The Planetary Turn: Relationality and Geoaesthetics in the Twenty-First Century
A groundbreaking essay collection that pursues the rise of geoculture as an essential framework for arts criticism, The Planetary Turn shows how the planet—as a territory, a sociopolitical arena, a natural space of interaction for all earthly life, and an artistic theme—is increasingly the conceptual and political dimension in which twenty-first-century writers and artists picture themselves and their work. In an introduction that comprehensively defines the planetary model of art, culture, and cultural-aesthetic interpretation, the editors explain how the living planet is emerging as distinct from older concepts of globalization, cosmopolitanism, and environmentalism and is becoming a new ground for exciting work in contemporary literature, visual and media arts, and social humanities. Written by internationally recognized scholars, the twelve essays that follow illustrate the unfolding of a new vision of potential planetary community that retools earlier models based on the nation-state or political “blocs” and reimagines cultural, political, aesthetic, and ethical relationships for the post–Cold War era.

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The Planetary Turn: Relationality and Geoaesthetics in the Twenty-First Century
A groundbreaking essay collection that pursues the rise of geoculture as an essential framework for arts criticism, The Planetary Turn shows how the planet—as a territory, a sociopolitical arena, a natural space of interaction for all earthly life, and an artistic theme—is increasingly the conceptual and political dimension in which twenty-first-century writers and artists picture themselves and their work. In an introduction that comprehensively defines the planetary model of art, culture, and cultural-aesthetic interpretation, the editors explain how the living planet is emerging as distinct from older concepts of globalization, cosmopolitanism, and environmentalism and is becoming a new ground for exciting work in contemporary literature, visual and media arts, and social humanities. Written by internationally recognized scholars, the twelve essays that follow illustrate the unfolding of a new vision of potential planetary community that retools earlier models based on the nation-state or political “blocs” and reimagines cultural, political, aesthetic, and ethical relationships for the post–Cold War era.

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The Planetary Turn: Relationality and Geoaesthetics in the Twenty-First Century

The Planetary Turn: Relationality and Geoaesthetics in the Twenty-First Century

The Planetary Turn: Relationality and Geoaesthetics in the Twenty-First Century

The Planetary Turn: Relationality and Geoaesthetics in the Twenty-First Century

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Overview

A groundbreaking essay collection that pursues the rise of geoculture as an essential framework for arts criticism, The Planetary Turn shows how the planet—as a territory, a sociopolitical arena, a natural space of interaction for all earthly life, and an artistic theme—is increasingly the conceptual and political dimension in which twenty-first-century writers and artists picture themselves and their work. In an introduction that comprehensively defines the planetary model of art, culture, and cultural-aesthetic interpretation, the editors explain how the living planet is emerging as distinct from older concepts of globalization, cosmopolitanism, and environmentalism and is becoming a new ground for exciting work in contemporary literature, visual and media arts, and social humanities. Written by internationally recognized scholars, the twelve essays that follow illustrate the unfolding of a new vision of potential planetary community that retools earlier models based on the nation-state or political “blocs” and reimagines cultural, political, aesthetic, and ethical relationships for the post–Cold War era.


Product Details

ISBN-13: 9780810130753
Publisher: Northwestern University Press
Publication date: 04/30/2015
Pages: 312
Product dimensions: 6.00(w) x 8.90(h) x 0.60(d)

About the Author

AMY J. ELIAS is a professor of English at the University of Tennessee, Knoxville.

CHRISTIAN MORARU is a professor of American literature and critical theory at the University of North Carolina, Greensboro.

Table of Contents

Preface and Acknowledgments vii

Introduction: The Planetary Condition Amy J. Elias Christian Moraru xi

Planetary Poetics: World Literature, Goethe, Novalis, and Yoko Tawada's Translational Writing John D. Pizer 3

Terraqueous Planet: The Case for Oceanic Studies Hester Blum 25

The Commons… and Digital Planetarity Amy J. Elias 37

The Possibility of Cyber-Placelessness: Digimodernism on a Planetary Platform Alan Kirby 71

Archetypologics of the Human: Planetary Performatism, Cinematic Relationality, and Iñárritu's Babel Raoul Eshelman 89

Planetarity, Performativity, Relationality: Claire Denis's Chocolat and Cinematic Ethics Laurie Edson 107

Gilgamesh's Planetary Turns Wai Chee Dimock 125

Writing for the Planet: Contemporary Australian Fiction Paul Giles 143

The White Globe and the Paradoxical Cartography of Berger & Berger: A Meditation on Deceptive Evidence Bertrand Westphal 161

Comparing Contemporary Arts; or, Figuring Planetarity Terry Smith 175

Beyond the Flaming Walls of the World: Fantasy, Alterity, and the Postnational Constellation Robert T. Tally Jr. 193

Decompressing Culture: Three Steps toward a Geomethodology Christian Moraru 211

Bibliography 245

Contributors 269

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