The Novel in Transition: Gender and Literature in Early Colonial Korea
Having been marginalized from the literature-proper sphere of Confucian elite culture, the novel began to transform significantly at turn of the twentieth century in Korea. Selected novels in transformation that Jooyeon Rhee investigates in this book include both translated and creative historical novels, domestic novels, and crime novels, all of which were produced under the spell of civilization and enlightenment. Rhee places the transformation of the novel in the complex nexus of civilization discourses, transnational literary forces, and modern print media to show how they became a driving force behind the development of modern Korean literature. Gender is an analytical category central to this book since it became an important epistemological ground on which to define the Korean nation and modernity in literature at the time, and because the novel was one of the most effective technologies that mediated and populated knowledge about gender roles and relations. The masculine norms and principles articulated in novels, Rhee argues, are indicative of writers' and translators' negotiation with political and cultural forces of the time; their observations of the ambiguity of modernity manifest in the figure of mobile, motivated, and forward-looking woman and immobile, emotional, and suppressed men.

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The Novel in Transition: Gender and Literature in Early Colonial Korea
Having been marginalized from the literature-proper sphere of Confucian elite culture, the novel began to transform significantly at turn of the twentieth century in Korea. Selected novels in transformation that Jooyeon Rhee investigates in this book include both translated and creative historical novels, domestic novels, and crime novels, all of which were produced under the spell of civilization and enlightenment. Rhee places the transformation of the novel in the complex nexus of civilization discourses, transnational literary forces, and modern print media to show how they became a driving force behind the development of modern Korean literature. Gender is an analytical category central to this book since it became an important epistemological ground on which to define the Korean nation and modernity in literature at the time, and because the novel was one of the most effective technologies that mediated and populated knowledge about gender roles and relations. The masculine norms and principles articulated in novels, Rhee argues, are indicative of writers' and translators' negotiation with political and cultural forces of the time; their observations of the ambiguity of modernity manifest in the figure of mobile, motivated, and forward-looking woman and immobile, emotional, and suppressed men.

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The Novel in Transition: Gender and Literature in Early Colonial Korea

The Novel in Transition: Gender and Literature in Early Colonial Korea

by Jooyeon Rhee
The Novel in Transition: Gender and Literature in Early Colonial Korea

The Novel in Transition: Gender and Literature in Early Colonial Korea

by Jooyeon Rhee

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Overview

Having been marginalized from the literature-proper sphere of Confucian elite culture, the novel began to transform significantly at turn of the twentieth century in Korea. Selected novels in transformation that Jooyeon Rhee investigates in this book include both translated and creative historical novels, domestic novels, and crime novels, all of which were produced under the spell of civilization and enlightenment. Rhee places the transformation of the novel in the complex nexus of civilization discourses, transnational literary forces, and modern print media to show how they became a driving force behind the development of modern Korean literature. Gender is an analytical category central to this book since it became an important epistemological ground on which to define the Korean nation and modernity in literature at the time, and because the novel was one of the most effective technologies that mediated and populated knowledge about gender roles and relations. The masculine norms and principles articulated in novels, Rhee argues, are indicative of writers' and translators' negotiation with political and cultural forces of the time; their observations of the ambiguity of modernity manifest in the figure of mobile, motivated, and forward-looking woman and immobile, emotional, and suppressed men.


Product Details

ISBN-13: 9781939161963
Publisher: Cornell University Press
Publication date: 11/15/2019
Pages: 240
Product dimensions: 6.00(w) x 9.00(h) x 0.69(d)
Age Range: 18 Years

About the Author

Jooyeon Rhee is Senior Lecturer and Head of Korean Studies Program at The Hebrew University of Jerusalem in Israel. Her current research focuses on crime and mystery fiction of late colonial Korea.

Table of Contents

Acknowledgments ix

Introduction: The Ambiguity of Modern Korean Literature

1 The Novel in Transition 21

Fiction Authorship and Readership from Late Choson to the Early Twentieth Century

2 Gendered Representation of the Nation 53

Constructing National Heroes and Heroines

3 As Real as Fiction 85

Gender, Mobility, and Domesticity in New Fiction (sin sosol)

4 The Emotional Landscape of the Colonized in Korean Translations of Domestic Fiction 117

Romantic Vision of Social Mobility

5 Vengeance Is Mine 153

Romantic Vision of Mobile Masculinity in Crime Fiction

Epilogue: The Fiction of Nation, Gender, and Modernity 181

Bibliography 193

Index 207

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