From the Publisher
A fascinating picture of frontier Kentucky. . . . The story of Jemima’s abduction, an exciting and revealing episode in the history of America’s westward expansion, deserves to be retold. To his credit, Pearl resists oversimplifying a history that has been too often presented as a frontier romance, showing us that it is as much about the women, children and Native Americans who played a part in it as the famous men who ensured it would be remembered.” — New York Times Book Review
“Pearl deftly re-creates a fraught moment in the confusing struggle among American Patriots, American Loyalists, British and Indians. . . . A gripping story and [Pearl has] told it well.” — Washington Post
“A story of the famous Daniel Boone that stands on just its facts, and yet the storytelling has the same quality that has made Pearl’s historical fiction so popular.” — New York Journal of Books
“A deliciously intricate and utterly absorbing retelling of the Daniel Boone family saga–—and particularly the complex roles played by the Cherokee and Shawnee across Boone's southern Appalachian stamping grounds. The Taking of Jemima Boone adds an intriguing dimension to an issue of keen importance to modern society.”
— New York Times bestselling author Simon Winchester
“Not only did Matthew Pearl’s clear and vivid writing immediately sweep me up in a father’s fear, it pulled me into a larger and even more profound story, one that would change the course of three nations—one young, two ancient, all fighting for survival.” — Candice Millard, bestselling author of The River of Doubt: Theodore Roosevelt’s Darkest Journey
“It seemed Jemima Boone’s fate to be taken hostage—if not by Kentucky Indians then by fiction and legend. Even a cousin had a go at her story, in verse. Sensitively and eloquently, writing his way around the silences, Matthew Pearl rescues her at last. Fearlessness seemed to run in the family; Jemima could neither read nor write, yet had an uncanny ability to communicate with her father, conspiring with him from a distance, assisting with his rescue, under gunfire, at close hand. A rousing tale of frontier daring and ingenuity, better than legend on every front.”
— Stacy Schiff, Pulitzer Prize–winning author
“If the past is indeed a foreign country, Matthew Pearl has your passport.” — New York Daily News
New York Times bestselling author Simon Winchester
A deliciously intricate and utterly absorbing retelling of the Daniel Boone family saga–—and particularly the complex roles played by the Cherokee and Shawnee across Boone's southern Appalachian stamping grounds. The Taking of Jemima Boone adds an intriguing dimension to an issue of keen importance to modern society.”
Pulitzer Prize–winning author Stacy Schiff
It seemed Jemima Boone’s fate to be taken hostage—if not by Kentucky Indians then by fiction and legend. Even a cousin had a go at her story, in verse. Sensitively and eloquently, writing his way around the silences, Matthew Pearl rescues her at last. Fearlessness seemed to run in the family; Jemima could neither read nor write, yet had an uncanny ability to communicate with her father, conspiring with him from a distance, assisting with his rescue, under gunfire, at close hand. A rousing tale of frontier daring and ingenuity, better than legend on every front.”
Candice Millard
Not only did Matthew Pearl’s clear and vivid writing immediately sweep me up in a father’s fear, it pulled me into a larger and even more profound story, one that would change the course of three nations—one young, two ancient, all fighting for survival.”
New York Daily News
If the past is indeed a foreign country, Matthew Pearl has your passport.
Kirkus Reviews
2021-07-14
Novelist Pearl turns to history in this study of Daniel Boone and the settlement of Kentucky.
The moment that fuels the narrative is largely a footnote in the larger history of the Revolutionary War: Shawnee and Cherokee warriors captured Boone’s daughter Jemima, along with two other girls, and took them to the British stronghold of Fort Detroit. Boone and a few hardy frontiersmen tracked them, rescued the girls, and killed a couple of their kidnappers. “The drive to protect and avenge family would not end with Jemima and Daniel Boone: An Indian killed in the rescue, reports suggested, was the son of War Chief Blackfish, one of the…most feared leaders and strategists,” writes Pearl, who zooms out to look at this well-known episode in the context of the ensuing war on the frontier. That context is as a peripheral theater of operations in which British forces, having driven the French from the western frontier, were busily engaged in recruiting Native peoples to go to war against settlers like Boone. As Pearl makes clear, in a sense it doesn’t matter which side the Natives cast their lot with. They would have lost political power and, in time, their lands to the voracious appetites of the Euro-Americans, even though one thoughtful Native commander concocted an interesting scheme by which captured settlers could be repurposed as citizens of those Indigenous nations, which would “turn the frontier into an integrated, shared space.” It would not come to pass. Though Bob Drury and Tom Clavin’s Blood and Treasure covers this ground better, Pearl spins an entertaining story. The capable, resourceful Jemima, occasionally forgotten in the narrative, turns up at just the right moments, plot points if this were a novel. Memorably, she was there to hold her father’s hand as he died at the improbably old age of 85.
A readable though ancillary work of frontier history.
