A literary crime masterpiece that follows a Japanese pickpocket lost to the machinations of fate. Bleak and oozing existential dread, The Thief is simply unforgettable.
The Thief is a seasoned pickpocket. Anonymous in his tailored suit, he weaves in and out of Tokyo crowds, stealing wallets from strangers so smoothly sometimes he doesn’t even remember the snatch. Most people are just a blur to him, nameless faces from whom he chooses his victims. He has no family, no friends, no connections.... But he does have a past, which finally catches up with him when Ishikawa, his first partner, reappears in his life, and offers him a job he can’t refuse. It’s an easy job: tie up an old rich man, steal the contents of the safe. No one gets hurt. Only the day after the job does he learn that the old man was a prominent politician, and that he was brutally killed after the robbery. And now the Thief is caught in a tangle even he might not be able to escape.
|Publisher:||Soho Press, Incorporated|
|Product dimensions:||5.00(w) x 7.40(h) x 0.70(d)|
About the Author
Fuminori Nakamura was born in 1977 and graduated from Fukushima University in 2000. He has won numerous prizes for his writing, including the Oe Prize, Japan’s largest literary award, and the prestigious Akutagawa Prize. The Thief, his first novel to be translated into English, was a finalist for the Los Angeles Times Book Prize. He is the recipient of the David L. Goodis Award for Noir Fiction. He lives in Tokyo with his wife.
Read an Excerpt
When I was a kid, I often messed this up.
In crowded shops, in other people’s houses,
things I’d pick up furtively would slip from my fingers.
Strangers’ possessions were like foreign objects that didn’t fit comfortably in my hands. They would tremble faintly, asserting their independence, and before I knew it they’d come alive and fall to the ground. The point of contact, which was intrinsically morally wrong, seemed to be rejecting me. And in the distance there was always the tower. Just a silhouette floating in the mist like some ancient daydream. But I don’t make mistakes like that these days. And naturally I don’t see the tower either.
In front of me a man in his early sixties was walking towards the platform, in a black coat with a silver suitcase in his right hand. Of all the passengers here, I was sure he was the richest. His coat was Brunello Cucinelli, and so was his suit. His Berluti shoes, probably made to order,
did not show even the slightest scuffmarks. His wealth was obvious to everyone around him. The silver watch peeping out from the cuff on his left wrist was a Rolex
Datejust. Since he wasn’t used to taking the bullet train by himself, he was having some trouble buying a ticket.
He stooped forward, his thick fingers hovering over the vending machine uncertainly like revolting caterpillars. At that moment I saw his wallet in the left front pocket of his jacket.
Keeping my distance, I got on the escalator, got off at a leisurely pace. With a newspaper in my hand, I stood behind him as he waited for the train. My heart was beating a little fast. I knew the position of all the security cameras on this platform. Since I only had a platform ticket, I had to finish the job before he boarded the train. Blocking the view of the people to my right with my back, I folded the paper as I switched it to my left hand. Then I lowered it slowly to create a shield and slipped my right index and middle fingers into his coat pocket. The fluorescent light glinted faintly off the button on his cuff, sliding at the edge of my vision. I breathed in gently and held it, pinched the corner of the wallet and pulled it out. A quiver ran from my fingertips to my shoulder and a warm sensation gradually spread throughout my body. I felt like I was standing in a void, as though with the countless intersecting lines of vision of all those people, not one was directed at me. Maintaining the fragile contact between my fingers and the wallet, I
sandwiched it in the folded newspaper. Then I transferred the paper to my right hand and put it in the inside pocket of my own coat. Little by little I breathed out, conscious of my temperature rising even more. I checked my surroundings,
only my eyes moving. My fingers still held the tension of touching a forbidden object, the numbness of entering someone’s personal space. A trickle of sweat ran down my back. I took out my cell phone and pretended to check my email as I walked away.
I went back to the ticket gate and down the gray stairs towards the Marunouchi line. Suddenly one of my eyes blurred, and all the people moving around me seemed to shimmer, their silhouettes distorted. When I reached the platform I spotted a man in a black suit out of the corner of my eye. I located his wallet by the slight bulge in the right back pocket of his trousers. From his appearance and demeanor I judged him to be a successful male companion at a ladies-only club. He was looking quizzically at his phone, his slender fingers moving busily over the keys.
I got on the train with him, reading the flow of the crowd,
and positioned myself behind him in the muggy carriage.
When humans’ nerves detect big and small stimuli at the same time, they ignore the smaller one. On this section of track there are two large curves where the train shakes violently. The office worker behind me was reading an evening paper, folded up small, and the two middleaged women on my right were gossiping about someone and laughing raucously. The only one who wasn’t simply traveling was me. I turned the back of my hand towards the man and took hold of his wallet with two fingers. The other passengers formed a wall around me on two sides.
Two threads at the corner of his pocket were frayed and twisted, forming elegant spirals like snakes. As the train swayed I pushed my chest close to him as though leaning against his back and then pulled the wallet out vertically.
The tight pressure inside me leaked into the air, I
breathed out and a reassuring warmth flowed through my body. Without moving I checked the atmosphere in the carriage, but nothing seemed out of order. There was no way I would make a mistake in a simple job like this. At the next station I got off and walked away, hunching my shoulders like someone feeling the cold.
I joined the stream of weary people and went through the barrier. Looking at the fifteen or so average men and women gathered at the entrance to the station, I figured there was about two hundred thousand yen among them.
I strolled off, lighting a cigarette. Behind a power pole to my left I saw a man check the contents of his wallet in full view and put it in the right pocket of his white down jacket. His cuffs were dark with stains, his sneakers worn and only the fabric of his jeans was good quality. I ignored him and went into Mitsukoshi Department Store. On the menswear floor, which was full of brand-name shops, there was a display mannequin wearing a coordinated outfit,
something reasonably well-off guys in their late twenties or early thirties would wear. The mannequin and I were dressed the same. I had no interest in clothes, but people in my line of work can’t afford to stand out. You have to look prosperous so that no one suspects you. You have to wear a lie, you have to blend into your environment as a lie. The only difference between me and the store dummy was the shoes. Keeping in mind that I might have to run away, I was in sneakers.
I took advantage of the warmth inside the shop to loosen my fingers, opening and closing my hands inside my pockets. The wet handkerchief I used to moisten my fingers was still cold. My forefinger and middle finger were almost the same length. Whether I was born like that or they gradually grew that way I don’t know. People whose ring fingers are longer than their index fingers use their middle and ring fingers. Some people grip with three fingers,
with the middle finger at the back. Like all forms of motion, there is a smooth, ideal movement for removing a wallet from a pocket. It’s not only a matter of the angle, but of speed as well. Ishiwaka loved talking about this stuff.
Often when he drank he became unguarded and chatty like a child. I didn’t know what he was up to anymore. I
figured he was probably already dead.
I entered a stall in the department store’s dimly lit toilet, pulled on a thin pair of gloves and inspected the wallets. I’d made it a rule never to use the station toilets,
just to be on the safe side. The Brunello Cucinelli man’s held 96,000 yen, three American $100 bills, a Visa gold card, an American Express gold card, a driver’s license, a gym membership card and a receipt for 72,000 yen from a fancy Japanese restaurant. Just when I was about to give up I found an intricately colored plastic card with nothing printed on it. I’d come across these before. They’re for exclusive private brothels. In the male companion’s wallet were 52,000 yen, a driver’s license, a Mitsui Sumitomo credit card, cards for Tsutaya video store and a comic book café, several business cards from sex workers and a whole lot of scrap paper, receipts and the like. There were also some colorful pills with hearts and stars stamped on them. I only took the banknotes, leaving the rest inside. A
wallet shows a person’s personality and lifestyle. Just like a cell phone, it is at the center, forming the nucleus of the owner’s secrets, everything he carries on him. I never sold the cards because it was too much bother. I did what
Ishikawa would have done—if I dropped the wallets in a mailbox, the post office would forward them to the police,
who would then return them to the address on the driver’s license. I wiped off my fingerprints and put the wallets in my pocket. The male escort might get busted for drugs,
but that wasn’t my problem.
Just as I was leaving the stall I felt something strange in one of the hidden pockets inside my coat. Alarmed, I
went back into the toilet. A Bulgari wallet, made of stiff leather. Inside was 200,000 yen in new bills. Also several gold cards, Visa and others, and the business cards of the president of a securities firm. I’d never seen the wallet or the name on the cards before.
Not again, I thought. I had no recollection of taking it.
But of all the wallets I’d acquired that day it was definitely the most valuable.
Feeling a slight headache, I gave myself up to the rocking of the train. It was bound for
Haneda Airport, but it was terribly crowded. Between the heating and the warmth of other people’s bodies, I was sweating. I stared out the window, moving my fingers in my pockets. Clusters of dingy houses passed at regular intervals, like some kind of code. Suddenly I remembered the last wallet I took yesterday. I blinked and an enormous iron tower flashed by me with a loud roar. It was over in an instant but my body stiffened. The tower was tall and I felt like it had glanced casually at me standing tensely in the middle of that crowded train.
When I looked around the carriage I saw a man who seemed to be totally absorbed by something. Not so much concentrating as in a trance, eyes half closed, as he groped a woman’s body. I think that men like that fall into two types—ordinary people who have perverted tendencies,
and people who are swallowed up by their perversion so that the boundary between fantasy and reality becomes blurred and then disappears completely. I suspected he belonged to the second group. Then I realized that the victim was a junior high school student, and I wove my way through a gap in the crowd. Apart from me and him and the girl, no one had noticed anything.
From behind, I deliberately grabbed the man’s left wrist with my left hand. All his muscles suddenly jerked into life and then I felt him go limp, as though after a severe shock. Keeping hold of his wrist, I steadied his watch with my forefinger, undid the clasp on the strap with my thumb and slid it into my sleeve. Then I pinched his wallet from the right inside pocket of his suit with my right fingers. Realizing there was a risk of touching his body, I changed my movement, dropped the wallet in the space between his jacket and shirt and caught it with my left hand underneath. A company employee in his late thirties, and judging from his ring he was married.
I grasped his arm again, this time with my right hand.
The color had drained from his face and he was struggling to turn towards me, twisting his neck while rocking with the motion of the train. Sensing the change behind her,
the girl moved her head, unsure whether to turn around or not. The carriage was quiet. The man was trying to open his mouth to speak, as if he wanted to justify himself to me or to the world. It seemed like some malevolent spotlight was calling attention to his presence. His throat quivered as though he was getting ready to scream. Sweat was running down his cheeks and forehead and his eyes were wide but unfocused. Perhaps I would wear the same expression when I got caught. I released the pressure on his arm and mouthed, “Go!” Face contorted, he couldn’t make up his mind. I jerked my head towards the door.
Arms trembling, he turned to the front again, as if he’d realized that I’d been looking at his face. The door opened and he ran. He thrust his way into the throng, wriggling and shoving people out of the way.
What People are Saying About This
Wall Street Journal 10 BEST FICTON OF THE YEAR
Wall Street Journal 10 BEST MYSTERY BOOKS OF THE YEAR
World Literature Today NOTABLE TRANSLATION
"The Thief brings to mind Highsmith, Mishima and Doestoevsky... A chilling philosophical thriller leaving readers in doubt without making them feel in any way cheated."
—The Wall Street Journal, BEST BOOK OF THE YEAR selection
“Nakamura's prose is cut-to-the-bone lean, but it moves across the page with a seductive, even voluptuous agility. I defy you not to finish the book in a single sitting.” —Richmond Times Dispatch
"His grasp of the seamy underbelly of the city is why Nakamura is one of the most award-winning young guns of Japanese hardboiled detective writing."
“Fascinating. I want to write something like The Thief someday myself."
—Natsuo Kirino, bestselling author of Edgar-nominated Out and Grotesque
"It's simple and utterly compelling - great beach reading for the deeply cynical. If you crossed Michael Connelly and Camus and translated it from Japanese."
—Sacramento Bee “Page-Turner” pick
“Disguised as fast-paced, shock-fueled crime fiction, Thief resonates even more as a treatise on contemporary disconnect and paralyzing isolation.”
“I was deeply impressed with The Thief. It is fresh.”
—Kenzaburo Oe, Nobel Prize–winning author of A Personal Matter
“Nakamura’s memorable antihero, at once as believably efficient as Donald Westlake’s Parker and as disaffected as a Camus protagonist, will impress genre and literary readers alike."
“Fast-paced, elegantly written, and rife with the symbols of inevitability.”
“Compulsively readable for its portrait of a dark, crumbling, graffiti-scarred Tokyo—and the desire to understand the mysterious thief.”
“The drily philosophical tone and the noir atmosphere combine perfectly, providing a rapid and enjoyable "read" that is nonetheless cool and distant, provoking the reader to think about (as much as experience) the tale.”
—International Noir Fiction
"The Thief manages to wrap you up in its pages, tightly, before you are quite aware of it."
“Nakamura succeeds in creating a complicated crime novel in which the focus is not on the crimes themselves but rather on the psychology and physicality of the criminal. The book’s power inheres in the voice of the thief, which is itself as meticulously rendered as the thief’s every action.”
"Unique and engrossing."
"Readers will be enthralled by this story that offers an extremely surprising ending."—Suspense Magazine
“Along the way the reader catches glimpses of Japan and its lifestyle, which is far from a pretty picture”
—Deadly Pleasures Mystery Magazine
“So many issues are raised in this novel. It is wonderfully brief, and spare, much like something Hemingway would write."
—Dolce Bellezza Blog
Most Helpful Customer Reviews
Well-written story. Terse style. Pleasure to read. Surprise ending.
The Thief (scheduled for a March 2012 release) is Japanese author Fuminori Nakamura¿s first novel to be published in English. Judging from the quality of The Thief, I believe it is safe to say that it will not be his last. The young author, already a winner of multiple literary prizes in his native Japan, seems destined soon for wider recognition of his talents.¿The Thief¿ in this story is such an accomplished pickpocket that he sometimes goes on automatic pilot, even to the point that he cannot remember the source of the wallet full of money he later discovers in his own pocket. He was trained by one of the best in the business, an older man named Ishikawa, and the skills he learned provide him with a good living. Now, Ishikawa reappears and offers our Thief the chance at some easy money to be earned as part of a gang contracted to perform a ¿sure thing¿ breaking and entering job. All the gang has to do is break into a man¿s home, tie him up, and steal everything in his safe ¿ everything. But, of course, when something sounds too good to be true, it usually is. When the surprisingly prominent target ends up dead, all the Thief really understands about the crime is that he will be lucky to survive his participation in it. Fuminori Nakamura¿s Thief is a complicated man, one not at all bothered by how he makes his living but, especially when it comes to children, still a softie at heart. Because it is so easy for him to acquire cash, the Thief even allows himself a touch of Robin Hoodish behavior on occasion - as in when he gives away a whole day¿s take on the streets to stop a young boy¿s mother from forcing him repeatedly to shoplift the food and supplies she wants. The Thief exposes a bit of Japan¿s underbelly that will surprise many readers, but that is one of the benefits of reading translated crime fiction. The genre, even one like The Thief that is long on noir, reveals much about a country¿s personality and culture that otherwise remains hidden from the casual observer. This is a worthy addition to any crime fiction lover¿s bookshelves. Enjoy. Rated at: 4.0
The Thief in question is a talented pickpocket who takes pleasure in stealing from the rich and prides himself on the skill with which he can separate any man from his wallet. He's got the whole process down to a science, isn't wanting for anything and enjoys his freedom and independence. Things start changing for him when he encounters a young boy who is forced by his mother to steal groceries. The boy is needing some tips on how to become a more accomplished thief and our man is only too glad to share his knowledge on that score. Then an old thieving partner reappears in his life and gets him involved in an assignment he can't refuse; participating in an armed robbery for the Yakuza. The plan is meticulously worked out and the reap seems too good to be true. The Thief has misgivings about the robbery and his suspicions are about to prove to be well founded. This is a good story which is sure to appeal to many, but which for some reason failed to grab me. Could it have something to do with the audio version and a narrator I didn't like? That certainly couldn't have helped, but there were elements in the story itself which I'd be hard pressed to put my finger on which simply didn't appeal to me, so I was all the more happy that this was a short affair.
A quick piece of noir fiction. The plot is a sketchy bit about a pickpocket drawn against his will into performing crimes for what appears to be a Tokyo underworld figure. It turns a little philosophical as it presents questions of determinism and fatalism and alienation. These larger issues, and the fate of the pickpocket, aren't settled by the book's finale, a nervy coup de grâce that nearly redeems the story for me.I regret that it doesn't really give much sense of contemporary Japan. The atmosphere is generic and flat and the book almost could have been set in any very large city.Slight, but enjoyable.
The language in this novel is strongly reminiscent of Haruki Murakami in its starkness and psychological nature. The reader is taken inside the mind of a highly accomplished pickpocket in Japan which is a fertile field of moral ambiguity. What makes a thief tick? What does a thief give up to be good at what he does? What does a thief run towards and run from? These are a few of the issues addressed in this story. Strongly recommend taking this revealing psychological journey.
Written in first-person narrative, The Thief offers the reader an interesting look into the mind of a criminal. Despite his actions, you feel for him. You relate to his lost love, his interest is a poor boy’s future, and his uncertainty about his own worth. The fact that the main character is part of a different culture never really distracts from the story. The chapters are quick and the simplicity of the story is brilliant. Nakamura doesn’t bog down the reader with lots of characters, a maze of twists and turns to follow, or constant suspense. He allows the story to flow, and the current pulls the reader into a world where money means nothing and your identity depends entirely on who you think you should be.
Interesting subject matter. A young pickpocket in Japan, crosses paths with some heavy weight gangsters. Can he make the score and still escape without being caught up in their web? The writing was a bit spare. Hard to tell whether it was intentional or not. I would like to see the characters fleshed out a bit more. I feel the author has some good ideas and a lot of potential. The book was provided for review by the well read folks at Soho Press.
This novel is an interesting idea in need of fulfillment. Somehow, it leaves the reader somewhat confused. It recounts the development of a pickpocket who generally only removes wallets from rich people. Along the way, the author philosophizes about the “profession” of picking pockets, including a little history of some of the more famous practioners of the art. The thief himself tells the story in the first person. However, for all he has to say about his work and life, we learn very little about him and exactly why what happens to him in the end occurs. Or, really, about any of the other characters. They all seem to be symbols of something, but none is precisely explained. Tightly written, the book is a fast read. But on reaching the conclusion this reader, at least, wondered what it was all about. Hopefully, in a future work, the author will turn his talent to a more fully developed plot and characterizations, of which “The Thief” indicates he is capable. The book is worthy of note, and therefore is recommended despite the above reservations.
The reviewer for the Richmond Times Dispatch got it exactly right when he defied readers not to finish the book in a single sitting. I could not put this down. Very existential and psychological, not really much of a "thriller," but fast-paced, and after a few days you just want to pick it up and read it again -- it's a modest 2-4 hour read!