The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art / Edition 1

by James Clifford

Overview

The Predicament of Culture is a critical ethnography of the West in its changing relations with other societies. Analyzing cultural practices such as anthropology, travel writing, collecting, and museum displays of tribal art, James Clifford shows authoritative accounts of other ways of life to be contingent fictions, now actively contested in post-colonial contexts. His critique raises questions of global significance: Who has the authority to speak for any group’s identity and authenticity? What are the essential elements and boundaries of a culture? How do self and “the other” clash in the encounters of ethnography, travel, and modern interethnic relations?

In chapters devoted to the history of anthropology, Clifford discusses the work of Malinowski, Mead, Griaule, Lévi-Strauss, Turner, Geertz, and other influential scholars. He also explores the affinity of ethnography with avant-garde art and writing, recovering a subversive, self-reflexive cultural criticism. The surrealists’ encounters with Paris or New York, the work of Georges Bataille and Michel Leiris in the Collège de Sociologie, and the hybrid constructions of recent tribal artists offer provocative ethnographic examples that challenge familiar notions of difference and identity. In an emerging global modernity, the exotic is unexpectedly nearby, the familiar strangely distanced.

Product Details

ISBN-13:	9780674698437
Publisher:	Harvard University Press
Publication date:	05/18/1988
Pages:	398
Product dimensions:	6.00(w) x 9.10(h) x 1.00(d)

About the Author

James Clifford is Professor Emeritus in the History of Consciousness Department at the University of California, Santa Cruz.

Table of Contents

Introduction: The Pure Products Go Crazy

Part One: Discourses

1. On Ethnographic Authority

2. Power and Dialogue in Ethnography: Marcel Griaule's Initiation

3. On Ethnographic Self-Fashioning: Conrad and Malinowski

Part Two: Displacements

4. On Ethnographic Surrealism

5. A Poetics of Displacement: Victor Segalen

6. Tell about Your Trip: Michel Leiris

7. A Politics of Neologism: Aimé Césaire

8. The Jardin des Plantes: Postcards

Part Three: Collections

9. Histories of the Tribal and the Modern

10. On Collecting Art and Culture

Part Four: Histories

11. On Orientalism

12. Identity in Mashpee

References

Sources

Index

What People are Saying About This

Clifford is original and very nearly unique. He is one of the few persons who connects history, literature, and anthropology. He's had an enormous impact because he provides a new perspective on the study of culture that would almost certainly never have been generated from within anthropology itself.

Clifford Geertz

Clifford is original and very nearly unique. He is one of the few persons who connects history, literature, and anthropology. He's had an enormous impact because he provides a new perspective on the study of culture that would almost certainly never have been generated from within anthropology itself.

Editorial Reviews

With an intellectual modesty that belies his sweeping global perspective, Clifford focuses on who has the authority to speak for any group’s identity and authenticity. As he traces the development of twentieth-century anthropology, Clifford locates affinities between anthropology and avant-garde art, making this book one of the most readable introductions to contemporary cultural criticism.

Utne Reader - Mary Warner Marien

Clifford is original and very nearly unique. He is one of the few persons who connects history, literature, and anthropology. He’s had an enormous impact because he provides a new perspective on the study of culture that would almost certainly never have been generated from within anthropology itself.

Clifford Geertz

Clifford’s reflections are salutory. They are not self-serving, allowing Clifford entry by a backdoor into a community which often threatens the exclusivity of a private club. By breaking with narrow professional definitions of anthropology, Clifford broadens its vision. Anthropology again becomes the exploration of the grounds of humanity in its original, general, and philosophically fundamental sense.

Critique of Anthropology - Bruce Kapferer

The Predicament of Culture is a work of sustained brilliance, packed with simply wonderful gifts for the reader. The several chapters on French anthropology and ethnographic surrealism are fascinating, and somehow as urgent as the ones on collecting or on the relentless intertranslating of cultural demands, or as the theme that we must rethink this entire dimension of human existence. It is also an extremely wise book. Since wisdom and brilliance rarely go together, it is plain that James Clifford is himself one of our cultural treasures.

Arthur C. Danto

The Predicament of Culture is a work of sustained brilliance, packed with simply wonderful gifts for the reader. The several chapters on French anthropology and ethnographic surrealism are fascinating, and somehow as urgent as the ones on collecting or on the relentless intertranslating of cultural demands, or as the theme that we must rethink this entire dimension of human existence. It is also an extremely wise book. Since wisdom and brilliance rarely go together, it is plain that James Clifford is himself one of our cultural treasures.--Arthur C. Danto "New York Times Book Review"

Clifford's reflections are salutory. They are not self-serving, allowing Clifford entry by a backdoor into a community which often threatens the exclusivity of a private club. By breaking with narrow professional definitions of anthropology, Clifford broadens its vision. Anthropology again becomes the exploration of the grounds of humanity in its original, general, and philosophically fundamental sense.--Bruce Kapferer "Critique of Anthropology"

With an intellectual modesty that belies his sweeping global perspective, Clifford focuses on who has the authority to speak for any group's identity and authenticity. As he traces the development of twentieth-century anthropology, Clifford locates affinities between anthropology and avant-garde art, making this book one of the most readable introductions to contemporary cultural criticism.--Mary Warner Marien "Utne Reader"

Clifford is original and very nearly unique. He is one of the few persons who connects history, literature, and anthropology. He's had an enormous impact because he provides a new perspective on the study of culture that would almost certainly never have been generated from within anthropology itself.--Clifford Geertz

From the Publisher

With an intellectual modesty that belies his sweeping global perspective, Clifford focuses on who has the authority to speak for any group's identity and authenticity. As he traces the development of twentieth-century anthropology, Clifford locates affinities between anthropology and avant-garde art, making this book one of the most readable introductions to contemporary cultural criticism.
— Mary Warner Marien

Utne Reader

Clifford's reflections are salutory. They are not self-serving, allowing Clifford entry by a backdoor into a community which often threatens the exclusivity of a private club. By breaking with narrow professional definitions of anthropology, Clifford broadens its vision. Anthropology again becomes the exploration of the grounds of humanity in its original, general, and philosophically fundamental sense.
— Bruce Kapferer

Critique of Anthropology

The Predicament of Culture is a work of sustained brilliance, packed with simply wonderful gifts for the reader. The several chapters on French anthropology and ethnographic surrealism are fascinating, and somehow as urgent as the ones on collecting or on the relentless intertranslating of cultural demands, or as the theme that we must rethink this entire dimension of human existence. It is also an extremely wise book. Since wisdom and brilliance rarely go together, it is plain that James Clifford is himself one of our cultural treasures.
— Arthur C. Danto

New York Times Book Review

Clifford's concern is a ``pervasive post-colonial crisis of ethnographic authority.'' Knowledge of non-Western peoples has been shaped by ``a Western will to power,'' but peoples whose stories and cultures were once articulated by outsiders are now speaking for themselves. Are traditional cultures destined to be lost? Who has the authority to define a culture, to identify and authenticate the current transformations of traditional cultures? Why have exotic ``tribal'' objects been collected and valued as ``art''? Clifford pursues such questions in a wide range of contexts. The result is always accessible, and often fascinating or provocative; but one looks forward to a concise, systematic exposition of the issues Clifford has raised. Richard Kuczkowski, Dominican Coll., Blauvelt, N.Y.

Library Journal