Paradox of Horror

13. Fearing Fictions

Kendall Walton

14. The Paradox of Horror

Berys Gaut

15. From The Philosophy of Horror; or, Paradoxes of the Heart

Noël Carroll

16. Enjoying Negative Emotions in Fictions

John Morreall

17. Fear for Your Life: The Appeals, Functions, and Effects of Horror

Mathias Clasen

18. An Introduction to the American Horror Film

Robin Wood

19. From Sacred Terror: Religion and Horror on the Silver Screen

Douglas E. Cowan

20. From “Discipline and Distraction: Psycho, Visual Culture, and Postmodern Cinema”

Linda Williams

21. Frightening Fascination: A Phenomenology of Direct Horror

Julian Hanich

22. (Why) Do You Like Scary Movies? A Review of the Empirical Research on Psychological Responses to Horror Films

G. Neil Martin

23. Horror’s Long-Lasting Appeal

Nina Nesseth

Part III. Different Voices

24. Displaying Connoisseurship, Recognizing Craftsmanship

Matt Hills

25. My Words to Victor Frankenstein Above the Village of Chamounix: Performing Transgender Rage

Susan Stryker

26. Refusing to Refuse to Look: Female Viewers of the Horror Film

Brigid Cherry

27. From “Horror at the Crossroads: Class, Gender, and Taste at the Rialto”

Mark Jancovich and Tim Snelson

28. Critical Pleasures: Reflections on the Indonesian Horror Genre and Its Anti-Fans

Meghan Downes

29. New Black Gothic

Sheri-Marie Harrison

30. Black Horror Beyond the White Gaze: A Conversation

Dani Bethea and Monika Negra

31. Contemporary Horror and Disability: Adaptations and Active Readers

Petra Kuppers

32. A Demon-Girl’s Guide to Life

S. Trimble

Publication History

Contributors

Index

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