The Stone Age: 60 Years of The Rolling Stones
An acclaimed rock-and-roll journalist evokes the legacy of the Rolling Stones—iconic, granitic, commercially unstoppable as a collective, and fascinating, contradictory, and occasionally disturbing as individuals.

On July 12, 1962, the Rollin’ Stones performed their first-ever gig at London’s Marquee jazz club. Down the line, a “g” was added, a spark was lit, and their destiny was sealed. No going back.

These five white British kids set out to play the music of Black America. They honed a style that bled bluesy undertones into dark insinuations of women, sex, and drugs. Denounced as “corruptors of youth” and “messengers of the devil,” they created some of the most thrilling music ever recorded.

Now their sound and attitude seem louder and more influential than ever. Elvis is dead and the Beatles are over, but Jagger and Richards bestride the world. The Stones may be gathering moss, but on they roll.

Yet how did the ultimate anti-establishment misfits become the global brand we know today? Who were the casualties, and what are the forgotten legacies? Can the artist ever be truly divisible from the art?

Lesley-Ann Jones’s new history tracks this contradictory, disturbing, granitic, and unstoppable band through hope, glory, and exile into the juggernaut years and beyond into rock’s ongoing reckoning—where the Stones seem more at odds than ever with the values and heritage against which they have always rebelled. Good, bad, and often ugly, here are the Rolling Stones as never seen before.

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The Stone Age: 60 Years of The Rolling Stones
An acclaimed rock-and-roll journalist evokes the legacy of the Rolling Stones—iconic, granitic, commercially unstoppable as a collective, and fascinating, contradictory, and occasionally disturbing as individuals.

On July 12, 1962, the Rollin’ Stones performed their first-ever gig at London’s Marquee jazz club. Down the line, a “g” was added, a spark was lit, and their destiny was sealed. No going back.

These five white British kids set out to play the music of Black America. They honed a style that bled bluesy undertones into dark insinuations of women, sex, and drugs. Denounced as “corruptors of youth” and “messengers of the devil,” they created some of the most thrilling music ever recorded.

Now their sound and attitude seem louder and more influential than ever. Elvis is dead and the Beatles are over, but Jagger and Richards bestride the world. The Stones may be gathering moss, but on they roll.

Yet how did the ultimate anti-establishment misfits become the global brand we know today? Who were the casualties, and what are the forgotten legacies? Can the artist ever be truly divisible from the art?

Lesley-Ann Jones’s new history tracks this contradictory, disturbing, granitic, and unstoppable band through hope, glory, and exile into the juggernaut years and beyond into rock’s ongoing reckoning—where the Stones seem more at odds than ever with the values and heritage against which they have always rebelled. Good, bad, and often ugly, here are the Rolling Stones as never seen before.

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The Stone Age: 60 Years of The Rolling Stones

The Stone Age: 60 Years of The Rolling Stones

The Stone Age: 60 Years of The Rolling Stones

The Stone Age: 60 Years of The Rolling Stones

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Overview

An acclaimed rock-and-roll journalist evokes the legacy of the Rolling Stones—iconic, granitic, commercially unstoppable as a collective, and fascinating, contradictory, and occasionally disturbing as individuals.

On July 12, 1962, the Rollin’ Stones performed their first-ever gig at London’s Marquee jazz club. Down the line, a “g” was added, a spark was lit, and their destiny was sealed. No going back.

These five white British kids set out to play the music of Black America. They honed a style that bled bluesy undertones into dark insinuations of women, sex, and drugs. Denounced as “corruptors of youth” and “messengers of the devil,” they created some of the most thrilling music ever recorded.

Now their sound and attitude seem louder and more influential than ever. Elvis is dead and the Beatles are over, but Jagger and Richards bestride the world. The Stones may be gathering moss, but on they roll.

Yet how did the ultimate anti-establishment misfits become the global brand we know today? Who were the casualties, and what are the forgotten legacies? Can the artist ever be truly divisible from the art?

Lesley-Ann Jones’s new history tracks this contradictory, disturbing, granitic, and unstoppable band through hope, glory, and exile into the juggernaut years and beyond into rock’s ongoing reckoning—where the Stones seem more at odds than ever with the values and heritage against which they have always rebelled. Good, bad, and often ugly, here are the Rolling Stones as never seen before.


Product Details

ISBN-13: 9798212182577
Publisher: Blackstone Publishing
Publication date: 08/23/2022
Product dimensions: 5.20(w) x 5.70(h) x (d)

About the Author

Lesley-Ann Jones is a bestselling biographer and broadcaster. She is the author of The Search for John Lennon; Bohemian Rhapsody: The Definitive Biography of Freddie Mercury; and Hero: David Bowie. A childhood friend of David Bowie, Lesley-Ann has interviewed many of the world’s most-loved artists, including Mick Jagger, Paul McCartney, Madonna, and Prince—often forming lifelong friendships with her subjects. Lesley-Ann lives in England.


Antonia Beamish is a voice-over artist and AudioFile Earphones Award–winning narrator. She is also a professional actress best known for performances in films such as The Last Horror Movie, Dead Creatures, and Chemical Wedding.

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