The Poems of T. S. Eliot: Collected and Uncollected Poems

by T. S. Eliot, Christopher Ricks, Jim McCue

Overview

A monumental event in Eliot scholarship.

Winner of the CHOICE Outstanding Academic Title of the Choice ACRL, Pegasus Award for Criticism of the Poetry Magazine

This critical edition of T. S. Eliot’s Poems establishes a new text of the Collected Poems 1909–1962, rectifying accidental omissions and errors that have crept in during the century since Eliot’s astonishing debut, "The Love Song of J. Alfred Prufrock." As well as the masterpieces, the edition contains the poems of Eliot’s youth, which were rediscovered only decades later, others that circulated privately during his lifetime, and love poems from his final years, written for his wife Valerie Eliot.

Christopher Ricks and Jim McCue have provided a commentary that illuminates the imaginative life of each poem. Calling upon Eliot’s critical writings, as well as his drafts, letters, and other original materials, they illustrate not only the breadth of Eliot’s interests and the range of his writings, but how it was that the author of "Gerontion" came to write "Triumphal March" and then Four Quartets. Thanks to the family and friends who recognized Eliot’s genius and preserved his writings from an early age, the archival record is exceptionally complete, enabling us to follow in unique detail the progress of a mind that never ceased exploring.

This first volume respects Eliot’s decisions by opening with his Collected Poems 1909–1962 as he arranged and issued it, shortly before his death fifty years ago. This is followed by poems uncollected but either written for or suitable for publication, and by a new reading text of the drafts of The Waste Land. The volume concludes with the commentary on all of these poems.

The second volume opens with the two books of verse of other kinds that Eliot issued, Old Possum’s Book of Practical Cats and his translation of St.-John Perse’s Anabase. Different again are the verses informal, improper, or clubmanlike. Each of these sections has its own commentary. Finally, pertaining to the entire edition, there is a textual history that contains not only variants from all known drafts and the many printings but also extended passages amounting to hundreds of lines of compelling verse.

"The more we know of Eliot, the better."—Ezra Pound

Product Details

ISBN-13:	9781421420172
Publisher:	Johns Hopkins University Press
Publication date:	12/15/2015
Pages:	1344
Sales rank:	893,233
Product dimensions:	6.50(w) x 9.40(h) x 2.50(d)
Age Range:	18 Years

About the Author

Thomas Stearns Eliot was born in St. Louis, Missouri, in 1888. He moved to England in 1914 and published his first book of poems in 1917. He received the Nobel Prize in Literature in 1948. Eliot died in 1965.

Christopher Ricks is the co-director, with Archie Burnett, of the Editorial Institute at Boston University. His publications on Eliot include T. S. Eliot and Prejudice (1988), Inventions of the March Hare: Poems 1909–1917 (1996), and Decisions and Revisions in T. S. Eliot (the Panizzi Lectures, 2002), together with True Friendship: Geoffrey Hill, Anthony Hecht, and Robert Lowell under the Sign of Eliot and Pound (2007).

Jim McCue is the author of Edmund Burke and Our Present Discontents (1997) and the editor of the Penguin Selected Poems of Arthur Hugh Clough (1991). For fifteen years he worked for The Times, where he wrote the Bibliomane column. His imprint, the Foundling Press, began with the first separate publication of T. S. Eliot’s Eeldrop and Appleplex and has printed for the first time writings by Alexander Pope, Ben Jonson, Henry James, and A. E. Housman.

Table of Contents

Title Page
This Edition
Acknowledgements
Glossary
Abbreviations and Symbols
Collected Poems 1909-1962
1. Prufrock and Other Observations
2. Poems (1920)
3. The Waste Land
4. The Hollow Men
5. Ash-Wednesday
6. Ariel Poems
7. Unfinished Poems
8. Minor Poems
9. Choruses from 'The Rock'
10. Four Quartets
11. Occasional Verses
12. Uncollected Poems
13. The Waste Land: An Editorial Composite
14. Commentary
Bibliography
Index of Identifying Titles for Prose by T.S. Eliot
Index to the Editorial Material
Index of Titles and First Lines
About the Authors
By the Same Author
Copyright

Editorial Reviews

These volumes are not merely a monument to T. S. Eliot, they are a blazing demonstration of what literary criticism, at its best, can do for literature.
—John Sutherland, Financial Times

Monumental . . . In taking apart Eliot’s poems to show where the parts came from, The Poems of T. S. Eliot: The Annotated Text demonstrates that it never was the parts which mattered, but the elusive magic which made up the whole machine.
—Times Literary Supplement

. . . So comprehensive and authoritative that one can’t imagine their [the editors' notes and commentaries] being superseded. . .
—Times Literary Supplement

. . . One of the great achievements in the literary scholarship of our time.
—Times Literary Supplement

These volumes force a reevaluation of the highs and lows of Eliot's gifts, one that will supersede earlier, outmoded interpretations of racism, anti-Semitism, and sexual inhibition and avowals of elitist or conservative slants . . . Essential.
—Choice

Two all-comprehending new tomes . . . utterly authoritative.
—London Review of Books

With the printing of this edition of Eliot's poems . . . one might say that we are just getting to know the Old Possum properly.
—Humanities

From the Publisher

These volumes are not merely a monument to T. S. Eliot, they are a blazing demonstration of what literary criticism, at its best, can do for literature.

Financial Times - John Sutherland

Monumental . . . In taking apart Eliot’s poems to show where the parts came from, The Poems of T. S. Eliot: The Annotated Text demonstrates that it never was the parts which mattered, but the elusive magic which made up the whole machine.

Times Literary Supplement

Two all-comprehending new tomes . . . utterly authoritative.

London Review of Books

With the printing of this edition of Eliot's poems . . . one might say that we are just getting to know the Old Possum properly.

Humanities

These volumes force a reevaluation of the highs and lows of Eliot's gifts, one that will supersede earlier, outmoded interpretations of racism, anti-Semitism, and sexual inhibition and avowals of elitist or conservative slants . . . Essential.

Choice