The latest action-packed thriller from New York Times bestselling author Ted Bell pits counterspy Alex Hawke against Russian president Vladimir Putin in a daring, exhilarating mission to rescue Hawke’s kidnapped son—and prevent a Soviet invasion of Switzerland
On a ski vacation in the Swiss Alps high above St. Moritz, Alex Hawke and his young son, Alexei, are thrust into danger when the tram carrying them to the top of the mountain bursts into flame, separating the two. Before he can reach Alexei, the boy is snatched from the burning cable car by unknown assailants in a helicopter.
Meanwhile, high above the skies of France, Vladimir Putin is aboard his presidential jet after escaping a bloodless coup in the Kremlin. When two flight attendants collapse and slip into unconsciousness, the Russian leader realizes the danger isn’t over. Killing the pilots, he grabs a parachute, steps out of the plane . . . and disappears.
Hawke has led his share of dangerous assignments, but none with stakes this high. To save his son, he summons his trusted colleagues, Chief Inspector of Scotland Yard Ambrose Congreve, former U.S. Navy SEAL Stokley Jones, Jr., and recruits a crack Hostage Rescue Team—a group of elite soldiers of fortune known as "Thunder & Lighting." Before they can devise a rescue plan, Hawke must figure out who took his boy—and why. An operative who has fought antagonists around the globe, Hawke has made many enemies; one in particular may hold the key to finding Alexei before it’s too late.
But an unexpected threat complicates their mission. Making his way to "Falcon’s Lair," the former Nazi complex created for Hitler, Putin is amassing an impressive armory that he intends to use for his triumphant return to Moscow.
Only one man can smash the Russian president’s plan for domination—a master counterspy who will cross every line to save his son . . . and maybe save the world itself in the bargain.
★ 12/01/2014
Debuting mere months after his latest instant best seller, Colorless Tsukuru Tazaki and His Years of Pilgrimage, this fable is a surprise addition to Murakami's addictive oeuvre. After returning his library books, a boy is sent to Room 107 in search of other titles. There he's trapped by a bald old librarian, guarded by a Sheep Man, fed by a voiceless girl, and forced to memorize "three fat books" about the Ottoman tax system for insidious purposes. How will the boy get home to his mother (and pet starling) in time for dinner? VERDICT This novel is just 96 pages, with 32 of those illustrations curated and created by designer Chip Kidd. The artwork is intriguing, mysterious, and untranslated (hints: that's "Meiji Milk Chocolate" in Chapter 13 and an upside-down labeled planet zoom-out in Chapter 17). New audiences could read this as just another provocative, surreal tale, but Murakami fans will obsessively catalog the many multilayered references to previous titles, from the obvious Sheep Man (Trilogy of the Rat), labyrinthine other worlds (Hard-Boiled Wonderland and the End of the World), silently communicative women (After Dark) to, of course, librarians (Kafka on the Shore), plus much more. A mesmerizing Strange Library indeed. [See Prepub Alert, 9/8/14.]—Terry Hong, Smithsonian BookDragon, Washington, DC
2014-09-28
"I'm going to slice you up nice and fine and feed you to the centipedes." Another off-kilter yarn from master storyteller Murakami: allegorical, shadowy and not at all nice.Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage, 2014, etc.) loves two things among many: Franz Kafka (think Kafka on the Shore) and secret places (think 1Q84). This latest, brief and terse, combines those two passions in the frightening vision of a hapless young man who, returning two books—How to Build a Submarine and Memoirs of a Shepherd—to the library, is sent to Room 107, deep in a basement he didn't know existed. Confronted by an apparently friendly but nevertheless no-nonsense old man, the youngster allows that he's interested in "how taxes were collected in the Ottoman Empire." And who wouldn't be? Well, that's enough to send our young fellow into a nightmare world featuring a blandly mysterious young woman, a sheep man, the ever present threat of danger and the nagging worry that his mom is going to be upset when he doesn't show up for supper. Even so, our young man has the presence of mind to ask the right questions: How, given strapped municipal budgets and library cuts, could "our city library have such an enormous labyrinth in its basement?" And why is he being imprisoned—for the answer comes back positive to his question of the Sheep Man, "Is this by any chance a jail cell?" It would take a Terry Gilliam, or perhaps a Kurosawa, to film Murakami's nightmare properly, and if the reader may well be puzzled over what the story, published in Japan in 2005, means at heart, then the prospect of the young man's being freed only if he passes rigorous questioning over, yes, taxation in the Ottoman Empire will ignite the fear-of-a-long-ago-final-exam syndrome in all of us. At once beguiling and disquieting—in short, trademark Murakami—a fast read that sticks in the mind.
An elderly librarian who is determined to treat patrons as prisoners leads a young boy into the depths of a library in this resonant short novel. Listeners shouldn’t be fooled by the story’s short duration and simple vocabulary; this isn’t a children’s book but a captivating fantasy of adult proportions. Kirby Heyborne’s delivery beautifully captures the young hero’s adolescent tangle of wonder, fear, and ingrained obedience as he meets the strange residents of the library. Heyborne’s well-paced performance and young-sounding voice fully compensate for not having access to the illustrations found in the print version of the book. N.J.B. © AudioFile 2015, Portland, Maine