- Black Sabbath
- War Pigs
- Goodbye to Romance
- Crazy Train
- Mr. Crowley
- Over the Mountain
- Paranoid
- Bark at the Moon
- Miracle Man
- Crazy Babies
- No More Tears
- Mama, I'm Coming Home
- I Don't Want to Change the World
- I Just Want You
- Back on Earth
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0696998664623
Randy Rhoads Primary Artist,Guest Artist,Guitar
Lee Kerslake Primary Artist
Black Sabbath Primary Artist
Bob Daisley Primary Artist,Guitar (Bass)
Rudy Sarzo Guest Artist,Guitar (Bass)
Zakk Wylde Guest Artist,Guitar
Jake E. Lee Guest Artist,Guitar
Bill Ward Guest Artist,Drums
Geezer Butler Guest Artist,Guitar (Bass)
Rick Wakeman Guest Artist,Keyboards
Tony Iommi Guest Artist,Guitar
Mike Bordin Drums
Michael Beinhorn Keyboards
Mike Inez Bass,Music Direction
Tommy Aldridge Drums
Kevin Jones Keyboards
Randy Castillo Drums
Robert Trujillo Guitar (Bass)
John Sinclair Keyboards
Richie Supa Composer
Roy Thomas Baker Producer
Michael Wagener Mixing,Engineer
Randy Rhoads Composer,Producer
Ozzy Osbourne Composer,Producer
Michael Beinhorn Producer
Mike Inez Composer,Inspiration
Zakk Wylde Composer
Paul Northfield Mixing,Engineer
Keith Olsen Producer
Black Sabbath Performer
Vic Anesini Mastering
Taylor Rhodes Composer
Stephen Marcussen Mastering
Bob Daisley Composer,Producer
Bill Ward Composer
Chris Athens Mastering
Geezer Butler Composer
Lemmy Kilmister Composer
Duane Baron Producer
Lee Kerslake Composer,Producer
John Purdell Composer,Producer
Lemmy Composer
Randy Castillo Composer
Max Norman Producer
Jim Vallance Composer
Mark Weiss Photography
Gene Kirkland Photography
Bill Susan Composer
David Coleman Art Direction
Neal Preston Photography
Guzman/Rotterdam Conservatory Orquesta Tipica Photography
Richard Supa Composer
Matt Sherlock Photography
Ross Pelton Photography


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Overview
As with many '70s and '80s metal acts, the '90s were not a very productive period for Ozzy Osbourne. Aside from two studio albums (1991's No More Tears and 1995's Ozzmosis) and the creation of the Ozzfest summer tour package, the middle-aged Osbourne had all but withdrawn from the industry and, despite his incredible delivery on No More Tears, was slowly becoming an aging novelty act as opposed to the feared metal madman who once had a strong hold on his genre. And of course, what better way to prove this than releasing the greatest-hits album The Ozzman Cometh. Yes, compilations often serve as fine packages for casual fans, but all too often in the case of heavy metal acts, they are rushed and fail to give the album's buyers the true listening experience they deserve. Instead, they leave the impression that the record was released for the sole purpose of releasing a record. This is arguably the case with The Ozzman Cometh, which contains a handful of Osbourne's heavy metal staples: "Crazy Train," "Shot in the Dark," "Bark at the Moon," "No More Tears," and "Mr. Crowley," but overlooks some of his best album tracks such as "Flying High Again," "I Don't Know," "Diary of a Madman," "Suicide Solution," and "Miracle Man." Instead of including more album singles, Osbourne throws in a few unreleased tracks for diehards, most notably Black Sabbath demos of "Black Sabbath" and "War Pigs." There is no question that most of Osbourne's best work was with Black Sabbath, and these demos are certainly worth hearing in such raw form. However, greatest-hits albums aren't meant for diehards; they are meant for casual fans, and in the end the tracks only add to the horribly uneven experience listeners will receive on The Ozzman Cometh. True, there are far worse compilations out there, and many listeners will probably be pleased with what this collection has to offer. But those who have truly watched Osbourne's career know just how important his music was to the evolution of heavy metal, and they will be the first to say that The Ozzman Cometh was hardly the compilation it could have and should have been. Sadly, such a disappointing release only serves as a dark reminder that Osbourne, despite continued success, has all but lost his place in the modern industry of metal. And, seeing as how it's a genre he helped create, that's a damn shame. ~ Barry Weber
Product Details
Release Date: | 06/25/2002 |
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Label: | Epic |
UPC: | 0696998664623 |
Tracks
Album Credits
Performance Credits
Ozzy Osbourne Primary Artist,Vocals,Vocal HarmonyRandy Rhoads Primary Artist,Guest Artist,Guitar
Lee Kerslake Primary Artist
Black Sabbath Primary Artist
Bob Daisley Primary Artist,Guitar (Bass)
Rudy Sarzo Guest Artist,Guitar (Bass)
Zakk Wylde Guest Artist,Guitar
Jake E. Lee Guest Artist,Guitar
Bill Ward Guest Artist,Drums
Geezer Butler Guest Artist,Guitar (Bass)
Rick Wakeman Guest Artist,Keyboards
Tony Iommi Guest Artist,Guitar
Mike Bordin Drums
Michael Beinhorn Keyboards
Mike Inez Bass,Music Direction
Tommy Aldridge Drums
Kevin Jones Keyboards
Randy Castillo Drums
Robert Trujillo Guitar (Bass)
John Sinclair Keyboards
Technical Credits
Tony Iommi ComposerRichie Supa Composer
Roy Thomas Baker Producer
Michael Wagener Mixing,Engineer
Randy Rhoads Composer,Producer
Ozzy Osbourne Composer,Producer
Michael Beinhorn Producer
Mike Inez Composer,Inspiration
Zakk Wylde Composer
Paul Northfield Mixing,Engineer
Keith Olsen Producer
Black Sabbath Performer
Vic Anesini Mastering
Taylor Rhodes Composer
Stephen Marcussen Mastering
Bob Daisley Composer,Producer
Bill Ward Composer
Chris Athens Mastering
Geezer Butler Composer
Lemmy Kilmister Composer
Duane Baron Producer
Lee Kerslake Composer,Producer
John Purdell Composer,Producer
Lemmy Composer
Randy Castillo Composer
Max Norman Producer
Jim Vallance Composer
Mark Weiss Photography
Gene Kirkland Photography
Bill Susan Composer
David Coleman Art Direction
Neal Preston Photography
Guzman/Rotterdam Conservatory Orquesta Tipica Photography
Richard Supa Composer
Matt Sherlock Photography
Ross Pelton Photography
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