The Red Notebook

by Antoine Laurain, Jane Aitken (Translator), Emily Boyce (Translator)

Overview

Described as “Parisian perfection” by Queen Camilla, you won’t want to miss this charming, quirky love story from one of the UK's favourite French authors!

In this bestselling novel, a bookseller pursues a mystery woman—known only through the jottings in her red notebook—through the streets of Paris

Bookseller Laurent Letellier comes across an abandoned handbag on a Parisian street, and feels compelled to return it to its owner. Quickly ruling out the police station, which is always best avoided, he turns the contents out onto his kitchen table to see if they hold a clue. The bag contains no money, phone or contact information. But it does yield a small red notebook, full of handwritten thoughts and jottings that reveal someone Laurent would very much like to meet. From the lists of likes and dislikes, things noticed and things felt, emerges the portrait of a woman who might just be his soulmate.

But without even a name to go on, and only a few of her possessions to help him, how is he to find one woman in a city of millions? He’ll have to turn to his daughter, who helps him decode the possessions and sends him on a madcap journey around the French capital.

Meanwhile, in an anonymous hospital room, fragmentary thoughts float through the mind of a woman in a coma. She thinks she’s called Laure, and she has some strong opinions and painful memories – but will she ever wake up and get a fresh chance at life?

Soaked in Parisian atmosphere, this lovely, clever, funny novel is the perfect French holiday read!

Product Details

ISBN-13:	9781805333456
Publisher:	Steerforth Press
Publication date:	07/01/2025
Pages:	160
Product dimensions:	5.00(w) x 7.70(h) x 0.90(d)

About the Author

Antoine Laurain is the award-winning author of ten novels including The Red Notebook (Indie Next, MIBA bestseller) and The President's Hat (Waterstones Book Club, Indies Introduce). His books have been translated into 25 languages and sold more than 200,000 copies in English. He lives in Paris, France. Beginning in in 2025, more than a dozen of his greatest works will be published in North America by Pushkin Press.

Read an Excerpt

The taxi had dropped her on the corner of the boulevard. She was barely fifty metres from home. The road was lit by streetlamps which gave the buildings an orange glow, but even so she was anxious, as she always was when she returned late at night. She looked behind her but she saw nobody. Light from the hotel opposite flooded the pavement between the two potted trees flanking its entrance. She stopped outside her door, unzipping her bag to retrieve her keys and security fob, and then everything happened very quickly.

A hand grabbed her bag strap, a hand that had come out of nowhere, belonging to a dark-haired man wearing a leather jacket. It took only a second for fear to travel through her veins all the way to her heart where it burst into an icy rain. She instinctively clung to her bag. The man pulled harder and when she held on, he put his hand over her face and shoved her head back into the metal door frame. She stumbled in shock, seeing stars that shimmered above the road like hovering fireflies; she felt a tightness in her chest and let go of the bag. The man smiled, the strap swirled through the air and he ran off. She leant back against the door, watching him disappear into the night. She was breathing heavily, her throat was on fire, her mouth dry, but her bottle of water was in the bag. She reached over and tapped in the entry code, put her weight against the door and slipped inside.

The glass and black-iron door provided a safety barrier between her and the outside world. She sat down carefully on the marble steps of the hallway and closed her eyes, waiting for her brain to calm down and start working normally again. Just as the safety signs are gradually switched off on an aeroplane, so the warning lights flashing in her head – I’m being attacked, I’m going to die, my bag’s been stolen, I’m not hurt, I’m alive – disappeared one by one. She looked up at the rows of letter boxes and focused on the one bearing her name and floor number: 5th floor, left. But since she was without her keys at almost two o’clock in the morning, she realised she would not be going through the door of the left-hand flat on the fifth floor.

The implications of this realisation took shape in her mind: I can’t get into my home and my bag’s been stolen. It’s gone and I’ll never see it again. A part of her had been brutally torn away. She looked around as though willing the bag suddenly to materialise, wiping out the scene that had just taken place. But it definitely wasn’t there. It would be streets away by now, snatched, flying on the man’s arm as he ran; he would open it and inside he would find her keys, her identity card, her memories. Her entire life. She could feel tears welling. Her hands could not seem to stop shaking from fear, helplessness and anger, and the pain at the back of her head suddenly got sharper. When she raised her hand to where it hurt, she realised she was bleeding, but of course her tissues were in her handbag.


It was 1.58 a.m. She could not possibly knock on any of her neighbours’ doors at that time of night. She couldn’t even disturb the friendly man whose name she couldn’t remember who worked in graphic novels and had just moved in on the second floor. The hotel seemed the only solution. The light in the hallway had just timed out and she felt for the switch. When the light came back on again, she felt mildly dizzy and had to steady herself against the wall. She needed to pull herself together and go and ask to spend the night at the hotel, explaining that she lived just across the road and would pay for the room the next day. She hoped the night porter would be sympathetic because she was struggling to think of an alternative.

She pulled open the heavy front door and shivered. Not from cold but from a vague sense of fear, as if the buildings lining the street had soaked up something of what had happened and the man might suddenly magically step out from a wall. Laure looked around. The road was empty. The man was clearly not coming back, but it was difficult to control her fear, and it’s hard to distinguish between the irrational and the possible at almost two o’clock in the morning. She crossed the road and walked towards the hotel. Her instinct was to hold her bag close to her body but she found nothing but empty space between her hip and forearm. She stepped into the light under the hotel awning and the automatic door slid open. The grey-haired man at the desk looked up as she walked in.

He agreed to let her stay. He had been a little reluctant, but when Laure began taking off her gold bracelet to leave as security, he had raised his hand in surrender. The young woman was visibly distressed and almost certainly telling the truth; she seemed a trustworthy character and he judged the chances of her coming back to pay her bill at a good nine out of ten. She had left her name and address. Besides, the hotel had faced cases of non-payment that went well beyond a single night’s stay for a lone woman who said she had been living opposite for the past fifteen years.

She might have phoned the friends at whose house she had spent the evening, but their number was in her phone. Since the advent of mobile phones, the only numbers Laure knew by heart were her own home and work numbers. The receptionist also suggested she call a locksmith but that too was impossible. Laure had used up her cheque book and had been slow to order a new one; she wouldn’t receive it until early the following week. Other than her debit card and forty euros in cash, both of which were inside her wallet, she had no means of payment. It was remarkable how, in situations like this, all the tiny details that had seemed totally insignificant an hour before suddenly seemed to conspire against you. She followed the man into the lift, then along the corridor to room 52, which looked onto the street. He turned the light on, briefly pointed out the bathroom and handed her the key. She thanked him, promising once again to come back and pay as soon as possible the next day. The porter gave her a friendly smile, tiring a little of hearing the same promise for the fifth time. ‘I believe you, Mademoiselle. Good night.’

Laure walked over to the window and parted the net curtains. She could see straight across to where she lived. She had left the living-room lamp on and placed a chair in front of the part- opened window so that Belphégor could look out. It was very odd seeing her flat from here. She almost expected to glimpse herself crossing the room. She opened the window.

‘Belphégor,’ she called in a whisper, ‘Belphégor,’ making the sharp little kissing sound all cat owners can make.

A few moments later, the black shape leapt up onto the chair and two yellow eyes stared back at her in amazement. How on earth was it possible for his mistress to be across the road and not inside the flat?

‘That’s right, I’m over here,’ she told him with a shrug.

She gave him a little wave and decided to get ready for bed. In the bathroom, she found a box of tissues and some water to clean the wound to her head. As she leant over, she felt dizzy again, but at least she seemed to have stopped bleeding. She took a towel and laid it over the pillow, and then she got undressed. Lying down, she could not stop replaying the scene of the mugging. The incident, which had lasted no more than a few seconds, was now developing into a slow-motion sequence. Longer and more fluid than the stylised sequences in films. More like the ones in science documentaries of dummies in simulated car crashes. You see the inside of the vehicle, the windscreen blowing out like a vertical puddle of water, the dummies’ heads moving smoothly forward, the airbags inflating like bubble gum and the metal shell lightly crumpling, as if rippled by a warm breeze.


Standing in front of the bathroom mirror, Laurent gave up trying to shave. The electric razor, whose buzzing was the soundtrack to all his mornings, had made a tired groaning sound when he turned it on and had now stopped altogether, giving way to silence. He turned the razor off and on again, tapped the foil, unplugged it and plugged it back in again. Nothing. The Braun 860 with its three rotating blades had given up the ghost. Laurent was upset. He couldn’t bear to throw the razor away, at least not yet. He laid it down reverentially in the clam dish brought back from Greece ten years ago. His Gillette razor that he found mouldering in a drawer also turned out to be useless, because of a second setback. When he turned on the bath tap, he was greeted by a dull hiss. No water. The notice announcing that the water would be turned off had been up in the hallway of his building for a week, but he’d forgotten. Laurent looked in the mirror and saw a badly shaven man with strangely dishevelled hair after a restless night. There was just enough water in the kettle for one cup of coffee.

As he left the building he glanced over at the metal shutter of the shop. Shortly he would raise it by turning a key in the electronic panel, then nod a greeting to his neighbour Jean Martel (of Le Temps Perdu, antiques – bric-a-brac – bought and sold) enjoying a café crème on the terrace of the Jean Bart. He would also wave to the lady from the dry-cleaner’s (La Blanche Colombe – Specialist Dry-cleaning) who in turn would wave back through the window. Then after the shutter was up he would look over his own shop window as he always did with its ‘New fiction’, ‘Art books’, ‘Bestsellers’, alongside ‘Books we love’ and ‘Must reads’.

On the stroke of ten-thirty, Maryse would arrive, followed by Damien. The team complete, the day could begin. They would unpack the deliveries of books and help customers with their varied requests. ‘I’m looking for that novel about the Second World War. I can’t remember who it’s by or the name of the publisher.’ And then there would be the recommendations. ‘Madame Berthier, I really think you should try this. You were looking for something light to distract you. I guarantee you’ll love it.’ And the orders to put through. ‘Yes, hello, Le Cahier Rouge here. Could I order three copies of Don Juan, Molière, the Bibliolycée paperback edition?’ And the returns: ‘Hello, it’s Le Cahier Rouge. I’d like to return four copies of Tristesse d’été. It’s not selling and I’m changing my displays.’ There would be events to plan: ‘Laurent Letellier from Le Cahier Rouge here. Would it be possible to organise a signing with your author …?’

What People are Saying About This

Foreword Reviews

'This tender and charming romance, written with characteristic Gallic flair, is part mystery and part love story. Flawlessly written, it does everything just right and, at the end, leaves a smile of satisfaction.’

San Francisco Book Review

‘An endearing love story written in beautifully poetic prose. It is an enthralling mystery about chasing the unknown, the nostalgia for what could have been, and most importantly, the persistence of curiosity.’

The Telegraph

‘This is in equal parts an offbeat romance, detective story and a clarion call for metropolitans to look after their neighbours … Reading 'The Red Notebook' is a little like finding a gem among the bric-a-brac in a local brocante.’

Daily Mail

'Soaked in Parisian atmosphere, this lovely, clever, funny novel will have you rushing to the Eurostar post-haste… A gem.’

The Times

'Resist this novel if you can; it’s the very quintessence of French romance’

San Diego Book Review

'Definitely a heartwarming tale.’

Elle

'This is a novel you read with a smile on your face and a thirst to find out how it ends.'

Typographical Era

'With elements of mystery, romance, and drama coupled with the effervescence and charm of Amelie, The Red Notebook is a perfectly delightful and bubbly tale.’

Editorial Reviews

'In equal parts an offbeat romance, detective story and a clarion call for metropolitans to look after their neighbours. . . . Reading The Red Notebook is a little like finding a gem among the bric-a-brac in a local brocante' The Telegraph

'Resist this novel if you can; it’s the very quintessence of French romance' The Times

'Definitely a heartwarming tale' San Diego Book Review

'Soaked in Parisian atmosphere, this lovely, clever, funny novel will have you rushing to the Eurostar post-haste. . . . the perfect French holiday read' Daily Mail

'This tender and charming romance, written with characteristic Gallic flair, is part mystery and part love story. Flawlessly written, it does everything just right and, at the end, leaves a smile of satisfaction' Foreword Reviews

'An instant, flawless masterpiece of Parisian perfection' The Bookbag

'An endearing love story written in beautifully poetic prose. It is an enthralling mystery about chasing the unknown, the nostalgia for what could have been, and most importantly, the persistence of curiosity' San Francisco Book Review

'A warm whimsical romantic cozy in which the location and the support cast bring plausibility to Laurent’s quest that will remind the audience of the movie Serendipity' Midwest Book Review

'With elements of mystery, romance, and drama coupled with the effervescence and charm of Amélie, The Red Notebook is a perfectly delightful and bubbly tale' Typographical Era

'This is a novel you read with a smile on your face and a thirst to find out how it ends' Elle

From the Publisher