The Plotters: A Novel

The Plotters: A Novel

by Un-su Kim

Narrated by Arthur Lee

Unabridged — 10 hours, 0 minutes

The Plotters: A Novel

The Plotters: A Novel

by Un-su Kim

Narrated by Arthur Lee

Unabridged — 10 hours, 0 minutes

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Overview

“[A] powerhouse of a novel....It reads as if Haruki Murakami rewrote*The Day of the Jackal.” -*Locus Magazine

"Editor's Choice"*New York Times Book Review
"The Most Anticipated Crime Books of 2019" CrimeReads
“Most Anticipated Books of 2019” Lit Hub
"This Winter's Best Thrillers"*Chicago Review of Books
"Best Books of the Year" Apple*


A fantastical crime novel set in an alternate Seoul where assassination guilds compete for market dominance.

**** Behind every assassination, there is an anonymous mastermind--a plotter--working in the shadows. Plotters quietly dictate the moves of the city's most dangerous criminals, but their existence is little more than legend. Just who are the plotters? And more important, what do they want?
**** Reseng is an assassin. Raised by a cantankerous killer named Old Raccoon in the crime headquarters "The Library," Reseng never questioned anything: where to go, who to kill, or why his home was filled with books that no one ever read. But one day, Reseng steps out of line on a job, toppling a set of carefully calibrated plans. And when he uncovers an extraordinary scheme set into motion by an eccentric trio of young women--a convenience store clerk, her wheelchair-bound sister, and a cross-eyed librarian--Reseng will have to decide if he will remain a pawn or finally take control of the plot.
**** Crackling with action and filled with unforgettable characters, The Plotters is a deeply entertaining thriller that soars with the soul, wit, and lyricism of real literary craft.

Editorial Reviews

JANUARY 2019 - AudioFile

From start to finish, narrator Arthur Lee infuses this unusual thriller with a somber, smoldering suspense. He depicts the inner workings of professional assassin Reseng in a low voice that thrums with danger. We are taken into a world of violence, murder, and ethical dilemmas. Should Reseng take his next assignment? Or should he question the people who give him orders? If he begins to think for himself, everything will change. Lee keeps us guessing until the final minutes. His steady pacing and understated delivery pull listeners deeper into the dark world of hired killers. Fans of the genre will hang on to every dramatic minute, not wanting the experience to end. M.R. © AudioFile 2019, Portland, Maine

Publishers Weekly

★ 10/29/2018
Korean author Kim makes his U.S. debut with a powerful, surreal political thriller, in which assassination is a business “driven by market forces.” The faceless plotters of the title employ hit men such as Reseng, an orphan found in a garbage can who was adopted by a man called Old Raccoon. The bookish Reseng grows up in Old Raccoon’s library—a place “crawling with assassins, hired guns and bounty hunters.” In the first chapter, Reseng kills a retired general from the days of South Korea’s military junta after spending a sociable evening at the old man’s house. The complex plot, in which Reseng becomes involved with a more polished, CEO-like hit man named Hanja, builds to a highly cinematic and violent denouement. Most memorable, though, is the novel’s message about the insidiousness of unaccountable institutions, from those under the military junta to those that thrive in today’s economy. The consequence of the pervasive corruption is an air of existential despair. This strange, ambitious book will appeal equally to literary fiction readers. (Jan.)

From the Publisher

"Editor's Choice" New York Times Book Review
"9 New Books We Recommend This Week" New York Times
"The Most Anticipated Crime Books of 2019" CrimeReads
“Most Anticipated Books of 2019” Lit Hub
"This Winter's Best Thrillers" Chicago Review of Books
"Picks of the Week" Publishers Weekly
"The Best Books of the Week" New York Post
"
The Best Reviewed Books of the Week" Book Marks

“[A] powerhouse of a novel. . . . It reads as if Haruki Murakami rewrote The Day of the Jackal.”Locus Magazine

"The Plotters tells the story of Renseng, a jaded assassin who startles himself by realizing—somewhat belatedly—that he has a moral code, a sense of honor, a soul.  All of these will prove to be perilous liabilities in his world.  Un-Su Kim is a tremendous writer, and he’s crafted a smart, stylish, and surprisingly moving thriller.”
Scott Smith, author of A Simple Plan and The Ruins

“The Plotters, translated from the Korean by Sora Kim-Russell, is a lot of fun. Criminal underworlds are the playground of writers and filmmakers of every brow level, and Un-su Kim’s is a wild tour…The Plotters walks in the traditions of the noble detective and the samurai while spinning some new chewy bits probably best not mimicked. By the end, heroism rises out of the carnage to trump the nihilistic capitalism in a rousing climax.”
Los Angeles Review of Books


"It would be hard to accuse The Plotters, a raucous extravaganza of assassins and lunatics by the lauded Korean writer Un-Su Kim, of conforming to any template."
New York Times Book Review

“[A] powerhouse of a novel, full of melancholy and gore, philosophy and brutality, dark humor and pathos. It reads as if Haruki Murakami rewrote The Day of the Jackal, or as if David Lynch remade Alain Delon’s Le Samouraï, or as if Park Chan-wook reimagined Suddenly (Frank Sinatra as sniper)...Kim (brilliantly translated from the Korean by Sora Kim-Russell) moves among his engaging, thickly limned characters with the ease and insight of a master psychologist and strategist.”
Locus Magazine

"The Plotters, rendered in English by Sora Kim-Russell, is an unusual book: a violent action-thriller that could also be a parable, a fable of good and evil stitched together with poignant threads.”
Wall Street Journal

“[A] gripping portrait of a killer for hire …The Plotters is no primer for a visit to Korea. What it does offer is a vivid portrait of a mesmerizing central character — the stoic Reseng. It will also keep readers delightfully off-balance. In The Plotters Kim has mixed bookishness, crackpots and commissioned murder into a rich and unsettling blend."
The Washington Post

"Pleasingly deadpan, The Plotters manages to be both humorous (Reseng’s cats are called, delightfully, Desk and Lampshade) and violent, and sometimes even wise."
The Guardian

"Dark and clever." 
New York Post

"Unpredictable, often grotesquely funny, piled with corpses and dark as a dungeon...The Plotters is also a compulsive page-turner."
Maclean's

"The Plotters is deeply funny and, surprisingly, full of heart. There are moments of transcendence and heartbreak mixed in with the knife fights and shootouts, and Kim balances it all beautifully."
CriminalElement (dot com)

"The winner of prestigious prizes in Korea, Kim makes his anglophone debut, thanks to Kim-Russell, who captures his dark, dark wit and searing sarcasm in an irresistible sociopolitical parable designed to delight and dismay."
Booklist (Starred review) 

“Korean author Kim makes his U.S. debut with a powerful, surreal political thriller…The complex plot, in which Reseng becomes involved with a more polished, CEO-like hit man named Hanja, builds to a highly cinematic and violent denouement. Most memorable, though, is the novel’s message about the insidiousness of unaccountable institutions, from those under the military junta to those that thrive in today’s economy. The consequence of the pervasive corruption is an air of existential despair. This strange, ambitious book will appeal equally to literary fiction readers.”
Publishers Weekly (Starred review)

"The Plotters hums with menace, humor, heartbreak, and savagery. The killers and schemers haunting its pages range from dens of villainy to desperate scenes of quiet domesticity, offering a view of the world from the depths of its own shadow. The result is wild, weird, and completely engrossing."
Jedediah Berry, author of The Manual of Detection
 
The Plotters by Un-su Kim is a work of literary genius; a quirky, compelling, intelligent, darkly funny, highly original and thought-provoking thriller like nothing I've read. Gorgeous prose elevates the basest of characters and answers the question: How can ours be a life well-lived if we only do as we’re told? I loved this book!”
Karen Dionne, author of The Marsh King’s Daughter

"Kill Bill meets Murakami. Twisted and surreal, The Plotters is one of those rare books that will haunt you long after you've finished it. The writing is smooth, unhurried and often profound, even as it draws you deeper into the gruesome underworld of skilled contract killers. Chillingly, the violence is almost exquisite, a bloody art form."
D. B. John, author of Star of the North

"Imagine a mash-up of Tarantino and Camus set in contemporary Seoul, and you have The Plotters.  Filled with unexpected humor and exquisite fight scenes."
Louisa Luna, author of Two Girls Down

"The Plotters subverts every trope of the assassin-for-hire novel. Constantly surprising and darkly funny; surreal, intimate and emotional. I loved it."
Charles Soule, author of The Oracle Year

“Now this is a story with power and style. The one-two punches of humor are a nice bonus. You’ll be laughing out loud every five minutes. You’ll find yourself contemplating the meaning of life, death, and desire for a long, long time. Make sure you leave your evening free, because you won’t be able to put this book down once you start.”
You-jeong Jeong, author of The Good Son
 
"The Plotters is what would happen if you took the best South Korean crime cinema and distilled it into words. A smart but lightning fast thriller that keeps the pressure on to the very last page."
Brian Evenson, author of Last Days and A Collapse of Horses

“A book of revelations for murder both violent yet graceful, dark yet poetic. With sharp humor and sparkling prose, Un-su Kim stylishly spins the tale of the extraordinary life of an ordinary assassin.”
J.M. Lee, author of The Investigation

"In a terrifying, not unimaginable dystopian Seoul, guilds, plotters and assassins jostle for supremacy...Violent, clever and funny, I loved it!"
M. W. Craven, author of The Puppet Show

"The Plotters is a surreal story, replete with interior monologue, time shifts, and impossibilities. Part old-school spy thriller, part soul-searching journey, part history lesson, part political education. A novel that makes the reader think without leading, allows you to draw your own conclusions while helping you see all the possible angles, is subtle without being esoteric, The Plotters is well worth the read. And quite frankly, we can all benefit from books in translation, now more than ever."
TheRoarBots (dot com)

JANUARY 2019 - AudioFile

From start to finish, narrator Arthur Lee infuses this unusual thriller with a somber, smoldering suspense. He depicts the inner workings of professional assassin Reseng in a low voice that thrums with danger. We are taken into a world of violence, murder, and ethical dilemmas. Should Reseng take his next assignment? Or should he question the people who give him orders? If he begins to think for himself, everything will change. Lee keeps us guessing until the final minutes. His steady pacing and understated delivery pull listeners deeper into the dark world of hired killers. Fans of the genre will hang on to every dramatic minute, not wanting the experience to end. M.R. © AudioFile 2019, Portland, Maine

Kirkus Reviews

2018-09-18

An assassin in Seoul's underworld is embroiled in a rivalry between the mysterious men who literally call the shots.

Reseng, the hero of the first novel by Kim to appear in English, is a coldblooded killer whose lone-wolf persona seems stitched out of equal parts Jack Reacher and Harry Bosch. An orphan, he was raised for most of his life by Old Raccoon, a shady fixer who lives in a massive but neglected library while plotting murders. Reseng has been the don't-ask-questions type until he learns that a colleague didn't follow through on killing a prostitute like he was supposed to. And when that colleague is found dead, he's moved to start investigating the "plotters" who make his world move. The answer to Reseng's inquiries aren't particularly engaging or surprising: Corporations and government leaders in South Korea plan killings to preserve power, amassing a small army of "washed-up assassins, gangsters, retired servicemen and former homicide detectives, tired of working for peanuts." And of course, Reseng is a target himself, via a bomb installed in his toilet. The novel is somewhat redeemed from its stock plotting in its more visceral moments: There's a lively gallows humor to scenes where Reseng pays regular visits to the man who cremates gang-war victims, and he casually slices off one man's fingers as coolly as you might make a salad. Kim makes a few gestures toward literary gravitas, like a flashback to a woman in Reseng's more innocent past and some riffing about the source of human violence. ("A handful of villains isn't enough to affect the world. The world is like this because we're too meek." ) But between the convoluted plotting and myriad stylistic intentions, Kim hasn't identified a clear target to hit.

An energetic mashup of thriller tropes that doesn't quite jell.

Product Details

BN ID: 2940171849115
Publisher: Penguin Random House
Publication date: 01/29/2019
Edition description: Unabridged

Read an Excerpt

On Hospitality

 

 

The old man came out to the garden.

Reseng tightened the focus on the telescopic sight and pulled back the charging handle. The bullet clicked loudly into the chamber. He glanced around. Other than the tall fir trees reaching for the sky, nothing moved. The forest was silent. No birds took flight, no bugs chirred. Given how still it was out here, the noise of a gunshot would travel a long way. And if people heard it and rushed over? He brushed aside the thought. No point in worrying about that. Gunshots were common out here. They would assume it was poachers hunting wild boar. Who would waste their time hiking this deep into the forest just to investigate a single gunshot? Reseng studied the mountain to the west. The sun was one hand above the ridgeline. He still had time.

The old man started watering the flowers. Some received a gulp, some just a sip. He tipped the watering can with great ceremony, as if he were serving them tea. Now and then he did a little shoulder shimmy, as if dancing, and gave a petal a brief caress. He gestured at one of the flowers and chuckled. It looked like they were having a conversation. Reseng adjusted the focus again and studied the flower the old man was talking to. It looked familiar. He must have seen it before, but he couldn’t remember what it was called. He tried to recall which flower bloomed in October—cosmos? zinnia? chrysanthemum?—but none of the names matched the one he was looking at. Why couldn’t he remember? He furrowed his brow and struggled to come up with the name but soon brushed aside that thought, too. It was just a flower—what did it matter?

A huge black dog strolled over from the other end of the garden and rubbed its head against the old man’s thigh. A mastiff, purebred. The same beast Julius Caesar had brought back from his conquest of Britain. The dog the ancient Romans had used to hunt lions and round up wild horses. As the old man gave the dog a pat, it wagged its tail and wound around his legs, getting in his way as he tried to continue his watering. He threw a deflated soccer ball across the garden, and the dog raced after it, tail wagging, while the old man returned to his flowers. Just as before, he gestured at them, greeted them, talked to them. The dog came back immediately, the flattened soccer ball between its teeth. The old man threw the ball farther this time, and the dog raced after it again. The ferocious mastiff that had once hunted lions had been reduced to a clown. And yet the old man and the dog seemed well suited to each other. They repeated the game over and over. Far from getting bored, they looked like they were enjoying it.

 

The old man finished his watering and stood up straight, stretching and smiling with satisfaction. Then he turned and looked halfway up the mountain, as if he knew Reseng was there. The old man’s smiling face entered Reseng’s crosshairs. Did he know the sun was less than a hand above the horizon now? Did he know he would be dead before it dipped below the mountain? Was that why he was smiling? Or maybe he wasn’t actually smiling. The old man’s face seemed fixed in a permanent grin, like a carved wooden Hahoe mask. Some people just had faces like that—people whose inner feelings you could never guess at, who smiled constantly, even when they were sad or angry.

Should he pull the trigger now? If he pulled it, he could be back in the city before midnight. He’d take a hot bath, down a few beers until he was good and drunk, or put an old Beatles record on the turntable and think about the fun he’d soon have with the money on its way into his bank account. Maybe, after this final job, he could change his life. He could open a pizza shop across from a high school, or sell cotton candy in the park. Reseng pictured himself handing armfuls of balloons and cotton candy to children and dozing off under the sun. He really could live that life, couldn’t he? The idea of it suddenly seemed so wonderful. But he had to save that thought for after he pulled the trigger. The old man was still alive, and the money was not yet in his account.

The mountain was swiftly casting its shadow over the old man and his cabin. If Reseng was going to pull the trigger, he had to do it now. The old man had finished watering and would be going back inside any second. The job would get much harder then. Why complicate it? Pull the trigger. Pull it now and get out of here.

The old man was smiling, and the black dog was running with the soccer ball in its mouth. The old man’s face was crystal clear in the crosshairs. He had three deep wrinkles across his forehead, a wart above his right eyebrow, and liver spots on his left cheek. Reseng gazed at where his heart would soon be pierced by a bullet. The old man’s sweater looked hand-knit, not factory-made, and was about to be drenched in blood. All he had to do was squeeze the trigger just the tiniest bit, and the firing pin would strike the primer on the 7.62 mm cartridge, igniting the gunpowder inside the brass casing. The explosion would propel the bullet forward along the grooves inside the bore and send it spinning through the air, straight toward the old man’s heart. With the high speed and destructive force of the bullet, the old man’s mangled organs would explode out the exit wound in his lower back. Just the thought of it made the fine hairs all over Reseng’s body stand on end. Holding the life of another human being in the palm of his hand always left him with a funny feeling.

Pull it.

Pull it now.

And yet for some reason, Reseng did not pull the trigger and instead set the rifle down on the ground.

“Now’s not the right time,” he muttered.

He wasn’t sure why it wasn’t the right time. Only that there was a right time for everything. A right time for eating ice cream. A right time for going in for a kiss. And maybe it sounded stupid, but there was also a right time for pulling a trigger and a right time for a bullet to the heart. Why wouldn’t there be? And if Reseng’s bullet happened to be sailing straight through the air toward the old man’s heart just as the right moment fortuitously presented itself to him? That would be magnificent. Not that he was waiting for the best possible moment, of course. That auspicious moment might never come. Or it could pass by right under his nose. It occurred to him that he simply didn’t want to pull the trigger yet. He didn’t know why, but he just didn’t. He lit a cigarette. The shadow of the mountain was creeping past the old man’s cottage.

When it turned dark, the old man took the dog inside. The cottage must not have had electricity, because it looked even darker in there. A single candle glowed in the living room, but Reseng couldn’t make out the interior well enough through the scope. The shadows of the man and his dog loomed large against a brick wall and disappeared. Now the only way Reseng could kill him from his current position would be if the old man happened to stand directly in the window with the candle in his hand.

As the sun sank below the ridge, darkness descended on the forest. There was no moon; even objects close at hand were hard to make out. There was only the glimmer of candlelight from the old man’s cottage. The darkness was so dense that it made the air seem damp and heavy. Why didn’t Reseng just leave? Why linger there in the dark? He wasn’t sure. Wait for daybreak, he decided. Once the sun came up, he’d fire off a single round—no different from firing at the wooden target he’d practiced with for years—and then go home. He put his cigarette butt in his pocket and crawled into the tent. Since there was nothing else to do to pass the time, he ate a packet of army crackers and fell asleep wrapped up in his sleeping bag.

Reseng was awakened abruptly about two hours later by heavy footsteps in the grass. They were coming straight toward his tent. Three or four irregular thuds. A torso sweeping through tall grass. He couldn’t decipher what was coming his way. Could be a wild boar. Or a wildcat. Reseng disengaged the safety and pointed his rifle at the darkness, toward the approaching sound. He couldn’t pull the trigger yet. Mercenaries lying in wait had been known to fire into the dark out of fear, without checking their targets, only to discover that they’d hit a deer or a police dog or, worse, one of their fellow soldiers lost in the forest while out scouting. They would sob next to the corpse of a brother in arms felled by friendly fire, their beefy, tattooed bodies shaking like a little girl’s as they told their commanding officers, “I didn’t mean to kill him, I swear.” And maybe they really hadn’t meant to. Since they’d never before had to face their fear of things going bump in the night, the only thing someone with muscles for brains knew how to do was point and shoot into the dark. Reseng waited calmly for whatever was out there to reveal itself. To his surprise, what emerged was the old man and his dog.

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