The Photographer as Autobiographer
This book explores hybrid memoirs, combining text and images, authored by photographers. It contextualizes this sub-category of life writing from a historical perspective within the overall context of life writing, before taking a structural and cognitive approach to the text/image relationship. While autobiographers use photographs primarily for their illustrative or referential function, photographers have a much more complex interaction with pictures in their autobiographical accounts. This book explores how the visual aspect of a memoir may drastically alter the reader’s response to the work, but also how, in other cases, the visual parts seem disconnected from the text or underused.
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The Photographer as Autobiographer
This book explores hybrid memoirs, combining text and images, authored by photographers. It contextualizes this sub-category of life writing from a historical perspective within the overall context of life writing, before taking a structural and cognitive approach to the text/image relationship. While autobiographers use photographs primarily for their illustrative or referential function, photographers have a much more complex interaction with pictures in their autobiographical accounts. This book explores how the visual aspect of a memoir may drastically alter the reader’s response to the work, but also how, in other cases, the visual parts seem disconnected from the text or underused.
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The Photographer as Autobiographer

The Photographer as Autobiographer

by Arnaud Schmitt
The Photographer as Autobiographer

The Photographer as Autobiographer

by Arnaud Schmitt

Paperback(1st ed. 2022)

$109.99 
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Overview

This book explores hybrid memoirs, combining text and images, authored by photographers. It contextualizes this sub-category of life writing from a historical perspective within the overall context of life writing, before taking a structural and cognitive approach to the text/image relationship. While autobiographers use photographs primarily for their illustrative or referential function, photographers have a much more complex interaction with pictures in their autobiographical accounts. This book explores how the visual aspect of a memoir may drastically alter the reader’s response to the work, but also how, in other cases, the visual parts seem disconnected from the text or underused.

Product Details

ISBN-13: 9783031088575
Publisher: Springer International Publishing
Publication date: 09/11/2022
Series: Palgrave Studies in Life Writing
Edition description: 1st ed. 2022
Pages: 294
Product dimensions: 5.83(w) x 8.27(h) x (d)

About the Author

Arnaud Schmitt is a Full Professor at the University of Bordeaux, France. He has published two books and multiple articles on autofiction and autobiography.

Table of Contents

Chapter 1: Introduction.- Chapter 2: The I of the Photographer: A Historical Perspective.- Chapter 3: A Structural Approach to Photographers’ Memoirs.- Chapter 4: A Cognitive Approach to Photographers’ Memoirs.- Chapter 5: Hold Still.- Chapter 6: Conclusion.
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