The Prophet

by Kahlil Gibran

Overview

The Prophet is a book of 26 prose poetry fables written in English by the Lebanese-American poet and writer Kahlil Gibran. It was originally published in 1923 by Alfred A. Knopf. It is Gibran's best known work. The Prophet has been translated into over 100 different languages, making it one of the most translated books in history, and it has never been out of print.

The prophet, Al Mustafa, has lived in the city of Orphalese for 12 years and is about to board a ship which will carry him home. He is stopped by a group of people, with whom he discusses topics such as life and the human condition. The book is divided into chapters dealing with love, marriage, children, giving, eating and drinking, work, joy and sorrow, houses, clothes, buying and selling, crime and punishment, laws, freedom, reason and passion, pain, self-knowledge, teaching, friendship, talking, time, good and evil, prayer, pleasure, beauty, religion, and death.

Product Details

ISBN-13:	9782491251567
Publisher:	Les Prairies Numeriques
Publication date:	08/06/2020
Pages:	64
Product dimensions:	5.83(w) x 8.27(h) x 0.15(d)

About the Author

Gibran Khalil Gibran (Arabic: جبران خليل جبران, ALA-LC: Jubrān Khalīl Jubrān, January 6, 1883 - April 10, 1931), usually referred to in English as Kahlil Gibran (pronounced /kɑːˈliːl dʒɪˈbrɑːn/ kah-LEEL ji-BRAHN), [3] was a Lebanese-American writer, poet and visual artist, also considered a philosopher although he himself rejected the title.[4] He is best known as the author of The Prophet, which was first published in the United States in 1923 and has since become one of the best-selling books of all time, having been translated into more than 100 languages. Born in a village of the Ottoman-ruled Mount Lebanon Mutasarrifate to a Maronite family, the young Gibran immigrated with his mother and siblings to the United States in 1895. As his mother worked as a seamstress, he was enrolled at a school in Boston, where his creative abilities were quickly noticed by a teacher who presented him to photographer and publisher F. Holland Day. Gibran was sent back to his native land by his family at the age of fifteen to enroll at the Collège de la Sagesse in Beirut. Returning to Boston upon his youngest sister's death in 1902, he lost his older half-brother and his mother the following year, seemingly relying afterwards on his remaining sister's income from her work at a dressmaker's shop for some time. In 1904, Gibran's drawings were displayed for the first time at Day's studio in Boston, and his first book in Arabic was published in 1905 in New York City. With the financial help of a newly met benefactress, Mary Haskell, Gibran studied art in Paris from 1908 to 1910. While there, he came in contact with Syrian political thinkers promoting rebellion in the Ottoman Empire after the Young Turk Revolution; some of Gibran's writings, voicing the same ideas as well as anti-clericalism, would eventually be banned by the Ottoman authorities. In 1911, Gibran settled in New York, where his first book in English, The Madman, would be published by Alfred A. Knopf in 1918 with writing of The Prophet or The Earth Gods also underway. His visual artwork was shown at Montross Gallery in 1914, and at the galleries of M. Knoedler & Co. in 1917. He had also been corresponding remarkably with May Ziadeh since 1912. In 1920, Gibran re-founded the Pen League with fellow Mahjari poets. By the time of his death at the age of 48 from cirrhosis and incipient tuberculosis in one lung, he had achieved literary fame on "both sides of the Atlantic Ocean," and The Prophet had already been translated into German and French. His body was transferred to his birth village of Bsharri (in present-day Lebanon), to which he had bequeathed all future royalties on his books, and where a museum dedicated to his works now stands. As worded by Suheil Bushrui and Joe Jenkins, Gibran's life has been described as one "often caught between Nietzschean rebellion, Blakean pantheism and Sufi mysticism." Gibran discussed different themes in his writings, and explored diverse literary forms. Salma Khadra Jayyusi has called him "the single most important influence on Arabic poetry and literature during the first half of [the twentieth] century,"and he is still celebrated as a literary hero in Lebanon. At the same time, "most of Gibran's paintings expressed his personal vision, incorporating spiritual and mythological symbolism," with art critic Alice Raphael recognizing in the painter a classicist, whose work owed "more to the findings of Da Vinci than it [did] to any modern insurgent." His "prodigious body of work" has been described as "an artistic legacy to people of all nations."

Read an Excerpt

ON LOVE
 
Then said Almitra, Speak to us of Love.
 
And he raised his head and looked upon the peo­ple, and there fell a stillness upon them. And with a great voice he said:
 
When love beckons to you, follow him,
Though his ways are hard and steep.
And when his wings enfold you yield to him,
Though the sword hidden among his pinions may wound you.
And when he speaks to you believe in him,
Though his voice may shatter your dreams as the north wind lays waste the garden.
 
 
For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning.
 
Even as he ascends to your height and caresses your tenderest branches that quiver in the sun,
 
So shall he descend to your roots and shake them in their clinging to the earth.
 
 
Like sheaves of corn he gathers you unto himself.
He threshes you to make you naked.
He sifts you to free you from your husks.
He grinds you to whiteness.
He kneads you until you are pliant;
And then he assigns you to his sacred fire, that you may become sacred bread for God’s sacred feast.
 
 
All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life’s heart.
 
 
But if in your fear you would seek only love’s peace and love’s pleasure,
 
Then it is better for you that you cover your na­kedness and pass out of love’s threshing-floor,
 
Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears.
 
 
• • •
 
 
Love gives naught but itself and takes naught but from itself.
 
Love possesses not nor would it be possessed;
 
For love is sufficient unto love.
 
 
When you love you should not say, “God is in my heart,” but rather, “I am in the heart of God.”
 
And think not you can direct the course of love, for love, if it finds you worthy, directs your course.
 
 
Love has no other desire but to fulfil itself.
But if you love and must needs have desires, let these be your desires:
To melt and be like a running brook that sings its melody to the night.
To know the pain of too much tenderness.
To be wounded by your own understanding of love;
And to bleed willingly and joyfully.
To wake at dawn with a winged heart and give thanks for another day of loving;
To rest at the noon hour and meditate love’s ec­stasy;
To return home at eventide with gratitude;
And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.

Table of Contents

The Prophet 1

The Coming of the Ship 3

On Love 11

On Marriage 15

On Children 19

On Giving 23

On Eating and Drinking 27

On Work 29

On Joy and Sorrow 33

On Houses 35

On Clothes 39

On Buying and Selling 41

On Crime and Punishment 45

On Laws 51

On Freedom 55

On Reason and Passion 59

On Pain 61

On Self-Knowledge 65

On Teaching 67

On Friendship 69

On Talking 71

On Time 73

On Good And Evil 75

On Prayer 79

On Pleasure 83

On Beauty 87

On Religion 91

On Death 95

The Farewell 99