[An] appealing love story that provides romantics with many swoon-worthy moments.” —Publishers Weekly
“Using the device of Clementine’s amnesia, Crane explores themes of freedom and self-determination…Readers will respond to [Clementine’s] testing of new waters. A light exploration of existential themes.” —Kirkus Reviews
“[R]eaders glimpse a new side of Ireland. Clementine is a resilient heroine…The book ultimately rewards…” —Booklist
“This quickly paced work will be enjoyed by teens interested in independence, love, self-discovery, and drama.” —School Library Journal
“Crane’s contemporary YA offers a light take on heavy issues…a charming Irish setting with a sweet romance and brooding hero…” —RT Book Reviews
“Themes of identity, free will, and self-determination pervade the story. The setting in lush and beautiful Ireland adds charm to the tale as does the romantic brogue of the leading man. The final, unexpected plot twist also helps the story achieve its fresh and appealing quality. Teens who like romance, mystery, and a strong-willed female will like this quick, enjoyable read.” —VOYA
“The Upside of Falling Down is a sweet, funny love story that YA readers will fall for.” —HelloGiggles
“First love, starting over, finding herself—the story is hopeful and romantic.” —Denver Life
“…A short, sweet romance…The characters were fun. The pacing and writing were great. The plot was interesting, and the setting was beautiful and lush. If you’re looking for a cute romance, try this!” —Night Owl Reviews (Top Pick)
“I’m not the least surprised that Rebekah Crane has written yet another book that I’ve wholly adored, and The Upside of Falling Down may be my favorite yet. Written with Rebekah’s unstoppable mix of sharp humor, detailed characters, and all-around charm, this story delivers a fresh and enticing take on first love—and one that will leave readers swooning.” —Jessica Park, author of 180 Seconds
12/01/2017
Gr 9 Up—Waking up in an Irish hospital, Clementine Haas has no idea why she's there. She is informed that she's an 18-year-old from Ohio and the lone survivor of a plane crash. Clementine has total amnesia. During her brief stay in the hospital, the protagonist meets a handsome stranger in the courtyard. Her father has come to fetch her from the hospital but Clementine, too scared to face the life she doesn't remember, convinces the handsome stranger Kieran to take her away. She needs a chance to find herself and to hopefully figure out why she has a green heart tattoo on her foot that disgusts her. The story that follows is of Clementine's slow self-discovery, Kieran's mysterious reticence, and a lot of attitude from Kieran's pregnant twin sister, Siobhan. Clementine uses this experience to teach herself and those around her to embrace the life one has. The teen doesn't want to live recklessly, but does want to live the life she chooses on her own terms. VERDICT This quickly paced work will be enjoyed by teens interested in independence, love, self-discovery, and drama. A good choice for most YA shelves.—Sara Jurek, Children's English Library, Stuttgart, Germany
2017-10-30
When Clementine Haas wakes up in a hospital, she has no recollection of the past 18 years of her life, let alone why she's there. The white teenager is horrified to learn she is the lone survivor of a terrible plane crash in Ireland. When her father arrives from America, she feels nothing and runs away. She doesn't know if she's trying to find or lose Clementine, but she can't stay in that hospital any longer, disappointing everyone by not remembering. She dares 20-year-old Irishman Kieran O'Connell to get her away from the hospital, and he takes her to the small village of Waterville, where Clementine is able to relax and slowly try to figure out who she is. Clementine meets Kieran's pregnant twin sister, Siobhan, and Clive, a bisexual man with a mohawk who owns a used book and record store (and who offers the only diversity in the book other than Stephen, a gay, Jewish nurse). Unsurprisingly, she falls head over heels in love with Kieran, feeling an overpowering connection with him. Using the device of Clementine's amnesia, Crane explores themes of freedom and self-determination. Her freedom to remake herself in Waterville begins with a purple dye job and a fake name but doesn't end there; readers will respond to her testing of new waters.A light exploration of existential themes. (Fiction. 14-18)
Alana Kerr Collins’s narration is formal and fitting for an American who has woken up in an Irish hospital with amnesia and finds herself a stranger even to herself. Eighteen-year-old Clementine has no memory after being the sole survivor of a plane crash. She can’t fathom seeing her father, whom she can’t remember, so she assumes a new identity, fleeing the hospital with Kieran, a friendly local man. Collins transitions well between American and Irish accents, faltering only a few times near the end. The tone of Kieran’s sister is biting as she makes no attempt to hide her contempt for her new flatmate, in stark contrast to the friendly shop owner who befriends Clementine and gabs affectionately with her. A.L.C. © AudioFile 2018, Portland, Maine